In ‘Backstage’ nemen Pascal Braeckman en Jan Van Eyken geen blad voor de mond en serveren verrassende, grappige, emotionele, pikante, soms heel gênante, maar gegarandeerd waargebeurde verhalen over zichzelf en over bekende mensen waar ze jarenlang mee samenwerkten. De leukste anekdotes waarin ze vooral zichzelf niet sparen.

Waarom keek Koen Wauters op naar Pascal? Met hoeveel gitaarakkoorden schrijf je een wereldhit? Kan Tom Waes echt niet fietsen? Wat moet Bruce Springsteen met een rode slip? Hoe raakt Ben Crabbé aan een lief? Het antwoord op al deze vragen en meer kom je te weten in BACKSTAGE. 

Momenteel trekken twee Vlaamse media-iconen samen door Vlaanderen met een grappige, maar vooral unieke show. Jan Van Eyken en Pascal Braeckman gaan met ‘Backstage’ langs verschillende theaters in Vlaanderen en doen letterlijk en figuurlijk hun boekje open over de vele avonturen die ze jarenlang beleefden in de backstage. Jan, vooral bekend als onnavolgbare gitarist van De Kreuners, en Pascal Braeckman, lichtman bij Clouseau en nu al legendarische klankman van o.a. Tom Waes, gooien al hun grappige, verbazingwekkende en vooral waargebeurde verhalen uit de showbizzscene van vroeger en nu op een hoop, en presenteren deze in een heerlijke, komische theatershow. 

Tickets voor ‘Backstage’ op 4 januari om 20.00u in CC Scharpoord Knokke-Heist via https://shop.knokke-heist.be/Tickets/Register

ANDRÉ RIEU OP WEG NAAR UITVERKOCHT SPORTPALEIS EN KONDIGT KERSTCONCERTEN 2025 IN MECC MAASTRICHT AAN

13 en 14 december 2025 - MECC Maastricht

André Rieu, Koning van de Wals, mag zijn nieuwe wereldtournee op zondag 12 januari 2025 aanvatten met een uniek en wederom nu al nagenoeg uitverkocht Nieuwjaarsconcert in het Antwerpse Sportpaleis. Ook de kerstconcerten in het MECC in Maastricht (tot 22 december) zijn dit jaar weer een enorm succes. 70.000 bezoekers komen vanuit de hele wereld genieten van André Rieu, prachtige solisten, de onnavolgbare Emma Kok - die ook in Antwerpen weer van de partij is - en natuurlijk het Johann Strauss Orkest. Precies op tijd voor het kerstfeest staan de data al vast voor de kerstconcerten van volgend jaar. Op 13 en 14 december 2025 om 20.00 uur zullen er weer prachtige Andre Rieu-kerstconcerten in MECC Maastricht plaatsvinden. Tickets en travel arrangementen zijn vanaf vrijdag 19 december 2024, 12.00 uur, verkrijgbaar via andrerieu.com .

"De kerstperiode is voor mij altijd een magische tijd," zegt André Rieu. "Het is heerlijk om samen met mijn Johann Strauss Orkest de warmte van Kerstmis naar mijn geboortestad Maastricht te brengen. Voor jullie willen mijn orkest en ik ook in 2025 weer een romantisch muzikaal kerstconcert geven, dat jullie nooit zullen vergeten.“

Laat je betoveren door tijdloze kerstliederen, romantische walsen en bekende melodieën uit opera, operette en musical, uitgevoerd door het Johann Strauss Orkest en internationale solisten. Een sprookjesachtig winterwonderland, kunstschaatsers en honderden schitterende dansparen zorgen ervoor dat je - samen met je familie en vrienden - helemaal in de kerstsfeer komt

Op de super feestelijke en gezellige kerstmarkt kun je ook heerlijk eten en drinken. 

Kerstmis viert André Rieu met zijn eigen gezin thuis, voordat hij in het nieuwe jaar weer op wereldtour gaat. De premières zijn traditioneel in Amsterdam en Antwerpen. Daarna volgen Duitsland, Bahrein, Bulgarije, Griekenland en Frankrijk, gevolgd door Groot-Brittannië en Ierland, Oost-Europa, Noord-Europa, Nederland en Malta. 

Op André Rieu’s nieuwe album 'The Sound of Heaven‘ vind je een bijzondere selectie van klassieke meesterwerken, romantische melodieën en evergreens, prachtig uitgevoerd door André Rieu en zijn beroemde Johann Strauss Orkest. Als extra geschenk tref je bij deze cd ook een splinternieuwe dvd aan: https://www.andrerieu.com/nl/the-sound-of-heaven/

Verzeker je van de beste plaatsen voor André Rieu's spectaculaire kerstconcerten op zaterdag 13 december en zondag 14 december 2025 om 20.00 uur – het perfecte cadeau voor de hele familie! Tickets vanaf 19 december, 12.00 uur, verkrijgbaar via www.andrerieu.com .

André Rieu – Muziek voor je hart, herinneringen voor je hele leven!

AMERIKAANSE ZANGERES ALFA ANDERSON (EX CHIC) OVERLEDEN

De Amerikaanse zangeres en docente Alfa Anderson is gisteren (17/12) op 78-jarige leeftijd overleden. Alfa werd in de tweede helft van de jaren zeventig wereldberoemd als een van de leadvocalisten van de band Chic. Alfa Anderson werd geboren in Augusta, in de Amerikaanse staat Georgia. Haar ouders noemden haar ‘Alfa’, naar de eerste letter van het Griekse alfabet. Ze kreeg de muziek met de paplepel ingegoten en schreef haar eerste liedje op driejarige leeftijd. Hoewel Alfa een zeer getalenteerd zangeres was, koos zij ervoor om eerst een gedegen schoolopleiding te volgen. Ze studeerde aan Paine College, gevolgd door Teachers College aan de universiteit van Columbia. Daar studeerde Alfa af in de Engelse taal en zong zij ook in het studentenkoor. In 1976 debuteerde Alfa als professioneel zangeres in Cannonball Adderley's ‘Big Man — The Legend of John-Henry’, gesponsord door het Newport Jazz Festival in Carnegie Hall. Alfa was als docente verbonden aan Hunter College in New York City, terwijl ze in de weekends zong met Kenny en Everett Brawner, oprichters van de band Raw Sugar. Dit leidde tot deelname aan andere bands, zoals Lou Courtney en Buffalo Smoke. Hier ontmoette de zangers ook Luther Vandross. Als achtergrondzangeres werkte Alfa voor Nat Adderley, Roy Buchanan, Dionne Warwick, Odyssey en vele anderen. Haar stem was ook te horen op de soundtrack van ‘The Wiz’, geproduceerd door Quincy Jones. Het was Luther Vandross die Alfa aanmoedigde om auditie te doen als achtergrondzangeres bij Chic, de nieuwe band van Nile Rodgers en Bernard Edwards. Alfa debuteerde bij Chic op het gelijknamige debuutalbum, waarvan de hits ‘Dance, Dance, Dance’ en ‘Everybody Dance’ kwamen. Alfa promoveerde bij Chic tot leadzangeres, toen Norma Jean Wright de groep in 1978 verliet. Samen met Luci Martin deelde Alfa de leadzang op de wereldhits ‘Le Freak’ (1978), ‘Good Times’ (1979) en ‘My Forbidden Lover’ (1979). Daarnaast was Alfa de leadzangeres op de hits ‘I Want Your Love’ (1978) en ‘At Last I Am Free’ (1978). In de hoogtijdagen van Chic verscheen Alfa regelmatig in televisieshows als ‘ Soul Train’, ‘The Midnight Special’ en ‘Top of the Pops’. Alfa zong op door Rodgers & Edwards geproduceerde sessies van Sister Sledge (‘We Are Family’, 1979), Diana Ross (‘Diana’, 1980) en Johnny Mathis (‘I Love My Lady’, 1981). In 1983 besloten Rodgers en Edwards te stoppen met Chic. Alfa ging toeren met Luther Vandross en zong op albums van Bryan Adams, Gregory Hines, Mick Jagger, Teddy Pendergrass, Jennifer Holliday, Billy Squier, Sheena Easton, Jody Watley, Bryan Ferry en Jonathan Butler. In de jaren negentig keerde Alfa terug in het onderwijs en werd zij directrice van El Puente Academy for Peace en Justice High School in Brooklyn, New York. Alfa Anderson ruste in vrede!

Met dank aan Leo Weijers.

MUSIC INDUSTRY ICONS ELLIS HALL AND GEORGE WHITTY RELEASE ‘WHAT!!! IN THE WORLD’

Amidst all the searing soul balladry, deep spirituality, insightful and impactful social consciousness and rousing funk on their infectious dual album In the World, legendary, world-wise cats George Whitty and Ellis Hall – collectively pooling their decades of musical passion as Whitty Hall Artistic Team, aka WHAT!!!! - infuse a beloved, inevitable R&B classic into the enticing mix. Driven by Hall’s trademark rousing vocals, their fiery, tight groovin’ and brass fired twist on Isaac Hayes’ co-penned “I Thank You” takes the 1968 Sam & Dave classic to fresh, exciting heights. It’s a way for the duo to express gratitude for their incredible individual careers and all the serendipitous events that led them to this epic moment.  

Offering yet another example of his hilarious biting wit, Hall, commenting on the song’s origin, finds the perfect way to sum up the veteran keyboardists’ seamless musical and personal camaraderie: “George and I haven’t decided though, which one of us is Sam and who is Dave?” 

To which he adds, “We really flicked the switch. We’ve both worked with a whole bunch of people, but soon as we first got together, we were two peas in a pod. We are true brothers from another mother! I keep telling George to get outta my head, sucka! Seriously, though, what we do is like mad scientists who happen to be able to carve out a song. If it’s funk, we hope it gets inside everyone’s esophagus, and if it’s a ballad, that it puts their esophagus back together.”

The multi-Grammy winning Whitty completes the tag team, retorting, “For us, it’s all about spreading as much joy as humanly possible. We have both worked on a lot of projects with many icons. Great as all that history is, those projects don’t reach the escape velocity we had right off the bat. Throughout the process of creating WHAT!!!! and recording In the World, we had this positive momentum where we couldn’t wait to do more on each track. Everything was done in a state of high inspiration. Every time Ellis sent me the tracks he was working on, it felt like Christmas Day!”   

Listeners were feeling that spirit as well all during the fall, as the lead single, the provocatively titled “Die Living,” became one of the top five successes its radio promoter has ever had. The track scored over 1000 spins at terrestrial urban radio its first week and currently has over 10,000 nationwide (with more stations picking it up all the time)that includes countless plays on internet stations across the globe. 

One of many potential hit singles and film licensing opportunities from the 10-track collection, “Die Living” is a simmering blues-soul anthem whose title came to Whitty out of the blue one day and led him to create a powerfully rhythmic gospel-influenced song with a bit of a raw front porch vibe. Hall’s combination of vocals and organ drive the track, and he also adds various guitar tracks. In part inspired by a cool response Willie Nelson once gave a journalist who dared to ask if he would ever think of retiring, “Die Living” offers dynamic food for thought about wringing as much meaningful life experience we can during our time on this planet. 

Its provocative lyrics inspire us to live our most inspired life right until the very end. Hall sings in the first chorus: “Cause I want to die living/Help me sail into the sun/And I want to die believing/Life has just begun.” Whitty recalls, “Ellis added some great lyrics to my original story, which was an acknowledgement of the way everyone from old men to happy young kids can teach us older folks about how to live. He has a knack for coming up with the perfect words to complement mine.”   

The follow-up to “Die Living” – and In the World’s second lead single – will be the reflective, dreamily soulful “Some Days Were Meant for Rain,” which Hall originally recorded on Tower of Power’s 1987 album Power – the sole collection the singer recorded with the band during his busy touring tenure as frontman from 1984-88. 

If as the infamous “they” say, timing is everything, the duo’s creation of WHAT!!!! is hitting at the right juncture – yet was actually a few decades in the works. Whitty knew he wanted to work with Hall from the first time he heard the singer at a 1988 Tower of Power performance at NYC’s The Bottom Line. “He kicked my ass so hard that night,” Whitty says, “but I didn’t dare approach him.” Cut to at least a decade and a half later. Hall’s longtime project manager (and “watcher”) Alec Berfield had been urging the singer to connect with Whitty for years. When Whitty, upon Berfield’s request, sent his initial tracks for one of the album’s most poignant and compelling highlights, “Hug Me,” to Hall, everything suddenly felt like divine timing. 

The first song recorded for the project, “Hug Me” is an expansive anthemic power ballad that pays tribute to the tenacity and resolve of the citizens of Ukraine in the face of Russia’s invasion and the ongoing war. An imaginative reworking of Slava Vakarchuk’s Ukranian smash “Obiymy (Embrace),” it features the ethereal vocals of renowned Ukranian singer Maryana Golovko. Whitty, Hall and their team put together a dynamic video for the song which includes clips of the two musicians playing their parts (and Hall singing) in their respective studios, footage of Golovko singing outdoors and stark, heartbreaking black and white pictures of the war’s young innocent victims. The recording quickly went live on the fundraising platform United 24.   

Three of the songs on In the World – “Soul Street,” “I Thank You” and “Why Should I Care” - were recorded live in January 2024 at Inner Sanctum Studios in Coos Bay, Oregon with bassist Armand Sabal-Lecco (famous for his tours with Paul Simon), drummer Aaron Haggerty (Kool & The Gang, Gary Clark, Jr., Eric Gales) and guitarist David Ford, who is also the composer of “Miami,” one of the project’s pop-soul ballads and executive producer of the album with project manager Berfield. “Why Should I Care” is another showcase the socially conscious side of Whitty and Hall’s artistry. Hall wrote the original version some years ago when he heard about the Jonestown. Guyana tragedy and a previous Palestine-Israel conflict. Long before WHAT!!!! came into the picture, the singer performed it at African American summits in South Africa and Zimbabwe and it was one of Nelson Mandela’s favorite songs.   

Finally, a little something about George Whitty and Ellis Hall’s storied individual backgrounds. In addition to playing live with the likes of The Brecker Brothers, Herbie Hancock, the late David Sanborn and Chaka Khan, as producer and session keyboardist, Whitty’s credits include Santana’s blockbuster Supernatural (with Dave Matthews), Celine Dion’s Falling Into You and These Are Special Times, Hancock’s The Imagine Project and hundreds of others. He has won four Grammys for his work on Chaka Khan’s The Woman I Am, Randy Brecker’s 34th and Lex, Michael Brecker’s Tales From the Hudson and the Brecker Bros.’ Out of the Loop.

In addition to his years with Tower of Power, Hall – who has been sightless since age 18 - fronted the Ellis Hall Group in the 70s, has written over 4000 soul, gospel, blues and pop songs, performed with the likes of Stevie Wonder, James Taylor, Herbie Hancock, George Benson and Maurice White and recorded with John Klemmer, George Duke and Kenny G, among countless others. He has also written and performed on many film soundtracks including The Lion King 2, Shrek 2, Invincible and Bruce Almighty. He also sang a Louis Armstrong tune in the Steven Spielberg film Catch Me If You Can. 

In the World will proudly be released January 17, 2025 in association with Mike Dion and ITI Records.

https://www.instagram.com/whittyhallartistteam?igsh=OGQ5ZDc2ODk2ZA%3D%3D&utm_source=qr

https://www.facebook.com/profile.php?id=61561023869563

https://www.tiktok.com/@whittyhallartistteam?_t=8nDxNOBZ4DH&_r=1

DARNELL “SHOWCASE” TAYLOR – ‘HOUSE OF LOVE’

BRANDON MARCEAL FT. ILYA SEROV – ‘SUNSET’

DARREN RAHN FT. DAVE KOZ, NAJEE & EVERETTE HARP – ‘THE PERFECT STORM’

THE SINGING FACTORY BRENGT ONTROEREND VERHAAL IN NIEUWE MUSICAL ‘BUCKET LIST’

Wat als je grote dromen hebt, maar bijna geen tijd meer om ze te laten uitkomen? De 11-jarige Elias weet dat zijn tijd op aarde er bijna op zit. De ziekte die hem al heel zijn leven aan een ziekenhuisbed gekluisterd houdt, krijgt langzaam de overhand. Maar Elias heeft dromen. Grote dromen. En hij besluit alles op alles te zetten om die dromen werkelijkheid te laten worden. Bucket List is een grappige en ontroerende musical over de kracht van verbeelding, doorzettingsvermogen, en wat het betekent om echt te leven. Met deze productie wil The Singing Factory thema’s zoals terminale ziekte en hoop bespreekbaar maken op een manier die jong en oud raakt.

Vanaf 10 januari 2025 in het Fakkeltheater, Antwerpen

The Singing Factory, bekend om zijn grootse musicals met jongeren rond maatschappelijk relevante thema’s, kiest met Bucket List voor een intiemere aanpak. Deze nieuwe productie behoudt wel de unieke ingrediënten van de organisatie: een diepgaand maatschappelijk thema, live muzikale begeleiding, en de samenwerking tussen jongeren en professionals.

Cast en creatives

Cast:

• Meneer Leon: Jan Schepens
• Moeder: Deborah De Ridder
• Adam: Mauro Janssens*
• Elias: Eméric Coene* (Zonnebeke) en Jerom Somers** (Mechelen)

(Op 25 januari wordt de rol van Adam gespeeld door Wanne Synnave, **afwisselend te zien in de rol van Elias.)

Creatives:

• Muziek: Sam Verhoeven (Josephine B, Magdalena, If I Fall, Lelies) en Lucas Heytens
• Script en liedteksten: Wanne Synnave (Magdalena, November ’89, Kamp Delta)
• Regie: Hannes Vandersteene
• Arrangementen: Lucas Heytens
• Zangbegeleiding jongeren: Tinne De Groot / Ronny Plovie
• Regie-assistent: Quinten Rasking
• Producent: Diederik Van Durme voor The Singing Factory

Praktisch

Bucket List gaat in première op vrijdag 10 januari 2025 in het Fakkeltheater in Antwerpen en speelt tot en met zondag 25 januari 2025.

Tickets en info

Meer info en tickets via www.singingfactory.be.

Trigger warning

Deze voorstelling behandelt emotioneel intense thema’s zoals ziekte en verlies. Geschikt vanaf 12 jaar, jonger enkel onder begeleiding.

ROBERTO TOLA – ‘CHRISTMAS FOR SALE’ (VOCAL VERSION)

Single Title: CHRISTMAS FOR SALE (feat. Zorina Andall) [Vocal Version]

Music and lyrics, composition and arrangement: Roberto Tola

Release: December 19, 2024

Format: Digital ISRC: QZZ7S2442923 UPC: 199097266373

This single is a new sung version of the song CHRISTMAS FOR SALE, already released on December 2, 2024 in a totally instrumental version. This new version rearranged by Roberto Tola still maintains that intimate and sweet atmosphere of this beautiful jazz ballad dedicated to Christmas, available on all music platforms from December 19, 2024. As already announced at the time of the release of the instrumental version, even in this new sung version of the song, Roberto wants to communicate an important message, which concerns all of us. We know that Christmas is perhaps the most important holiday for all of us, it is a Christian symbol, but also the holiday of joy, of lightheartedness, of bright colors, a moment in which families gather and exchange smiles, affection and gifts. However, and this is the message, mentioned above, there is another side to the holiday, that of those who live in conditions of suffering, impotence, loneliness and poverty. It is essential that Christmas is therefore celebrated, it is right and it is a right, especially for the little ones, but always with a thought for all those people who, for various reasons, find themselves in dramatic situations. Whether it is due to extreme and disastrous weather events, as recently happened in Spain, due to illness or the loss of loved ones - whether parents, siblings, friends - or for those who flee from wars and conflicts in search of a better life, Christmas can transform into a moment of prayer and hope. There are people on the other side of the world who, finding themselves in profound loneliness, would "sell" their Christmas for those who can instead enjoy it. For them, the celebration becomes inappropriate, a burden to bear while they are facing serious difficulties. In these cases, each of us can make a difference, contributing in our own small way to help these vulnerable souls. Let's rejoice for Christmas, but always remember to turn our hearts towards the other side of the world. "Christmas for Sale" is an invitation to reflect on these realities and to transform our celebration into a gesture of solidarity. In this sung version of the single, the sung text, also written by Roberto, certainly helps to better understand the meaning of the song, in this case addressed to those who miss someone at Christmas and always. For this new musical production, composed and arranged as always by Roberto, the artist wanted again with him the talented and young American singer, originally from Grenada, Zorina Andall, and the omnipresent and eclectic Polish double bass player Maciek Szczyciński.

CREDITS Roberto Tola: Guitar, Percussion, Piano, Drums, Composition and Arrangement, Mixing and Mastering; Zorina Andall: Vocals and Choir; Maciek Szczyciński: Double Bass; Created at Eden Beach Studio - Sardinia, Sassari (Italy)

STREAMING E DOWNLOAD CHRISTMAS FOR SALE is available in digital version from December 19, 2024, on all major music platforms, including: Spotify, Apple Music, iTunes, Amazon Music, Tidal, Deezer etc.. or by connecting to the artist's official website at www.robertotola.com

BRAZILIAN PIANIST RICARDO BACELAR AND CELLIST JAQUES MORELENBAUM EXPLORE THE BEAUTY OF ‘ARACATI’

The Brazilian music album drops January 31. Videos for the first two singles are out now.

FORTALEZA, Brazil (13 DECEMBER 2024): Eager to explore and expand upon the chemistry they discovered while collaborating on multiple recordings over the last couple of years, pianist Ricardo Bacelar and cellist Jaques Morelenbaum packed up their instruments and set off on holiday together in the peaceful and exquisite coastal enclave of Aracati, Ceará in the Northeast corner of Brazil. There, the two musicians, composers, arrangers, and producers immersed themselves in the culture of their surroundings in order to craft a ten-song set titled for the cliffside oceanfront locale, “Aracati.” The Jasmin Music album comprised of nine instrumentals and one vocal track drops on January 31.

Bacelar and Morelenbaum enjoyed a week in Aracati before returning to Jasmin Studio, a trailblazing immersive audio production facility in Fortaleza where they spent eight days tracking the collection of Brazilian rhythms and melodies that swirl jazz and classical elements. The pair wrote three songs together while in Aracati, including the first single, “Fogueira,” which is available now accompanied by a video that captures the spirit and ethos of the recording project (https://www.youtube.com/watch?v=-evlk9hwado). The rest of the compositions were penned individually by Morelenbaum or Bacelar with two new tunes cowritten by the pianist.

“I set up a small studio in a room in the house where we were staying. I brought the electric piano, Jaques brought the cello, and we immersed ourselves in that environment. We spent a week amidst the dunes, the sea, and the natural beauty of Aracati. We talked and played a lot, and all of this inspired us to create this album,” said Bacelar.

The focal point of “Aracati” is the interplay between Bacelar’s agile, poetic, and lyrical piano expressions and Morelenbaum’s colorful cello that ranges from dramatic and impassioned to playful and celebratory illustrations. On the album, Bacelar plays acoustic piano, keyboards, vocals, accordion, Hammond organ, and percussion while Morelenbaum adds cello, acoustic piano, and keyboards. Embellishing the lavish melodies and rich harmonies are rhythmic beats and grooves skillfully constructed by percussionist Hoto Júnior and drummer Luiz Orssano.

The album opens with Morelenbaum’s “Correios,” which was the theme of the Academy Award nominated film “Central Station,” a best international film contender in 1999. While it is a piece from the artist’s catalogue, the track perfectly sets the tone for “Aracati” and the collaborative collection.

After lighting a bonfire on the beach in Aracati, the duo was inspired to write the spirited and festive “Fogueira” as a tribute to the impact made by iconic Brazilian composer Egberto Gismonti.

Bacelar emotes vocally on “Quando a Noite Vem,” a sultry romancer that he wrote with Giuliano Eriston set to a subtle bolero. Morelenbaum’s cello adds a comforting caress.

Morelenbaum conjured up a bird named Firu and wrote a song to the imagined bird’s song, which can be heard in the background throughout “Fi_Ru_Hay_Kay.” One can hear the bird’s careful, tentative, and deliberate emerging and exploring prior to taking flight.

The second single from “Aracati” that was released on Friday (December 13) along with a video (https://www.youtube.com/watch?v=KGolvV0mT2U), “Caminhos de Areia” is a contemplative Bacelar song about a cowboy’s spiritual journey.

It wasn’t all sun and fun in Aracati. One day, Morelenbaum’s belongings were carried out to sea by a mischievous wave and were later retrieved after a local fisherman dove in after them. The unlikely and miraculous adventure was set to music as “Milagres.”

“We went to watch the sunset on a little corner of the beach, and I left my belongings on top of a high rock. We went into the sea and when I looked back, the tide had risen and taken my things, including my cell phone. I was devastated until a native fisher who knows the region well pulled my cell phone out of the sea. The song was inspired by these unlikely events,” explained Morelenbaum.

Bacelar’s “Sargaço” is a sprawling seaweed inspired tale that tosses, turns, and churns into a cascading swoon through the tropical region.

Another Bacelar and Morelenbaum cowrite, “Voo da Graúna” is a piece inspired by the native graúna birds that proliferate Aracati and the Northeastern region of Brazil.

Mesmerized by the sand formations of the region that were sculpted by the ocean, wind, and rain, Bacelar wrote “Falésias” with Luciano Raulino, a song as exquisitely beautiful as the vibrant setting that inspired it.

Morelenbaum’s “Ar Livre” closes the set on a melancholy note of reflection interspersed with melodic rays of sunny gratitude for the time the musicians spent together in Aracati.

Bacelar and Morelenbaum met in 2022 while the cellist was recording a track with Gilberto Gil that was produced by the pianist. A year ago, Morelenbaum guested on a Bacelar single, “O Meio do Mundo.” More recently, Morelenbaum performed on an album by Bacelar and Leila Pinheiro titled “Donato.”

The Rio de Janeiro-based Morelenbaum has assembled a remarkable resume that boasts playing with seminal artists such as Antonio Carlos Jobim, Ryuichi Sakamoto, Sting, and David Byrne. Bacelar got his start thirty years ago as a member of Brazilian rock band Hanoi Hanoi. A copyright lawyer who helms Jasmin Music and Jasmin Studio, he’s played a role in cultivating a catalogue of Brazilian music consisting of albums and singles by Gil, Flávio Ventunini, Toninho Horta, Roberto Menescal, Flora Purim and Airto Moreira, and Delia Fischer. His prolific production slate includes an upcoming February video release with Megan Nicole titled “Love Like This” followed by album that he produced paying homage to Brazilian singer-songwriter Rita Lee, a rock project releasing in March on which he sings, plays piano, and keyboards.  

Bacelar is proud of “Aracati,” the unique vibe and energy of the record capturing the time he shared with Morelenbaum in the city.   

“This album was made with great care and carries a grand personality. The songs tell stories, coexistence and collaboration, which we celebrate through the construction of this work. I really like the end result. ‘Aracati’ is a beautiful album of new partnerships and songs that we gathered for the project,” concludes Bacelar.

“Aracati” contains the following songs:

“Correios”

“Fogueira”

“Quando a Noite Vem”

“FI_RU_HAY_KAY”

“Caminhos de Areia”

“Milagres”

“Sargaço”

“Voo da Graúna”

“Falésias”

“Ar Livre”

For more information:

https://ricardobacelar.com.br

https://ffm.to/jasmin_aracati

NIEUWE ‘ROCK’N’ROLL CHRISTMAS’ KERSTSONG VAN LYNDA LAW

Kerstmis, dat zijn zeemzoete kerstliedjes, warme chocolademelk en een mooi versierde kerstboom met veel pakjes eronder. Maar het kan nog feestelijker. Lynda Law zet het woord “Vrolijk” in Vrolijk Kerstmis op een rock manier in de verf in de allernieuwste kerstvideo “Rock’n’Roll Christmas”. Het is een uptempo soft rock nummer dat een filmversie verdiende. Het verhaal in de video gaat over de dochter van de kerstman die haar eigen leven leidt in de “echte” wereld. Santa Claus is ontroostbaar, vooral rond Kerstmis wordt het hem te veel. Maar dat is buiten de elfjes gerekend. Zij hebben er namelijk wat op gevonden. “Rock’n’Roll Christmas” neemt je mee naar de noordpool. En wat tref je aan op de noordpool,…juist, gitaar spelende ijsberen en zingende rendieren,….en een paar muzikale muizen. Vrolijk “Rock’n’Roll Christmas” van Lynda Law.

Video produced and directed by Ferry DeWolf for Law & Wolf Music.

https://www.lyndalaw.eu

SGT SLICK -  ‘EVERYBODY DANCE’ ON FOOL’S PARADISE

Australia’s Sgt Slick returns to Fool’s paradise with the Disco fueled anthem ‘Everybody Dance’. Updated for 2024, Sgt Slick’s playful style breathes fresh life into the iconic 1977 Disco groove of Bumblebee Unlimited’s ‘Everybody Dance’. Set to swinging house beats whilst maintaining the original Disco sparkle, Slick injects an elevating piano hook and chic sweeping strings, enhanced with atmospheric filter washes and topped with cute and choppy vocals, hailing another dance floor winner!

Melbourne based producer and DJ Sgt Slick (Andy Ramanauskas) has been a solid fixture behind the decks and on dance music charts and radio for the better part of 20 years. He has a huge list of achievements to his name including ARIA and APRA Awards and nominations, US Billboard, UK Music Week, ARIA, Traxsource and Beatport # 1 Records, and a string of successful releases. His music has graced labels such as Spinnin’, Ultra, Positiva, Toolroom, Fool’s Paradise, Def Jam and Capitol Records, whilst on Spotify his music has amassed over 150 Million streams. Armed with a continuous delivery of club hits, remixes and his trademark ‘Discotizer ReCuts’, Sgt. Slick’s big releases include his ABBA cover, ‘Gimme! Gimme! Gimme!’, an INXS collab ‘Just Keep Walking’, ‘I Wanna Be Your Lover’ with Mark Knight & Beverley Knight, ‘Stars On 45 Theme’, and ‘Dance With You’. Sgt Slick remains one of Australia’s most prominent and enduring industry figures, continually pushing forward as a world class DJ, producer and remixer.

Track Listing
1 Everybody Dance (Extended Mix)
2 Everybody Dance

‘Everybody Dance’ will be released on all platforms on December 13th 2024 on Fool’s Paradise.

Sgt Slick
‘Everybody Dance’
Fool’s Paradise / FP022
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MAMA’S JASJE VIERT 35 JAAR OP DE PLANKEN MET 4 GROTE JUBILEUMCONCERTEN IN NAJAAR 2025

“Zo ver weg, maar het lijkt als de dag van toen”
- Peter Vanlaet -

‘Mama’s Jasje – 35 jaar hits’
Vanaf 11 oktober 2025 – Gent, Brugge, Antwerpen, Hasselt

Vijfendertig jaar nadat Mama’s Jasje Vlaanderen stormenderhand veroverde met hun debuutsingle en monsterhit ‘Zo ver weg’, viert de iconische band rond de al even iconische frontman Peter Vanlaet in 2025 hun 35-jarig bestaan. De apotheose van dit feestjaar zijn vier grote jubileumconcerten in het najaar in Gent, Brugge, Antwerpen en Hasselt. Peter Vanlaet en een voor de gelegenheid XXL-band brengen er al de grote hits, zoals ‘Doe het licht maar uit’, ‘Als de dag van toen’, Teken van leven’ en natuurlijk hun onsterfelijke Vlaamse evergreen ‘Zo ver weg’, leuke meezingers, minder gekende pareltjes en ook nieuwe muziek. ‘De aftrap van deze ’35 jaar hits’-concerten wordt op 11 oktober 2025 gegeven in Capitole Gent, waarna de hitkaravaan opeenvolgend doorraast naar Concertgebouw Brugge (18/10), Stadsschouwburg Antwerpen (25/10) en afsluitend op 15 november halthoudt in Trixxo Theater Hasselt. Tickets voor ‘Mama’s Jasje – 35 jaar hits’ zijn te koop vanaf vrijdag 13 december 2024 om 08.00 uur via mamasjasje.com. 

In 2025 is het exact 35 jaar geleden dat Vlaanderen kennismaakte met een nieuw Vlaams hitfenomeen. Met hun debuutsingle ‘Zo ver weg’ veroverde Mama’s Jasje, de iconische Vlaamse band rond frontman Peter Vanlaet, in een mum van tijd hun plaatsje aan de top van de Vlaamse muziekscene. Het lijstje hits dat volgde oogt niet alleen indrukwekkend, maar verklaart ook waarom Peter Vanlaet in 2024 door Radio2 werd opgenomen in hun Eregalerij voor ‘Een leven vol muziek’. Of wat dacht je van: ‘Zo ver weg’, ‘Doe het licht maar uit’, ‘Regenboog’, ‘Teken van leven’, ‘Zonder verhaal’, ‘Als de dag van toen’, ‘Laat me alleen’, ‘Het is over’, ‘Morgen zal het anders zijn’,…

Meer dan 1,4 miljoen verkochte platen, met platina en goud bekroonde albums (‘Paradijs op aarde’, ‘Letters en lawaai’, ‘Hommages’, ’30 jaar Mama’s Jasje -De jaren van verstand’) een abonnement op ‘Tien om te Zien’, ZAMU Awards, op tour met Clouseau en The Scabs, optredens op Marktrock, een uitverkochte Ancienne Belgique, een uitverkochte ‘Hommages’-tour,… Mama’s Jasje was nooit ver weg.

“Ik had bij de start vijfendertig jaar geleden nooit durven dromen dat ons dit allemaal zou overkomen…vijfendertig jaar…het is zo ver weg, maar het lijk als de dag van toen”, zegt Peter Vanlaet met een stevige knipoog. “Ik zie de ’35 jaar hits’-jubileumconcerten zeker niet als een eindpunt. We kijken uiteraard achterom en brengen alle ‘Mama’s Jasje’-hits, de leukste meezingers en een selectie van de, naar onze mening, mooiste liedjes, maar we blikken ook vooruit en laten het publiek meegenieten van de nieuwste nummers. Ik nodig dus iedereen uit om te komen kijken naar de start van mijn tweede leven vol muziek!”

Mama’s Jasje viert in het najaar van 2025 hun 35-jarig bestaan én de 35ste verjaardag van hun monsterhit en Vlaamse evergreen ‘Zo ver weg’ met vier grote jubileumconcerten:

• Capitole Gent (11/10)
  ·       Concertgebouw Brugge (18/10)
  ·       Stadsschouwburg Antwerpen (25/10)
  ·       Trixxo Theater Hasselt (15/11)

• Mis dit heerlijk nostalgisch meezingfeestje niet en bestel vanaf vrijdag 13 december (08.00 uur) je tickets via mamasjasje.com.

R&B-JAZZ SAXOPHONIST MEKIEL REUBEN PAYS HOMAGE TO TWO SAX LEGENDS ON ‘BONEY KIRK’

The new single previews the “Something Like That” album.

FREDERIKSTED, St. Croix, USVI (11 DECEMBER 2024): While working on his milestone tenth album, saxophonist Mekiel Reuben reflected back on the seminal saxmen who inspired and influenced his own artistic muse. Grabbing his tenor sax and channeling the soulful R&B and cool contemporary jazz crafted by four-time GRAMMY® nominee Boney James and GRAMMY® winner Kirk Whalum, Reuben’s new single, “Boney Kirk,” has been garnering playlist adds since its MekMuse Records release last month.

The US Virgin Islands-based Reuben composed “Boney Kirk,” which was produced by David Vasquez who handled keyboards, synth bass, and percussion. They were flanked by guitarist Mauricio Guerrero Jr. and drummer Phil Martin. Reuben’s longtime team of collaborators features on his forthcoming ten-song project, “Something Like That,” which is tentatively slated for release in March 2025.

“I wrote ‘Boney Kirk’ as part of a group of melodies I was working on for the new album. It's a joy thinking about all the musicians and entertainers who had an impact and influence on my music as well as my songwriting, which is a passion of mine. When writing this specific tune, I kept thinking about the style of two great saxophonists, Boney James and Kirk Whalum, and their music, which is always innovative and fresh. I wanted to combine the essence of these two musicians who have always caught my ear. They are legends of jazz, the artists who set the standard, and who always inspire me,” said Reuben who added percussion to the funky midtempo groove filled with the kind of swagger that the song’s namesakes emote.

Reuben grew up in Chicago, moved to the Virgin Islands as a teenager, and lived for decades in Los Angeles before returning to reside in the islands in recent years. His 1993 album debut, “Miles Away,” saluted Miles Davis. Reuben’s latest outing was 2023’s “Just Like The Radio,” a setlist composed of tunes influenced by the vintage R&B, funk, jazz, and soul music he listened to on the radio during his formative years from the likes of Sly & The Family Stone, The Jazz Crusaders, Stevie Wonder, Earth, Wind & Fire; Frankie Beverly & Maze, Grover Washington Jr., Archie Bell, Kool & The Gang, and War.

A veteran touring musician, Reuben has performed extensively throughout the U.S. and abroad at jazz, blues, and reggae festivals. As a sideman, he performed with Eek-A-Mouse, Ike Turner, The Itals, and Barbara Morrison while as a frontman, he opened for Lenny Williams, Phil Perry, Vesta Williams, Ronnie Laws, The Jazz Crusaders, and Les McCann.  

For more information, visit https://www.mekielreuben.com.

WE ARE BODIES - 'THE LOVE WAS ALL WE HAD' – NEW ALBUM BY ANTHEMIC ELECTRO-PROG DUO OUT NOW

We Are Bodies: Dave Pen & Robin Foster : photo by Romauld Pliquet

WE ARE BODIES
THE LOVE WAS ALL WE HAD

new album
LP | CD | digital
out 06.12.24
(Wearebodiesmusic)

stream  |  Bandcamp  |  ltd ed col LP

“Emotional rawness meets subtle soundscaping, with compelling results”
PROG 

includes the singles
LOST

DANCING IN THE MIDNIGHT HOWL 

We Are Bodies is the British duo of Dave Pen and Robin Foster. They create anthemic electro-prog soundscapes that combine guitars and electronics with lyrical subjects inspired by love, loss, paranoia and….robots.

 Dave Pen is a south coast-based vocalist and guitarist who is also one half of the alternative/electronic group BirdPen and co-frontman with the experimental trip-rock collective Archive, who have built a huge continental fanbase during three decades of activity that has seen them sell out arenas and achieve significant album chart success in multiple territories.

Based in north-west France since the late 1990s, Robin Foster is a composer, songwriter, producer and multi-instrumentalist with a penchant for creating brooding soundscapes packed with lush cinematic textures, underpinned with his signature guitar sound. He has written scores for award nominated movies, Netflix and Amazon Prime dramas, numerous TV commercials and has released several acclaimed solo records with guest vocalists that have included Pen.

The duo began collaborating in 2011 and released an eponymous debut as We Are Bodies in 2015. Its long-awaited follow-up, the genesis of ‘The Love Was All We Had’ was as a pandemic project with ideas emailed back and forth across the Channel themed around what was occurring in the world at that time. Its focus then switched to the present, with the lust for power and war taking centre stage. The album finally took shape, its songs primarily concerned with love and loss, both on a personal level and for mankind as a whole.

The music is a mixture of the stridently luxurious and atmospheric, with Pen’s lyrical subject matter describing love from different perspectives, including those dark places where relationships create negative energy and drag people into hurt, hate and even madness. The singles ‘Dancing In The Midnight Howl’ (a song about a pair of lovers torn apart) and ‘Lost’ (an upbeat earworm about a twisted relationship) are typical of this approach.

THE LOVE WAS ALL WE HAD
TRACKLISTING
1  World Is Out
2  Lost
3  Shallow Time
4  Runaway
5  Lose The Fear
6  Before The Blackout
7  Dancing In The Midnight Howl
8  The Things We Can’t Control
9  As We Implode
10  The Love Was All We Had

Facebook  |  Dave Pen  |  Robin Foster

MSKNS (NATHALIE MESKENS), 'MSKNS LIVE’ (EP) - 'MAGIC' (SINGLE)

Foto: Stijn Wens

Als ‘Poppemie’ in het populaire VTM-programma ‘The Masked Singer’ was de 42-jarige Nathalie Meskens de voorbije weken één van de absolute smaakmakers. Ze gaf ook kleur aan de spannende finale: “Toen we begonnen, had ik nooit gedacht dat ik zo ver zou geraken in dit programma. Zingen staat voor mij gelijk met acteren, dus dit was een mooie kans om aan Vlaanderen te tonen wat ik mijn muzikale mars heb”, klonk het na afloop. Op de dag dat alle maskers afvielen, lanceerde ze ‘MSKNS Live’, een nieuwe EP met 7 persoonlijke nummers. Ook haar favoriete song aller tijden, die ze de voorbije weken bracht tijdens haar eerste theatertournee met alleen maar zelfgeschreven nummers, mocht natuurlijk niet ontbreken. Met deze live opnames uit de Antwerpse Arenberg blikt ze vooruit naar het vervolg van haar tournee in het najaar. Samen met ‘MSKNS Live’ verschijnt vandaag ook de nieuwe single ‘Magic’, een song waarin ze de magie beschrijft die er ontstaat wanneer mensen die elkaar niet kennen, elkaar toch vriendelijk begroeten. Yves Gaillard tekent net als bij ‘Don’t Take Me For Granted’voor de productie. 

MSKNS Live

Het was een goedgevuld jaar voor Nathalie Meskens. De Karen Damen of Ellen Callebaut (Mevrouw Verhulst) uit ‘Sterregem’ raast op haar 42ste nog steeds aan een hoge snelheid door het leven. In ‘The Masked Singer’ ging ze als ‘Poppemie’ mee tot diep in de finale. Op de verjaardag van Sinterklaas, het moment waarop de eerste voorstelling van de musical ‘Tien om te Zien’ - waarin ze de rol speelt van een gehaaide manager - plaatsvond, lanceerde Nathalie Meskens haar ‘MSKNS Live’-ep die ze een paar weken geleden opnam in de Antwerpse Arenberg. “Gelukkig hoef ik niet te kiezen en kan ik zingen en acteren perfect combineren. Als ik terugkijk op de afgelopen hectische maanden, ben ik erg blij dat er zoveel mensen in de theaterzalen zijn komen kijken naar mijn eerste avondvullende programma met eigen materiaal. Na afloop van de voorstelling kreeg ik via sociale media heel wat toffe reacties. Regelmatig kwam de vraag waar mensen de liedjes uit mijn voorstelling nog eens konden herbeluisteren. Vanuit die gedachte brengen we ‘MSKNS Live’ uit, een EP met zes eigen nummers en ‘Ain’t No Sunshine’, een nummer dat ik al 15 jaar zing en wat ik nog lang zal blijven doen. Het is een song waarvan ik hoopte dat ik hem had geschreven (lacht), zo zot ben ik daarvan. Ik heb het al eens uitgebracht op een eerder album, maar op deze live ep en in mijn huidige tournee spelen we het op een heel creatieve, fijne manier, helemaal MSKNS.”

Liefdesnummer

Op ‘MSKNS Live’ hoor je, net als tijdens haar lopende theatertournee, alleen maar de allerbeste muzikanten, een enorme meerwaarde. Het bijzondere aan dit album is dat Nathalie Meskens haar persoonlijke verhalen verwerkt in universele nummers, waardoor ze herkenbaar blijven. Nathalie schreef elke song, maar werkte ook samen met Boris Vanoverschree, Tim Stuart en Jan Eggermont voor de arrangementen. Yves Gaillard tekent opnieuw voor de knappe productie. 
Terecht is Nathalie enthousiast over ‘MSKNS Live’, de EP die opent met ‘I Won’t Let You Down’. “Dat is een echt liefdesnummer en gaat over een verliefdheid die dat niet mag zijn, maar die zo sterk is om te negeren. Wanneer je dan voor iemand kiest, hoop je ook dat je die niet teleurstelt in de liefde en het avontuur.”

Kinderen 

Meskens heeft het, net als velen, niet altijd makkelijk om haar opgroeiende kinderen los te laten. “Daarover gaat ‘Were You Came From’ , een nummer dat mij doet denken aan ons zoontje Loé. Vanaf de dag dat je kinderen op de wereld zet, moet je als ouder leren loslaten. Op een gegeven moment spreiden ze hun vleugels om zo de wereld te verkennen. Je hoopt dat ze gelukkig zijn, maar ze weten ook dat als het niet goed gaat ze nog altijd bij jou terecht kunnen. Dat je in de buurt bent om hen op te vangen.”

Angst

Groeien in het leven als mens is een onderwerp dat ook aan bod komt in ‘Grew Strong’. “De song spreekt voor zich. Door de tegenslagen, fouten of heftige dingen die je meemaakt in het leven, word je gevormd en daar kom je als persoon mooier en sterker uit. Elke dag, elke week, elk Jaar is een zoektocht om een beter mens te zijn en te worden met alles wat op je pad komt”, zegt Nathalie Meskens. Dat groeien zorgt vaak voor angst, een onderwerp in het afsluitende nummer ‘Feeling/Fearing’. “Angst kan je verlammen. Het is ook een motivatie die ik deel met mezelf: laat angst geen raadgever zijn. Wees niet bang om dingen aan te gaan. We zijn allemaal wel eens onzeker, maar dat is niet erg. We moeten het omarmen. Probeer die angst uit jouw systeem te houden, want het maakt je niet sterker, integendeel. Dat is wat ik zing en dat is ook de boodschap en goede raad die ik met deze song wil meegeven.” 

Vader

Eén van de meest opmerkelijke nummers op ‘MSKNS Live’ is ‘Keep It Low’, een song waarin Nathalie Meskens terugblikt op een specifieke gebeurtenis met haar vader. “Mijn natuurlijke vader was niet echt aanwezig in mijn leven. Mijn ouders zijn gescheiden toen ik drie was. Ik heb hem dus niet gekend toen ik klein was. Op een gegeven moment won hij de Lotto, had hij geld dat binnen de twee jaar ook weer op was. Op het moment dat hij dus centen had, wou hij mij zien en wou hij aan de wereld tonen dat hij naast mijn broer ook nog een dochter had. Als ik daar aan terugdenk, was dat een heel aparte situatie (stilte). Dat moment, hoe ik me toen voelde, heb ik verwerkt in ‘Keep It Low’. In het leven draait het niet alleen om geld. Het is niet omdat je ineens geld hebt dat je het zo moet tonen en er zo mee moet uitpakken. Doe maar normaal en denk liever eens na over een sterke band met je kinderen, wat veel belangrijker is.” 

Magic 

Samen met de release van de ‘MSKNS Live’-EP verscheen ook de nieuwe single ‘Magic’. Deze song gaat over positieve energie en de magie die ontstaat wanneer onbekende mensen elkaar begroeten. “Als je rondkijkt zie je vaak mensen op straat lopen met een negatieve energie. De mondhoeken naar beneden, precies alsof ze met een stok geslagen zijn. De zon moet al schijnen voor die mensen voor ze met hun hoofd naar boven lopen en een smile op hun gezicht krijgen. Het magische gebeurt wanneer mensen die elkaar niet kennen, op straat lopen en op een positieve manier een signaal geven met een knikje, een glimlach of een vriendelijk woord. De energie die dan vrijkomt, vind ik magisch. Het is zo simpel. Iedereen kan dat magische effect ervaren met een kleine inspanning. We moeten niet wachten op De Warmste Week. Neen, dit is iets wat we elke dag kunnen doen. Als we op vakantie zijn in het buitenland, merk je vaak die magie. In een bergdorpje, waar je niemand kent, maar mensen elkaar vriendelijk aankijken of begroeten, heerlijk! Ik heb vaak de indruk dat het bij ons moeilijker is om zoiets voor elkaar te krijgen, maar ik geef niet op. Vandaar ‘Magic’ en de warme boodschap en uitdaging die ik meteen deel met iedereen”, zegt Nathalie Meskens. 

De nieuwe EP ‘MSKNS Live’ en single ‘Magic’ verschenen op Nathalie Meskens haar eigen platenlabel (MSKNS), en zijn beiden digitaal beschikbaar. 

Na het festivalseizoen komt er in het najaar een vervolg op de theatertournee ‘MSKNS’, waarin de nummers van haar nieuwe EP centraal staan. 

'Magic', de nieuwe single van MSKNS (Nathalie Meskens)  kan u HIER beluisteren, net als haar nieuwe 'MSKNS Live'-EP die je HIER kan beluisteren. Beiden zijn beschikbaar op alle grote streamingplatformen.

Foto: Marsonized shot

PROLIFIC NEW ORLEANS JAZZ PIANIST AND VOCALIST MATT LEMMLER DROPS TWO NEW ALBUMS SIMULTANEOUSLY

“Powerhouse: New Orleans in Stride Volume III (Trios, Quartets & Quintets)” and “The Book of Psalms Volume I” celebrate culture, history, and faith.

NEW ORLEANS, LA (6 DECEMBER 2024): A music professor of academia, New Orleans jazz pianist and vocalist Matt Lemmler has normalized overachieving. Creating and releasing recording projects at a prodigious pace, his latest two collections, “Powerhouse: New Orleans in Stride Volume III (Trios, Quartets & Quintets)” and “The Book of Psalms Volume I” are out now on vinyl, CD, and digitally via his New Orleans Jazz Revival label with another album slated to release in January.

Lemmler is every bit a proud New Orleans jazz artist, tapping into the rich heritage of The Big Easy in the effort to preserve and promulgate the distinct spirit, multicultural makeup, and storied history through his masterful recordings, captivating live productions, and serving the community via educational efforts and outreach. As a unique vocal and instrumental voice, he embodies the birthplace of jazz and the city’s seminal figures - from Jelly Roll Morton, Louis Armstrong, Allen Toussaint, and Dr. John to Harry Connick, Jr., Fats Domino, James Booker, and his late mentor, Ellis Marsalis, Jr.

Lemmler conceived the “New Orleans in Stride” series before the pandemic, issuing two volumes of solo piano and voice recordings in 2019. He describes the series as “based on everything I do as an artist: from solo pianist and vocalist to carrying on the tradition of being a New Orleans piano professor, and from sharing the history of New Orleans culture, music, and stories, to sharing the piano skills of the New Orleans piano masters.”

On “Powerhouse: New Orleans in Stride Volume III (Trios, Quartets & Quintets),” Lemmler and his co-producer Misha Kachkachishvili add instrumental layers and multiple dimensions by tapping into the might and muscle of his collaborators: drummer Brian Blade, tenor and soprano saxophonist Joel Frahm, acoustic bassist Nathan Lambertson, and trumpeter Ashlin Parker. Together in trio, quartet, and quintet pairings, they bring to life five songs arranged by Lemmler.

The set opens with “Powerhouse (Theme from Looney Tunes),” a swinging and sprawling straight-ahead joint.

“I used to hear this kind of music from the great Bugs Bunny cartoons when I was a kid. The  song is dedicated to the comedian/actor Robin Williams and also to a dear friend, Colette Buis, who passed away earlier this year. Colette hosted me for many years when I would travel annually to Hawaii to music direct/compose St. Michael and All Saints Episcopal Church Annual Jazz Festival/Mass on Kauai. She was an angel, a powerhouse, and not a Looney Tune. She would definitely find the humor and laugh in her song dedication,” said Lemmler with a smile.

Lemmler takes the mic to croon an impassioned version of “The City of New Orleans,” a classic made famous by Arlo Guthrie. Guitarist Shane Theriot sits in to contribute subtle melodic shading to the track. 

“This song was written by Steve Goodson and as the lyrics go, is about ‘the train they call the City of New Orleans.’ I consider myself the train they call the City of New Orleans, sharing the music and history of New Orleans in my piano playing, my singing voice, and by sharing stories of New Orleans history and the music greats of New Orleans,” said Lemmler.     

Powerful and poignant, Lemmler’s dramatic reading of “I Am A Poor Wayfaring Stranger” incorporates Igor Stravinsky’s “Serenata” into the African American Spiritual. The result is an arresting amalgam spanning hundreds of years that cleverly intertwines diverse cultural references.

“It’s dedicated to Stravinsky and Dr. Jordan and Tammy Peterson who have been helping millions of people find their path. Jordan and his wife have helped me tremendously as an artist, person, father, husband, and on my spiritual and creative journey. There’s even a lyric in this song, ‘I’m justa going over Jordan, I’m justa going home.’ My hope for this track is that it’s able to reach Dr. Jordan and Tammy Peterson’s ears and hearts to hopefully bring them comfort and healing, and in some way close to how they have healed me, my family, and the world,” shared a grateful Lemmler.

Dedicating “Nature Boy” to Nat King Cole, Lemmler said, “Nat King Cole and the story behind this song is incredible. He was an incredible jazz pianist and also an incredible vocalist.”

There’s a bit of funk plied to the deliberate traditional jazz tempo on “Bye Bye Blackbird,” which is backboned by a shuffling drum cadence. Lemmler’s version of the song referencing Miles Davis and John Coltrane sprang from a Miles Davis tribute that he put together with the musicians featured on the album.

“This arrangement was premiered at our local showing of ‘Miles Davis: Birth of the Cool’ documentary. Before the screening, I produced a Miles Davis music tribute concert featuring the band on this album. We all went into the recording studio the next morning to record this track and the ‘Powerhouse’ album. I also dedicated my version of this song to a great New Orleans musician/artist/bassist/vocalist, George French, who passed away this year. George was one of the featured vocalists on my first album, ‘Portraits of Wonder: A Tribute to the music of Stevie Wonder’ (2001). He always sang ‘Bye Bye Blackbird’ beautifully,” remembered Lemmler.

A digital bonus track, Lemmler’s own composition, “Come Sing Your Song To Me,” closes the album with an amorous bouquet of beauty and grace on this gentle lullaby. Next month, Lemmler plans to drop “Homecoming: New Orleans in Stride Volume Four,” which he recorded with his New Orleans Jazz Revival Band.

For two years, Lemmler has been composing music to the sacred Book of Psalms, performing them live every Sunday morning on YouTube, Facebook, and Instagram on a program he calls “Psalm Sundays: Live From New Orleans.” It’s a ritual that began in the wake of his 18-year-old stepdaughter’s leukemia diagnosis. Now that she is in remission, Lemmler bundled 21 Psalms and three canticles to form “The Book of Psalms Volume I,” a solo piano and vocal album that was recorded live. Lemmler composed the soulful music, and his inspired lyrics came directly from sacred scripture. He is in the process of recording 52 Psalms to comprise second and third volumes.

Lemmler is a jazz piano professor at the Loyola University College of Music and Media in New Orleans, his undergraduate alma mater. He continued his education, earning a master’s degree from Manhattan School of Music in New York City before touring with Andrew Lloyd Weber’s “The Phantom of the Opera” for four years. After, he returned home to play alongside some of New Orleans’ finest bandleaders, including Bob French’s Original Tuxedo Jazz Band, Herb Tassin and the Blue Room Orchestra, and clarinet legend Pete Fountain. Lemmler has toured extensively nationally and globally, performing at jazz festivals and masses, and sharing his passion for New Orleans jazz and piano at clinics and workshops. He’s also adept at film scoring and crafting large-scale arrangements.      

For more information, visit https://www.mattlemmler.com.

R&B-POP HITMAKERS CALLOWAY CELEBRATE 35 YEARS OF BEING ‘RICH’ WITH ‘LOVE, PEACE AND HAPPINESS’

GRAMMY nominated producer Darius “Phonix” Barnes remixed the anniversary version of “I Wanna Be Rich,” which drops on Friday.

LOS ANGELES, Calif. (4 DECEMBER 2024): Thirty-five years ago, brothers Reggie and Vincent Calloway set a simple affirmation reflecting money-centric times to music, which became a Billboard No. 2 pop hit for their group Calloway. Thirty-five years later, the affirmation still rings true in our world and Calloway is back with a special anniversary remix of their vibrantly charming hit. To introduce the fun R&B/pop jam to an entirely new demographic, Calloway tapped GRAMMY nominated producer Darius “Phonix” Barnes (J. Cole, The Game, Trey Songz, Eminem, 50 Cent) to remix the single, which releases on Friday (December 6) on the Spiral Galaxy Entertainment label. A new “I Wanna Be Rich” video will  premiere on December 23.

On the surface, “I Wanna Be Rich” is about greed and material prosperity, but Calloway’s message in the lyrics convey a powerful desire for a prosperous life of “love, peace, and happiness.” 

“‘I Wanna Be Rich’ is an especially important song to us among the others in our catalogue. It communicates in the most primal way by saying what people want to say out loud, but often keep to themselves. So many of us are taught that money and riches are only available to others, or that money is somehow inherently evil. We turn that around and empower people with this song. More importantly, we equate richness with ‘love, peace, and happiness.’ Those are the real cornerstones of richness and wealth, which can lead to health. This song that started out as just playful fun turned into a movement and it gives the listener a chance to define their own idea of what it is to be rich,” said Reggie Calloway who wrote the song with Vincent Calloway and two members from their earlier group, Midnight Star, Melvin Gentry and Belinda Lipscomb.

In the decades since “I Wanna Be Rich” topped the charts, while the ethos of the rich mindset remains intact, much of the world has changed in terms of opportunities for minorities, according to Reggie Calloway.

“We bring this song back to the forefront as its message has not changed. In fact, people are more ready for the song and its meaning than ever before. There are more minority billionaires than at any time. People now see if you believe, work hard, and reach high, you can achieve great things. And if used properly, things like money can help and inspire many more,” said Reggie Calloway who also serves as Director of Music Royalty Funding for Sound Royalties.

With the multi-platinum-selling Midnight Star, Reggie and Vincent Calloway were a part of creating iconic R&B, synth funk, and pop hits in the 1980s such as “No Parking on the Dance Floor,”  “Freak-a-zoid,” and “Operator.” Reggie Calloway also architected hits by Klymaxx (“Meeting in The Ladies Room”) and The Deele (“Body Talk”). The brothers went on to form Calloway and the hits continued to flow with “Sir Lancelot,” “You’re My Everything,” “All The Way,” and “Let’s Get Smooth.” Reggie Calloway received a GRAMMY nomination for Levert’s No. 1 hit, "Casanova.” The Calloway brothers also crafted hits for Teddy Pendergrass ("Joy"), Gladys Knight ("Love Overboard”), and Natalie Cole (“Jump Start”).

Reintroducing Calloway into the marketplace with “I Wanna Be Rich” is part of setting up the release of new music from the group along with launching their Spiral Galaxy Entertainment label, which will sign, develop, and release projects from new artists. Next spring, Calloway will release their first new single in four years titled “6 Pack.” Like “I Wanna Be Rich,” “6 Pack” is a positive affirmation, this one about health and wellness.

“Each year, as you make your New Year’s resolutions, you can have your own special song to get you ready to tackle anything. Thirty-five years ago, it was about pursuing a rich life with ‘I Wanna Be Rich.’ Now with ‘6 Pack,’ our message is that health IS wealth,” said Reggie Calloway whose vision for the Calloway brand relaunch is about creating a movement.

Reggie and Vincent Calloway will bring the Calloway Experience to Vibrato Grill Jazz in Los Angeles on January 23 with a dynamic setlist culling music from their extensive catalogue of hits.

To preorder the 35th anniversary remix of “I Wanna Be Rich,” click here https://ffm.to/y2gwm5j.

For more information, visit https://callowayofficial.com. 

IGOR GERZINA RELEASES NEW SINGLE AND MUSIC VIDEO - SE È VERO CHE CI SEI (TRAG U BESKRAJU)

Igor Gerzina has unveiled the music video for his latest single, "Se è vero che ci sei (Trag u beskraju)", offering a unique instrumental take on the iconic song by Biagio Antonacci.

The song, known among Croatian audiences as "Trag u beskraju" and celebrated for the timeless performance of renowned Croatian singer Oliver Dragojevic, has now been given a new sound through Gerzina's musical artistry.

Accompanied by his top-tier ensemble, Gerzina blends instrumental virtuosity with emotional depth, neither competing with Antonacci’s original expression nor Oliver’s unforgettable interpretation. Instead, he delivers something entirely new and refreshing for fans of this timeless melody.

"The audience at my concerts immediately recognized this cover, and every performance consistently drew fantastic reactions," Gerzina explains. "Each rendition became a moment of unique connection, so it was only natural to create a studio recording."

In this new single, Gerzina demonstrates that instrumental versions of great hits can preserve, and even deepen, the emotional power of the original while introducing a completely new context and energy.

A Mediterranean vibe, an excellent song, a world-class band, and an emotional saxophone... Pure enjoyment!

▶︎ Facebook: https://www.facebook.com/igorgerzinasax
▶︎ Instagram: https://www.instagram.com/igorgerzinamusic/
▶︎ Official YouTube: https://www.youtube.com/user/zgspecial
▶︎ TikTok: https://www.tiktok.com/@saxophoneigor
▶︎ Official Website: www.igorgerzina.com

Igor Gerzina is a Croatian award-winning saxophonist, composer and Croatian Radiotelevision Jazz Orchestra producer. He won several Porin awards (Croatian most prestigious discography award), as well as several Status awards for the best instrumentalist of the year, awarded by the Croatian Musicians Union.
Igor performed his song 'Dream For The Future' on the Croatian presidential inauguration.
The last three albums garnered airplay in more than 15 countries on 4 continents.
He took part in more than a hundred and thirty discography editions, composed for film, pop artists and opening songs for TV and radio. He has graduated in saxophone from Zagreb Academy of Music and has studied at Berklee College of Music (Boston, USA).

INNER LIFE FT. JOCELYN BROWN - ‘I LIKE IT LIKE THAT’ (MICHAEL GRAY REMIX)

Inner Life and Jocelyn Brown’s 1982 Salsoul classic, ‘I Like It Like That’, gets an exciting re-vibe from UK premiere Disco House producer, Michael Gray. This hails another stellar release for Mark Knight’s Fool's Paradise label, which has become a beacon for innovative new music and timeless classics, revitalized for today’s listeners. Having received great acclaim with his smash remix of Raw Silk’s ‘Do It To The Music’ earlier this year on Fool’s Paradise, Michael brings his magnetic dance floor magic once again to the label. Powered by Jocelyn’s unmistakeable spine-tingling vocals, ‘I Like It Like That’ receives a tasteful new make-over as Michael preserves the song’s original flavour, while adding his own signature flair - creating a punchy, sleek, and uplifting Disco gem for a whole new generation to enjoy.

Michael Gray is a DJ and Music Producer, and is also one half of 'Full Intention'. His huge hit ‘The Weekend’ is still loved and played today. Having relaunched his solo career as Michael Gray in 2018 to pursue his original love of Disco, Michael became the world #1 Artist on Traxsource for 2020. His much in demand productions and remixes have appeared on Nervous, Z Records, Soulfuric, Glitterbox, Fool’s Paradise, Big Love, Reel People Music, King Street, among many, as well as his own label Sultra. Michael DJ's for Glitterbox, Downtown Disco, etc, and has a Saturday night show on Mi Soul Radio (last Saturday of every month at 7pm) and live streams on twitch.tv every other Thursday at 7pm.

Track Listing
1 I like It Like That (Michael Gray Extended Mix)
2 I like It Like That (Michael Gray Remix)

‘I Like It Like That’ (Michael Gray Remix) will be released on all download and streaming platforms on November 29th 2024 on Fool’s Paradise.

Inner Life Ft. Jocelyn Brown
‘I Like It Like That’ (Michael Gray Remix)
Fool’s Paradise / FP023
https://www.instagram.com/djmichaelgrayofficial
https://www.instagram.com/thereal_jocelynbrown/
http://www.facebook.com/foolsparadiserecs
http://www.instagram.com/foolsparadiserecs

VEERLE MALSCHAERT, YANNI BOURGUIGNON EN REMI DE SMET IN HOOFDCAST GROOTS THEATERSPEKTAKEL 'DE SAGE VAN HET ROS BEIAARD’

Dendermondenaars Herman Verberckmoes, Senne Vanwildemeersch en Jasper Van Doren (Londerzeel) vervolledigen het Aymonsgezin.

Vanaf 26 september 2025 - Oktoberhallen Wieze 

Tickets & info: rosbeiaardspektakel.be 

Vanaf 26 september 2025 presenteert het Dendermondse productiehuis Camerata Productions vzw het grootse theaterspektakel 'De Sage van het Ros Beiaard' in de Oktoberhallen te Wieze. Meer dan 80 acteurs, ruiters, dansers en figuranten zullen in deze legendarische locatie een historische evocatie rond de middeleeuwse sage van het Ros Beiaard en de Vier Heemskinderen op de planken brengen. 

Op maandag 25 november 2024 presenteerde Camerata Productions in het Vleeshuismuseum te Dendermonde met gepaste trots de eerste acteurs die deel zullen uitmaken van de hoofdcast. Producent Joris Verschueren en regisseur Stijn De Wolf stelden er tijdens een geanimeerd persmoment het Aymonsgezin voor en onthulden zo wie er in de huid zal kruipen van Heer Aymon, vrouw Adelais en de Vier Heemskinderen: Reynout, Adelaert, Writsaert en Ritsaert.

Lokaal en regionaal talent naast nationale bekendheden

Eerder werd aangekondigd  dat de de absolute topcast van dit spektakel zou bestaan uit een mix van enkele zeer gekende namen én lokale helden, en dat is exact de mooie samenstelling waaruit het Aymonsgezin zal bestaan.

Met Veerle Malschaert als Adelais (moeder) wist Camerata Productions beide werelden zelfs perfect te laten samenvloeien. Veerle, als actrice en comédienne een klinkende naam in Vlaanderen, is een geboren Dendermondenaar en groeide op in de Dendermondse wijk Het Keur waar haar ouders een supermarkt uitbaatten Ze schitterde in theaterstukken als 'Assisen – De Sterrenmoord' en 'Calendar Girls', op televisie zag je haar aan het werk in o.a. 'Flikken' en 'De Twaalf', en recent ging ze nog in première met haar nieuwste onewomanshow 'Verlicht mij!'.

De rol van Heer Ayman (vader) is weggelegd voor Herman Verberckmoes (54) uit Dendermonde. Herman is in en rond Dendermonde vooral gekend als leerkracht toneel en verteltheater aan de SAMWD, als Bello uit de Tettergazet én schapenhoeder van maar liefst een 600-tal schaapjes die hij laat grazen langs de Scheldedijken. Met Sjattoo Zotte Vis maakte hij een reeks absurde cabaretvoorstellingen en op het kleine scherm zag je hem onder meer in 'Spoed' en 'Neveneffecten'.

De Vier Heemskinderen

De 16-jarige Senne Vanwildemeersch uit Dendermonde mag schitteren als Reynout. Senne volgt musical en drum aan de Gemeentelijke Academie te Lebbeke en kreeg danslessen bij Shamodo it ( Dendermonde). Op het podium zag je hem onder meer in musicals als 'The Sound of Music', 'Smike' en recent nog in de spraakmakende productie 'Vrijdag!'. Komend voorjaar vertolkt hij ook de hoofdrol in 'Kruistocht in Spijkerbroek' van de theatergroep van het Dendermondse Oscar Romerocollege.

Met Remi De Smet (22, Gent) als Adelaert en Yanni Bourguignon (26, Wolvertem) als Ritsaert krijgt Senne twee bekende en ervaren broers naast zich op de planken. Remi heeft ondanks zijn jonge leeftijd al  een karrenvracht aan musicalervaring. Hij was Kleine Robin in 'Robin Hood' en speelde Wickie De Viking in de gelijknamige musical. Verder was hij te zien in o.a. 'Ben X', 'Kadanza Together', 'Dolfje Weerwolfje', 'OLIVER!' en 'Mama Mia!'. Op televisie zag je hem onder meer als Lars in 'Campus 12' en momenteel speelt Remi één van de hoofdrollen in de spektakel-musical '14-18'. 

Yanni Bourguignon speelde op zijn beurt hoofdrollen in de musicals 'Daens', 'Ganesha' en 'Footloose'. Bij tv-kijkend Vlaanderen is Yanni vooral bekend als ‘Cedric’ uit Familie, maar recent deelde hij met Jelle Cleymans ook de hoofdrol van ‘Jan’ in de spektakel-musical 14-18.

De rol van vierde broer Writsaert wordt gespeeld daar de 24-jarige Jasper Van Doren uit Londerzeel. Jasper speelde voor de Gemeentelijke Academie voor Muziek, Woord en Dans te Londerzeel de titelrollen in 'Peter Pan' en 'Oliver Twist'. Hij deed ook mee in verschillende reclamespots, de originele spektakel-musical 14-18 van Studio 100 en bij Camerata Productions kon je hem al aan het werk zien in '’t Schrijverke', 'Peter Pan, de musical' en in het theaterspektakel 'Karmeliet'.

Het verhaal in het kort:

De jonge Reynout wordt als onervaren ridder samen met zijn broers ingezet in de oorlog tussen zijn vader heer Aymon en Karel De Grote. Vol goede bedoelingen trekken ze ten strijde, maar wanneer ze met de drieste waarheid van het slagveld worden geconfronteerd, beseffen ze al snel dat ze evenveel te winnen als te verliezen hebben. Want hoeveel offer je op om je idealen te bekomen? 

In de bekwame handen van regisseur Stijn De Wolf, muzikaal leider Geert Baetens en choreografe Ingrid Coppieters belooft dit nu al een overweldigende voorstelling te worden met nieuw gecomponeerde muziek, prachtige kostuums, een uniek decor en tal van speciale effecten!

'De Sage van het Ros Beiaard' speelt vanaf 26 september 2025 tot en met 5 oktober 2025 in de Oktoberhallen te Wieze. Tickets & info: rosbeiaardspektakel.be  

Regie & scenario: Stijn De Wolf
Scenario: Wout Stallaert
Staging & choreografie: Ingrid Coppieters
Componisten: Pieter Van Baeveghem & Bert Van Weyenbergh
Muzikale leiding: Geert Baetens

Scenografie: Yannic Duchateau
Lichtontwerp: Laurens van Henden
Geluidsontwerp: TWIN4U
Ontwerp kap & grime: Sara Joris

v.l.n.r. boven: Veerle Malschaert, Herman Verberckmoes
onder: Senne Vanwildemeersch, Yanni Bourguignon, Remi De Smet (c: Camerata Productions)

EVELYN “CHAMPAGNE” KING - 'LOVE COME DOWN' (EZEL & DJ SSPEN REPRODUCTION)

JOHNNY BRITT – ‘MIDNIGHT IN PARIS’

MUSICAL AND CULTURAL ICON MELBA MOORE RELEASES NEW SINGLE, ‘IMAGINE’

No disrespect to John Lennon’s timeless, Grammy Hall of Fame classic, but legendary singer Melba Moore – still vibrant and impactful after half a century-plus as a musical and cultural icon – is lifting the spirits of this modern generation with her own “Imagine,” a fresh and beautiful new song that has the potential to become the premiere anthem of hope for our time.

Written by Rahni Song (music) and Chantel Hampton (lyrics), the title track to Melba’s latest (and 28th overall) album offers an optimistic vision of global love and unity during a particularly fraught sociopolitical era. Gliding over a gracefully compelling melody, her deeply soulful, ever-emotive voice brings Hampton’s richly poetic words to life from the opening lines: “Can you imagine…a place of peace/Imagine if love filled every street/No more hate/We’d all be free/Imagine How pure this world could be.” 

The second verse builds powerfully on these concepts, as Melba sings, “Imagine a love displayed/Causing loyalties to be erased/And within our hearts and in our minds/Love was a true virtue of our times.” The solution may seem elusive in an increasingly divisive, complicated world, but is simple at its core: “If we follow the script of love, we would have the cure.”Adding extra sparkle to the overall magical production is aseductive, jazzy guitar solo by Eric Leone, courtesy of Y3K Entertainment.

Melba felt an immediate connection to the tune – and Leone’s solo - when her daughter Charli Huggins, head of indie label The Gallery Entertainment, first brought it to her as an instrumental. Huggins tapped Hampton to pen the lyrics, and the singer felt the result was the perfect match of melody and poetry, and most importantly, a message that the world needed to hear. 

In an article that appeared in The Urban Influencer before the release of the album, Melba said, “The song is about really having paradise on earth. What if everybody can live in peace? What if there was no more war? It’s written so beautifully that collectively we thought regardless of what the rest of the album is, this should be what our theme is, and what we want people to focus on.”  

The singer adds, “‘Imagine’ has a certain feel to it that captures your and invites you into a unique experience. As an artist with a long history, I am always looking at, How do I keep myself interesting? And how do I keep my identity with material that is authentic and not just chosen to stay current? I love what the song says about our collective ability to create a place of peace and hope. If we begin where we are, imagining a better world, we can bring that to reality.”

Moore is also pleased with the sound of her voice on the recording. “I hear my voice renewal on the song,” she says. “When people get older, they lose certain qualities. I feel like I don’t exactly have a new voice but one that is healed and renewed, with a certain sweetness. The voices of female singers get fuller, thicker and lower over time. As a classical lyric soprano, I have a higher range that I believe has matured in a positive way. I can hear it in the way I phrase the lyrics. It’s so important to tell the story well so people can feel the song’s emotion.”

Melba’s storytelling skills shine through on all 12 tracks of Imagine, including the two previous singles, starting with “So In Love,” which spent three weeks atop the UK Soul Top 30 Chart and returned her to the airwaves in the U.S. and around the globe. She followed with the release of “Take Me Away.” 

These new tracks came on the heels of the listening public’s renewed appreciation for her Top 5 Billboard Dance Single (and Top 20 R&B hit) “You Stepped Into My Life,” a fanciful disco era take on a popular Bee Gees B-side. The track was an integralpart of the repertoire in DJ D-Nice’s “Club Quarantine,” avirtual dance party livestream of his skills on the turntables during the pandemic that earned him the NAACP Imagine Award for Entertainer of the Year and drew millions of viewers,including the likes of former President Barack and First Lady Michelle Obama, Oprah Winfrey, Halle Berry, President Joe Biden and top actors and activists. 

While best known for her seeming nonstop flow of hit albums and singles throughout the 70’s and 80’s, Melba made cultural history long before that, beginning her performing career as Dionne in the original cast of the musical Hair while becoming the first black woman to replace a white actress (future film star Diane Keaton) in a featured role on Broadway. In 1970, the same year her debut album I Got Love earned her a Best New Artist Grammy nomination, she won a Tony Award for Best Performance by a Featured Actress in a Musical for her portrayal of Lutibelle in Purlie – a role she would later reprise in the 1981 TV adaptation for Showtime. 

Decades before being a viral sensation and top influencer became mainstream pathways to fame, word of mouth about Melba’s colossal talent earned her appearances on every daytime and late- night talk show, placing her in millions of households. She became so well known that she was offered a summer variety show in 1972 with her then-boyfriend Clifton Davis. Soon after the success of “The Melba Moore/Clifton Davis Show,” she signed with Buddha Records, where she scored the Top Ten Billboard dance hits “This is It” and “Make Me Believe in You” and the Grammy nominated Top 20 R&B smash “Lean on Me.” 

Signing to Capitol in the early 80s, Melba enjoyed a second prolific decade of success with Billboard Top Ten R&B albums like Never Say Never and A Lot of Love and many hit singles, including “Love’s Comin’ At Ya” and the #1 hits “A Little Bit More” with Freddie Jackson and “Falling,” a hypnotic ballad featuring one of the longest held notes (nearly 20 seconds!) in recorded history. In addition, Melba’s 1985 hit “Read My Lips”earned her a third Grammy nod (for Best Female Rock Performance), making her only the third Black artist after Donna Summer and Michael Jackson to be nominated in a rock category. 

Her run of success on the R&B charts extended to 1990 with the Top Ten single “Lift Ev'ry Voice and Sing” (aka the Negro National Anthem), recorded at the behest of Dr. Dorothy Height, President of the National Council of Negro Women, who wanted Moore to use her formidable talent to ensure that the song would reach a new generation. The track featured an introduction by Louis Gossett, Jr. and vocal contributions by Dionne Warwick, Stephanie Mills and The Clark Sisters, with a video directed by Debbie Allen. 

While continuing her recording career, Melba returned to Broadway in 1995 with a part in Les Miserables and soon thereafter launched her long-running one woman show Sweet Songs of the Soul, later renamed I’m Still Standing. Some of her highlights in the 2000s include an appearance in the film The Fighting Temptations (starring Cuba Gooding Jr. and Beyonce) and a role in a production of Ain’t Misbehavin’. Moving ahead, while continuing to perform in clubs and doing concerts, Melba envisions herself starring in more theatrical productions, including shows in the “gospel theatre” realm.

“Looking back, I’m very grateful for the many twists and turns which have given me the opportunity to develop a career of great diversity,” says Melba. “As the latest manifestation of that, I hope the song ‘Imagine’ resonates with many people the way it has with me and that the philosophy of the lyrics touch and inspire them. Life is very fragile and I’m just happy that I’m still here to share the music that means the most to me.”

CHRISTMAS NEW SINGLE RELEASE - CHRISTMAS FOR SALE BY ROBERTO TOLA

CHRISTMAS FOR SALE is the new single by Roberto Tola, an intimate jazz ballad dedicated to Christmas, available on all music platforms from December 2, 2024.

Christmas, as we all know, is a time of celebration, a time of shared joy, especially for children. It should therefore be the celebration of happiness, of lightheartedness, of bright colors, a time when families come together and exchange smiles, affection and gifts. However, there is another side to the holiday, that of those who live in conditions of suffering, helplessness, loneliness and poverty.

It is essential that Christmas is celebrated, a right for everyone, and especially for the little ones.

With his new song, Roberto Tola wants to dedicate a thought to these people who, for various reasons, find themselves in dramatic situations. Whether it is due to extreme weather events( as recently happened in Spain or Grenada Islands), illnesses or the loss of loved ones - be they parents, siblings, friends - or for those who flee from wars and conflicts in search of a better life, Christmas can be transformed into a time of prayer and hope.

There are people on the other side of the world who, finding themselves in profound loneliness, would "sell" their Christmas for those who can instead enjoy it. For them, the holiday often becomes inappropriate, a burden to bear while they face serious difficulties. In these cases, each of us can make a difference, contributing in our own small way to help these defenseless and vulnerable souls.

Let's rejoice at Christmas, but let's always remember to turn our hearts toward the other side of the world.

"Christmas for Sale" is an invitation to reflect on these realities and to transform our celebration into a gesture of solidarity.

CREDITS

Roberto Tola: Guitar, Percussions, Piano, Drums, Programmed sounds, Composition and Arrangement, Mixing and Mastering;

Maciek Szczyciński: Double Bass;

Created at Eden Beach Studio – Sassari, Sardinia (Italy)

CHRISTMAS FOR SALE is available in digital version from December 2, 2024, on all major music platforms, including: Spotify, Apple Music, iTunes, Amazon Music, Tidal, Deezer etc.. or by connecting to the artist's official website at www.robertotola.com

ER WAS EENS...EEN STEMMENCAST VOOR DE ‘SPROOKJESWANDELING’ IN DE SCHORRE

Vanaf 14 december wordt Provinciaal Recreatiedomein De Schorre omgetoverd tot het Grote Sprookjesbos voor de eerste editie van 'Er Was Eens... een Sprookjeswandeling'. Deze sprookjes- en belevingswandeling neemt de bezoekers mee op een betoverend avontuur, met als bestemming het Grote Koninklijke Bal in het Sprookjesbos.

Terwijl dit bijzondere avontuur zich afspeelt rondom de bezoekers en ze prinsen, prinsessen, feeën, ridders, koningen, tovenaars en foute schoonmoeders ontmoeten, kunnen jong en oud het verhaal in de best mogelijke omstandigheden volgen via een eigen hoofdtelefoon.

Er was eens...een stemmencast!

Deep Bridge wist een bonte, maar zeer sprookjesgevoelige stemmencast samen te stellen om het verhaal in te lezen. Zo leent radiopresentatrice en dj Laura Govaerts (MNM) haar stem aan de Goede Fee, klinkt de Ridder uit Doornroosje verdacht veel als Mathias Mesmans (Gamekeepers, Milo) en herken je in de Archivaris-Verteller vast het milde stemgeluid van gelauwerd acteur Vic de Wachter. Met Helle Vanderheyden als Rapunzel, de prettig gestoorde Jervin Weckx als de Mad Hatter uit Alice in Wonderland, Isabelle Heremans als de Heks (Hans en Grietje), Pieter Jan De Paepe als Kleine Jan (Robin Hood), Nordin De Moor als de Wolf uit Roodkapje en Charlotte Campion als dat Roodkapje, ook een exquise selectie musicaltoppers in deze heerlijke stemmencast.

Luister dus goed naar de aanwijzingen van Roodkapje, pas op voor de Heks van Hans en Grietje, geniet van een theekransje met Alice en de Mad Hatter in Wonderland, ga de uitdaging aan met de vrijbuiters van Robin Hood en passeer de Draak van Doornroosje die het pad naar de balzaal bewaakt.

De prachtige wandelroute is geschikt voor het hele gezin, met sprookjesverhalen voor kinderen en een vleugje nostalgie voor de volwassenen. Wie er nog bij wil zijn, mag niet te lang meer aarzelen, want enkele weken voor de première is de 'Sprookjeswandeling' al zo goed als uitverkocht!

Tickets & info 'Er Was Eens... een Sprookjeswandeling': deepbridge.be

VARIOUS ARTISTS - ‘QUEST ONE’ (INCL. MAX SINÀL, 2FOX AND KINGCROWNEY & ZOE KYPRI)

Due to popular demand, Soul Quest Records co-founder Max Sinàl reveals the first in the label’s vinyl compilation EP series, ‘Quest One’. The EP features 5 choice releases from the label, ablaze with the fresh sounds of London’s soulful and jazzy underground. ‘Quest One’ includes 3 solo productions from Max; the sublime downtempo jazzy grooves of Soul Quest’s sell out second release: ‘Let Your Hair Down’ and ‘Let You In’, featuring vocalists Hutch The Great & Melodi Marsh; and the beautifully soul-drenched ‘Waiting’ complete with spine-tingling vocals from Bianca Nieddu. Bringing his dreamy Deep House vibes, Soul Quest co-founder Slxm Sol delivers an exquisite remix of KingCrowney X Zoe Kypri‘s ‘Coat On’; and closing out this stellar EP is 2fox’s (aka Max Sinàl & Renell Shaw), broken beat soulful smash, ‘So Long’, with Liam Bailey & BB James on vocals. With all the selected tracks for the EP receiving global support from the likes of Gilles Peterson (BBC 6Music), Laurent Garnier, Danny Krivit, Glenn Underground, Soul Clap, and Crazy P, among others, this brilliant package is a must have for any deep/soulful vinyl collector.

Native East Londoner Max Sinàl has been playing and releasing music under various alias’s since starting out on East London’s famous pirate radio circuit 25 years ago. In recent years he has had releases on labels such as Knee Deep In Sound, Of Unsound Mind, Elements and Black Butter under various alias's including 2fox, M.A.X and Sinàl (Kincaid & Sinàl) As one half of 2fox, they have amassed over 20 million Spotify streams and have been remixed by the likes of Manoo, Kaytronik (Karizma), Mele, Rudimental, Aroop Roy, Coflo with one forthcoming from house music legend Louie Vega. 2023 saw him launch the Max Sinàl moniker, alongside Soul Quest Records - a label he Co- founded with two close friends. In just a few months he earned the title of one of DJ Mag’s Best Emerging Artists, had his song ‘Let You In’ labelled as one of Bandcamp’s best releases of 2023 and had his track ‘Let Your Hair Down’ synced with the smash hit video game Fortnite.

Track Listing
1 Max Sinàl - Let Your Hair Down Ft Hutch the Great
2 Max Sinàl - Let You In Ft Hutch The Great & Melodi Marsh
3 KingCrowney X Zoe Kypri - Coat On (Slxm Sol Remix)
4 Max Sinàl - Waiting Ft Bianca Nieddu
5 2fox - So Long Ft Liam Bailey & BB James

‘Quest One’ (Incl. Max Sinàl, 2fox and KingCrowney & Zoe Kypri) will be released on vinyl on November 22nd 2024 on Soul Quest Records.

Various Artists
‘Quest One’ (Incl. Max Sinàl, 2fox and KingCrowney & Zoe Kypri)
Soul Quest Records / SQRVA001
https://www.soulquestrecords.com/
https://www.instagram.com/max_sinal/
https://www.instagram.com/slxmsol/
https://www.instagram.com/kingcrowney/
https://www.instagram.com/zoekypri/
https://www.instagram.com/2foxlondon/

HOLIDAY CHEER 2024

• Darren Rahn - "O Come O Come Emmanuel"
• Herb Alpert - "White Christmas"
• Kay-Ta - "Jingle Funky Bells"
• Ryan Montano - "Toyland"
• Eric Knight - "Love Actualized"
• Sharon Rae North ft. Kevin Flournoy - "Everything I Ask For"
• Isaac Edwards - "Noel"

ENGELSE STUDIO & SESSIEGITARIST VIC FLICK OVERLEDEN

De Engelse studio en sessie-gitarist Vic Flick, bekend van de gitaar-riff in het ‘James Bond Theme’, is op 14 november op 87-jarige leeftijd overleden. Flick speelde ook met The Beatles, Tom Jones, Jimmy Page en Eric Clapton. Zijn zoon, Kevin Flick, maakte het overlijden van zijn vader vandaag bekend. Victor Harold Flick werd geboren in Surrey. Hij speelde met componist John Barry in The John Barry Seven, toen Barry werd gevraagd om een nieuw arrangement te maken van Monty Norman’s themaliedje voor de eerste James Bond film ‘Dr. No’. Het nieuwe themaliedje werd in 1962 opgenomen. Flick speelde de wereldberoemde riff op een Engelse Clifford Essex Paragon Deluxe gitaar uit 1939, die aangesloten was op een Fender Vibrolux versterker. Dat zorgde voor een ‘zwaarder’ geluid. Voor zijn werk kreeg Flick 6 Engelse ponden uitbetaald. Flick speelde daarna op de soundtracks van verschillende James Bond films, waaronder Shirley Bassey’s themaliedje voor ‘Goldfinger’ (1964). Daarnaast speelde hij op vele honderden opnames, waaronder de wereldhits ‘World Without Love’ van Peter & Gordon, ‘Downtown’ van Petula Clark, ‘It’s Not Unusual’ en ‘What’s New Pussycat?’ van Tom Jones en ‘Spicks And Specks’van The BeeGees. Door de jaren heen werkte Flick met wereldsterren als Jimmy Page, George Martin, Cliff Richard, Eric Clapton, Nancy Sinatra en Dusty Springfield. “He was a musician’s musician”, schreef Justin Hayward van The Moody Blues in 2008 in een voorwoord bij Flick’s biografie ‘Vic Flick, Guitarman: From James Bond to The Beatles and Beyond’. In 2013 werd Flick door het National Guitar Museum (NGM) onderscheiden met een prijs voor zijn levenswerk. Vic Flick ruste in vrede!

Met dank aan Leo Weijers.

FRANSE COMPONIST CHARLES DUMONT OVERLEDEN

Componist Charles Dumont, die veelvuldig met Édith Piaf samenwerkte en onder meer het legendarische nummer ‘Non, Je Ne Regrette Rien’ schreef, is gisteren 18/11/2025 op 95-jarige leeftijd overleden. Dat meldt AFP. Dumont overleed in zijn slaap na een lang ziekbed. Charles Dumont werd oorspronkelijk opgeleid als trompettist. Hij beleefde zijn doorbraak als componist nadat hij Piaf, die in 1963 overleed, overtuigde om zijn werk te zingen. Eerder had zij dat meermaals geweigerd. Hij schreef meer dan dertig liedjes voor de zangeres, waaronder ‘Non, Je Ne Regrette Rien’, ‘Flonflons Du Bal’, ‘Mon Dieu’ en ‘Les Amants’. Hierbij werkte hij regelmatig samen met tekstschrijver Michel Vaucaire. Dumont schreef ook liedjes voor Dalida, Gloria Lasso, Luis Mariano en Tino Rossi. Later deelde Dumont meermaals hoe belangrijk de samenwerking met Piaf was voor hem. "Mijn moeder heeft me gebaard, maar Édith Piaf heeft me op de wereld gezet", vertelde hij in 2015. "Zonder haar had ik nooit alles gedaan wat ik heb gedaan." Na de dood van Piaf boekte Dumont ook succes als zanger en schreef hij muziek voor series en films. Voor zijn eigen liedjes kreeg hij ook meerdere gouden platen. Dumont werkte ook samen met Barbra Streisand. Samen schreven zij het nummer ‘I've Been Here’. Drie jaar geleden brachten Matthijs van Nieuwkerk en Rob Kemps een bezoek aan Dumont voor hun programma ‘Chansons!’. Dumont speelde toen ‘Non, Je Ne Regrette Rien' voor de twee presentatoren. Dat deed hij thuis op zijn eigen vleugel. Charles Dumont ruste in vrede!

Met dank aan Leo Weijers.

SOUL-JAZZ SAXOPHONIST CURTIS HAYWOOD OFFERS THE "LAST DANCE" AS A SOULFUL TRIBUTE AND CELEBRATION OF HIS MOTHER’S LIFE

The emotional new single featuring guitarist Steve Oliver is among the top new releases.

BROOKLYN, NY (18 NOVEMBER 2024): As his mother valiantly fought brain cancer in the final two years of her life, soul/jazz saxophonist Curtis Haywood struggled to let her go. But he knew he had to let go if only to relieve her of the crippling pain she endured. In that moment of clarity, he imagined dancing with her one final time. Haywood captured that intimate and emotional moment on “Last Dance,” the newly released single that he wrote. Billboard chart-topping guitarist Steve Oliver produced the track and is featured playing on the Megawave Records release that is among the most added new singles on the Billboard radio chart. 

While the poignant backstory may seem somber, Haywood’s “Last Dance” is a joyous celebration of life’s transient beauty. The soulful interplay of Haywood's soprano saxophone and Oliver's guitar creates a rich, downtempo R&B groove inviting listeners to dance. The accompanying video (https://youtu.be/G0ll_D4aJmI?si=c29W8ublnc4YE6NI) mirrors this vibrant energy, showcasing the track’s infectious spirit.

“‘Last Dance’ is about recognizing the necessity of releasing what no longer serves us, opening ourselves to new beginnings and brighter futures. This powerful message resonates throughout the song, making it a perfect anthem for anyone facing life’s inevitable transitions,” said Haywood who shot the video during a summer residency in the Hamptons.

The Brooklyn born and based Haywood is a saxophonist and steelpan player who attended the Berklee College of Music. He has released three albums incorporating classic R&B, soul, jazz, and gospel beginning with his 2007 self-titled debut set. Haywood also issued a couple of Christmas singles, “Mary, Did You Know?” and “Hark the Herald Angles Sing.” A dynamic concert performer, Haywood has performed with or been on marquees featuring contemporary jazz, classic R&B, soul, and gospel greats Chieli Minucci, Elan Trotman, Will Donato, JJ Sansaverino, Melissa Morgan, Melba Moore; Ray, Goodman & Brown; The Intruders and Harold Melvin’s Blue Notes, Dennis Edwards and The Temptations Review, Kirk Franklin, Sounds of Blackness, and Noel Pointer.

For more information:

Website: https://www.curtishaywood.com.

Facebook: https://facebook.com/curtishaywoodpage

Instagram: https://instagram.com/curtishaywood

YouTube: https://youtube.com/curtishaywood

DAVID MORALES FT ANTOINETTE DUNLEAVY - ‘DO YOU BELIEVE’

When it comes to powerhouse vocalists, Irish singer, songwriter, Antoinette Dunleavy, boasts a voice that oozes raw soul, which has been making quite the regular appearance on David Morales recent productions including, ‘Needin’ U’ 2024, ‘Alive’, You & Me’ (Bandcamp special) and ‘Love Takes 2’ with DJ Meme. Continuing the theme of his recent Gospel House smash, ‘Celebrate’, David joins forces with Antoinette, together taking things to church with an uplifting Gospel / Disco House infused dance floor delight, ‘Do You Believe’. Antoinette belts out a powerful soul-drenched call to believe in a higher love, garnished with uplifting BV’s, as David delivers a heavenly soundtrack to match, packed with uplifting brass stabs, strings, piano melodies and playful beats to raise the love vibration.

David Morales is a globally revered American DJ, Grammy award-winning record producer, songwriter, and is a true House Music legend. He has produced and remixed over 1000+ records for an all-star roster of multi-platinum artists, including Mariah Carey, U2, Michael Jackson, Aretha Franklin, Madonna, and Whitney Houston. Launched in 2018, David Morales’ DIRIDIM label beams quality house music. DIRIDIM features David’s own productions and collaborations with the likes of Romina Johnson and Antoinette Dunleavy, as well as releases from artists including Róisín Murphy, DJ Meme, Danism & Train, Buranello, Timmy Regisford, Michel Cleis, Janice Robinson, Frankie Ferrara, James Deron and many more.

Described as ‘the real deal’ by David Morales, Irish singer, songwriter, soul and House Music vocalist, Antoinette Dunleavy, has been on the Irish and International music scene for 15 years as a topliner, session vocalist and songwriter. Having released music with Irish producers The Control Freakz, Corrugated Tunnel, Grooveboy, and US legend, David Morales, her inspirational lyrics and huge live vocal range have made her one of Ireland's most in demand live and studio vocalists and songwriters.

Track Listing
1 Do You Believe (Original Mix)
2 Do You Believe (Extended Vocal Mix)
3 Do You Believe (Instrumental)

‘Do You Believe’ will be released on all stores on November 22nd 2024 on DIRIDIM.

David Morales & Antoinette Dunleavy
‘Do You Believe’
DIRIDIM / DRD00156
https://www.instagram.com/djdavidmorales/
https://www.instagram.com/antoinettedunleavysinger/
https://www.facebook.com/diridimmusic

THOMMY DAVIS & TASHA LaRae - ‘THE REAL THING’

Vocalist for the 2 x Grammy Award winning Arrested Development and hugely acclaimed soulful songbird Tasha LaRae, reveals the first single from her forthcoming second solo album for 2025 with a superb collaboration with Quantize's own legend, Thommy Davis on "The Real Thing". This re-production personifies the beauty of the Sergio Mendez & The New Brazil 1977 Disco classic written by Stevie Wonder, respectfully updating this cherished anthem for today's soulful dance floors. Underpinned by layers of Thommy's production with DJ Spen, Gary Hudgins and Michele Chiaverini's first-class musicianship, "The Real Thing" comes packed with a funky bass groove, sublime keys and a stunning Vibes solo, all beautifully wrapped in Tasha's enchanting vocal performance on this very classy remake destined to shimmer under the glitter ball.

International recording artist, Tasha LaRae is blazing her trail around the world with soulful house & R&B vocals. Hailing from Omaha, Nebraska, relocating to Atlanta, Georgia gave Ms. LaRae the inspiration and opportunities needed to develop her unique sound. In 2008 Ms. LaRae joined hip-hop trailblazers as their new lead female vocalist and wrote and performed on several Arrested Development albums including "Strong" 2009, "Standing At The Crossroads" 2012, "Changing The Narrative" 2016, "This Was Never Home" 2016, and "Craft & Optics" 2018. In recent years, Tasha has become a star on the Soulful House scene, releasing her debut solo album, "Tasha", in 2019 along with many singles and collaborations, she has become a firm favorite with the Quantize Recordings fans. Tasha is set to release her second solo album, "Brown Stones & Blue Skies", on Quantize next year.

Acclaimed DJ, Producer and writer Thommy Davis has been working with fellow Baltimorean DJ Spen for many years and together have been running the successful Quantize Recordings and Unquantize labels, along with label co-owner Kelly Spencer. Many know Thommy for his collaborations with Teddy Douglas and Jay Steinhour as the Basement Boys since the late 80's, who produce worldwide hits for Ultra Naté, Crystal Waters, Mass Order and many others, receiving several awards, gold records and a Grammy nomination. Thommy has worked with a multitude of artists as well as on his own solo projects, from his 2006 hit, "Night Train", his 2018 release "Love Sensation" with Susu Bobien & DJ Spen, to his "Mr Davis" Album in 2020, and so many more, he continues to deliver that Baltimorean magic for our dance floors.

Track Listing
1 The Real Thing (12 Inch Vocal Mix)
2 The Real Thing (Radio Edit)
3 The Real Thing (Mix Show Edit)

‘The Real Thing’ will be released on Traxsource promo on November 22nd / Full release December 6th 2024 on Quantize Recordings.

Thommy Davis & Tasha LaRae
‘The Real Thing’
Quantize Recordings / QTZ486
https://www.facebook.com/ThommyDavisDJ/
https://www.facebook.com/TashaLaRaeFanPage
http://www.quantizerecordings.com

BLUES ROCK GUITARIST ORIANTHI HAS "SOME KIND OF FEELING" ABOUT HER SPIRITED NEW SINGLE

LOS ANGELES, Calif. (14 NOVEMBER 2024): Perched cliffside high above the majestic Pacific Ocean crashing below, blues rock guitarist Orianthi sings jubilantly about the joys of love and connection in the video accompanying the arrival of her new single, “Some Kind of Feeling.” The rousing and celebratory tune that she wrote and was produced and mixed by GRAMMY nominee Kevin Shirley (Aerosmith, The Black Crows, Led Zeppelin) drops on Friday (November 15) from Woodward Avenue Records.

“Some Kind of Feeling” is Orianthi’s third single issued this year following February’s hard-hitting “First Time Blues” that featured a guest performance by fellow blues rocker Joe Bonamassa and May’s “Ghost,” a track incorporating country and gospel nuances into the bluesy base. Now comes “Some Kind of Feeling,” the third cut from her forthcoming not-yet-titled album that is expected to arrive in March, her first on Woodward Avenue Records.

The new single is certainly the most mainstream of the three released thus far and this one finds the Australian-born, Los Angeles-based guitar prodigy celebrating unity. Knit from blues, rock, pop, and soul-stirring gospel, “Some Kind of Feeling” is anthemic, feel-good music exulting connection on a deeper, more meaningful level in a world of superficiality.    

"This tune is all about connection and love in different forms: be it friendship, a lover or family. It's also about unity and going on that feeling of a high vibration,” said Orianthi, who recorded the single at The Doors guitarist Robby Krieger’s Love Street Sound studio. 

In addition to playing guitar, including a searing mid-tune solo, Orianthi sings lead and background vocals, pouring power and passion into each lyric, verse, and roof-raising chorus. She’s backed by bassist-vocalist Justin Andres, rhythm guitarist Nick Maybury, keyboardist Ed Roth, drummer Jimmy Paxson, and background vocalist Jade MacRae. 

A stunning beauty in addition to her virtuoso guitar skills, Orianthi (Orianthi Panagaris) performed last month at The Victoria’s Secret Fashion Show, which aired on Amazon Prime. In September, she played alongside GRAMMY winner Karol G at Rock in Rio. Next month, Orange Amps launches a limited-edition Orianthi signature model, Orianthi Crush 20RT.  

Throughout her career, Orianthi has kept the company of legends, having performed and/or toured with Carlos Santana, Steve Vai, Alice Cooper, Richie Sambora, and Dave Stewart. She was hired by Michael Jackson for the London run of his ill-fated “This Is It Tour” and was a member of the supergroup Hollywood Vampires (Cooper, Joe Perry, Johnny Depp, and Tommy Henriksen). As a solo artist, she debuted in 2005 with the “Violet Journey” album and has released five albums. Elle magazine named Orianthi one of the “12 Greatest Female Electric Guitarists” and she won the 2010 “Breakthrough Guitarist of the Year” award from Guitar International magazine. She’s performed on “American Idol” and the GRAMMY Awards telecast.   

Watch the “Some Kind of Feeling” video at https://www.youtube.com/watch?v=L8p0uncRpQQ.

Visit https://www.orianthi.me for more information.

ABOUT WOODWARD AVENUE RECORDS

The Florida-based Woodward Avenue Records is a boutique independent label committed to producing and distributing unique, collaborative musical projects that masterfully fuse genres. From jazz, R&B, soul, blues and gospel to rock, pop, country, Americana and Latin music, Woodward Avenue Records supports standout artists releasing exceptional recordings. For additional information, visit https://woodwardavenuerecords.com.

FULLER FRENCH – ‘ECHOES (DEXTER MOORE VERSION)’

TOMMY DAVIDSON FT. EARTH, WIND & FIRE – ‘STRONGER’

FEELING GOOD - R&B/JAZZ BAND JOHN SMITH & DA'JA CONNECT ON NEW SINGLE

“Make Me Feel Good,” the latest release from the “Life After Life” album, is presently collecting playlist adds.

DETROIT, Mich. (11 NOVEMBER 2024): Some lines from movies resonate on a deeper level. As multi-instrumentalist John Smith watched Halle Berry’s Academy Award-winning performance in “Monster’s Ball,” her character said something so simple, yet it had a profound impact on him, inspiring the title of his band DA’JA’s new single, “Make Me Feel Good.” The DA’JA Entertainment contemporary jazz release written and produced by Smith is currently collecting radio playlist adds as it hits streaming and retail platforms including Spotify, iTunes, and Apple Music.

“When Halle’s character leaned in and said, ‘Make me feel good,’ it was simple, but something about the way she delivered the line hit me. It felt raw, like she was asking for more than just a moment. She was asking for connection, to be truly understood. That line stayed with me. It captured a feeling of vulnerability and desire, this universal need we all have to feel alive, wanted, and seen. Whether it’s being close to someone, feeling free, or breaking away from everything that holds us back. That’s where the song came from. It’s more than just words; it’s a request, a plea for something real and unforgettable,” said the Detroit-based Smith about the latest single from DA’JA’s “Life After Life” album, which dropped last year.

A cool electric jazz guitar lead speaks evocatively on “Make Me Feel Good.” The downtempo R&B/contemporary jazz groove is carved by bassist Rob Skinner and drummer Jeff Canady while the melodic backdrop is draped by Moe Whitsett’s understated keyboards and warmed by Dennis Lee’s horns.

Smith’s mission is to use music to unite and unify, bridging generations, races, and the cultural divide. Inspired by the death of GRAMMY-winning crossover superstar Selena, he crafted an alchemy of jazz, funk, R&B, and Latin music that he branded Latin Funk. DA’JA’s first album release, “Straight Up John Smith,” dropped in 2002. The band’s fourth collection, “Life After Life,” has spawned seven singles: “Life After Life,” “Takin It Easy,” “Paradise (Full Mix),” “After Five,” “Magical,” “True Love (Acoustic),” and now, “Make Me Feel Good.”

Nominated for Instrumental & Jazz Artist of the Year at the Los Angeles Music Awards, John Smith & DA’JA have played popular Detroit-area venues and festivals at which they shared the stage with Anita Baker, Martha Reeves, Force MDs, and The Time.

In its touring configuration, Smith anchors the DA’JA band septet from the drum throne and is flanked by Derrick Bow (bass), Rodney Walker (guitar), Eddie Payne (keyboards), Neyo Jones (percussion), Terrell Williams (trumpet), and Moe Garcias (horns).

For more information, visit https://dajaent.net.

GINETTA’S VENDETTA – ‘GINETTA’

PATRIK DIMAK – ‘IT’S ALRIGHT’

BYRON MILLER – ‘JAM ON TEN MILE’

NEW CHRISTMAS SINGLE ‘HITCH A RIDE WITH SANTA’ FROM DENNIS VAN AARSSEN

AMERIKAANSE PRODUCER, SONGWRITER & ARRANGEUR QUINCY JONES OVERLEDEN

De Amerikaanse producer, songwriter en arrangeur en 28-voudig Grammy Award-winnaar Quincy Jones is gisteren op 91-jarige leeftijd in Bel-Air, Los Angeles overleden. De muzikale carrière van Quincy Delight Jones Jr. omvatte meer dan 70 jaar. "Met gebroken harten delen we het overlijden van onze vader en broer", schrijft de familie van Jones in een verklaring. "Ook al is dit een ongelooflijk verlies voor onze familie, we vieren zijn geweldige leven en weten dat er nooit meer iemand zal zijn zoals hij." Jones werd in de jaren vijftig bekend als jazz-arrangeur en dirigent voordat hij zich richtte op pop- en filmmuziek. Hij was van alle markten thuis en bewoog zich gemakkelijk tussen verschillende soorten muziek. Als producer van de hits in de beginjaren zestig voor Lesley Gore (bijvoorbeeld ‘It's My Party’) tot arrangeur en dirigent voor verschillende samenwerkingsvormen tussen jazz-artiesten als Frank Sinatra en Count Basie. In 1968 werd Jones de eerste zwarte Amerikaan die genomineerd werd voor een Academy Award (in de categorie ‘Best Original Song’ voor ‘The Eyes Of Love’ uit de film ‘Banning’). Jones werd ook genomineerd voor een Academy Award (in de categorie ‘Best Original Score’) voor zijn werk voor de film ‘In Cold Blood’ (1967). Hij produceerde drie van de meest succesvolle albums van Michael Jackson, namelijk ‘Off The Wall’ (1979), ‘Thriller’ (1982) en ‘Bad’ (1987). In 1985 produceerde en arrangeerde hij de liefdadigheids-hit ‘We Are the World’, die een recordbedrag opleverde voor de slachtoffers van de hongersnood in Ethiopië. Jones ontdekte al vroeg de muziek en begon met trompet spelen. Op zijn tiende verhuisde het gezin naar de stad Bremerton. Daar raakte hij bevriend met een blinde jongen die piano speelde. Met deze pianist, later bekend als Ray Charles, vormde Jones een combootje dat op bruiloften en in jazzclubs speelde. Jones kreeg een beurs om in Boston muziek te studeren, maar hield daarmee op toen hij de kans kreeg als trompettist te toeren met bandleider Lionel Hampton. Al snel viel zijn talent voor arrangeren op. In 1956 trok hij als trompettist en muzikaal leider met The Dizzy Gillespie Band door het Midden-Oosten en Zuid-Amerika. Daarna studeerde hij compositie en muziektheorie in Frankrijk. Met een aantal jazzorkesten toerde hij door Europa en later met zijn eigen bigband door Noord-Amerika. Dat werd muzikaal gezien een succes, maar Jones verloor er veel geld mee. Hij trad noodgedwongen in dienst bij platenmaatschappij Mercury Records. Daar schopte hij het als eerste zwarte persoon ooit tot vicepresident. Later verhuisde Jones naar Los Angeles. Daar schreef hij decennialang voor Miles Davis, Frank Sinatra, Dinah Washington en natuurlijk Michael Jackson. In Nederland is Jones ook bekend van het nummer ‘Chump Change’. Het liedje is al jaren de tune van het NPO Radio 1-programma ‘Langs de Lijn’. Als uitvoerend artiest haalde Jones in Nederland drie keer de Top 40. In 1978 met de single ‘Stuff Like That’. In 1990 met de single ‘The Secret Garden (Sweet Seduction Suite)’ samen met Al B. Sure!, James Ingram, El DeBarge en Barry White. In 1990 met de single ‘Tomorrow (A Better You, A Better Me)’ samen met Tevin Campbell. Quincy Jones ruste in vrede!

Met dank aan Leo Weijers.

OTIS REDDING WAS POSTHUMOUSLY HONORED ON THE WALK OF FAME

Entertainer Otis Redding was honored posthumously with the 2,791st star on the Hollywood Walk of Fame on Friday, October 4, at 11:30 am PT at 6150 Hollywood Boulevard. Redding was honored with a star in the category of Live Theatre/Live Performance. Joining emcee Jimmy Jam was Killer Mike. Accepting the award was Karla Redding Andrews.

The Hollywood Chamber of Commerce administers the legendary Hollywood Walk of Fame for the City of Los Angeles and has proudly hosted the globally iconic star ceremonies for decades. Millions of people from here and around the world have visited this cultural landmark since 1960.

ABOUT OUR HONOREE

“The Hollywood Chamber of Commerce is honored to dedicate a star to the legendary Otis Redding, whose music continues to inspire generations,” stated Ana Martinez, Producer of the Walk of Fame ceremonies.

Otis Redding is regarded as one of the greatest singer-songwriters in the history of American popular music. Born in Dawson, Georgia, Redding moved to Macon at age two and began his music career in the church choir. After excelling in local talent shows, he joined Johnny Jenkins and the Pinetoppers in 1958. His breakthrough came in 1962 with “These Arms of Mine,” marking the start of a series of iconic hits including, “(Sittin’ On) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Respect,” and “Try a Little Tenderness.”

Redding toured throughout the United States, Canada, Europe, and the Caribbean and became one of the biggest box-office successes of any touring artist at the time. His electrifying performances captivated audiences worldwide, with notable appearances at the Apollo Theatre and Monterey Pop Festival.

But his life and career would be tragically cut short. On December 10, 1967, while on the way to a concert, Redding’s private plane, a twin-engine Beechcraft, crashed into Lake Monona in Madison, Wisconsin.

Posthumously inducted into the Songwriters Hall of Fame and awarded a GRAMMY Lifetime Achievement Award in addition to winning Grammy Awards for Best R&B Song and Best Male R&B Vocal Performance in 1969, Redding’s influence continues through the work of the Otis Redding Foundation, ran by his wife Zelma and daughter Karla Redding-Andrews, which preserve his legacy through empowering music education involving writing and instrumentation for all youth. His groundbreaking moves as an artist and philanthropist in the 1960s continue to inspire.

Otis Redding’s vision of music being a universal force remains a cornerstone of his enduring legacy.

IAN WILLIAMS - 'AFTER WE’RE GONE' – NEW SINGLE & VIDEO BY LONDON-BASED ELECTRONIC MUSICIAN OUT 31.10.24

IAN WILLIAMS | photography by Damien de Blinkk

IAN WILLIAMS
AFTER WE’RE GONE
new single
out 31.10.24
(Slaughterback)

Bandcamp  

included on
SLOW-MOTION APOCALYPSE
album out now
Bandcamp

“Designed to sound as if it’s on the edge of orgasm or violence. An unapologetic muscle car of an album”
ELECTRONIC SOUND
“Clever, beautiful and inspiring, we could certainly do a lot worse than go out on a high with this playing as the soundtrack *****”
OUTSIDE LEFT
“Think Vangelis sharing ideas with Tangerine Dream and Jean-Michel Jarre. Cinematic, with spacey, melodramatic vocals, it is proud, mighty and fearless and has a heroic feel”
TURN UP THE VOLUME

London-based musician/composer Ian Williams has released a new single and video (caution - it contains flashing images) entitled ‘After We’re Gone’ today. It is an edited version of a track from his current album, ‘Slow-Motion Apocalypse’.

Anyone who has been paying attention will know that the human race is in a perilous position. We inhabit a planet that is overheating and being drained of the resources needed to sustain a healthy balance for the life which exists upon it, while our politicians indulge in pointless regional wars, or blinkered domestic bickering; anything to avoid having to make the unpopular decisions which may help mitigate the effects of humanity’s selfish excesses. We can’t last forever, so what happens after we’re gone?

Williams’ new single is a journey (literally, in the case of its dazzling video) - hard, hyperactive synthetics melt into Duane Eddy guitar licks, before the choirs and orchestras (several of each) join the stampede to a coruscating climax.

The earth will heal just fine without us. That’s what will happen after we’re gone.

Ian Williams began his music career in Edinburgh in the mid 1980s as a founder of Beautiful Pea Green Boat, whose ethereal, atmospheric sound pre-dated the vogue for dream pop by at least twenty years. Several collaborations with Lebanese choreographer Joumana Mourad and her contemporary dance company Ijad saw him fuse Arabic/classical/techno/ambient styles, following which he changed tack to work with singer Claudia Barton as Gamine, releasing two albums of dark, piano-led torch songs and lullabies.

Williams' own releases include THE DREAM EXTORTIONISTS (2019), a debut solo album of dark piano and electronics; LES BLESSURES INVISIBLES (2019), an eclectic electronic soundtrack to a documentary film by French director Eric Michel, and ALL BECOMES DESERT (2021), an album of minimalist ambiences and warm analogue soundscapes. Following the release of SLOW-MOTION APOCALYPSE in 2023, he composed the soundtrack to Michel’s new WW2 spy documentary, LE MYSTÈRE LUCIE (Code Name Lucy) and issued two soundtracks for it in July 2024.

TIM TREADWELL – ‘TROUBLE DON’T LAST ALWAYS’

JOHN GIANNONE – ‘ISLAND DREAMIN’’

JAZZ VOCALIST SHERINE WONG BODES TO ROMANCE AMERICAN HEARTS WITH HER FIRST US ALBUM

Jazz Beauty: Vocalist Sherine Wong bodes to romance American hearts with her first US album, “3 & More,” a trio-based project culled from the Great American songbook.

HONG KONG (30 OCTOBER 2024): Beauty, romance, and jazz. Former Miss Malaysia Universe winner Sherine Wong fell in love with the romance of the Great American songbook and became a jazz singer. After releasing two albums in Asian territories, she now has her sights set on seducing the American market with the release of her first US release, “3 & More,” an acoustic jazz album now available from Universal Music Hong Kong.   

“3 & More” is a collection of ten standards that began with Wong accompanied by a trio. From there, various world-class producers, musicians, arrangers, and engineers - Thelonious Monk International Jazz Guitar Competition winner Jesse van Ruller, Japanese vocalist and flugelhornist TOKU, trombonist Dree Peremans, guitarist Eugene Pao, trumpeter, flugelhornist, and drummer Stéphane Belmondo; and Paul Pouwer (Power Sound Studios) - added the rich color and crafted lavish backdrops decorated by horns, enhancing the trio into lush ten-piece band productions. Front and center is Wong’s bewitching voice, which ranges from soothing and sensual to graceful, impassioned and lovelorn.

As she worked on the album comprised of timeless classics from such iconic composers as George & Ira Gershwin, Richard Rogers, and Bill Evans, Wong shared glimpses into “3 & More” with the release of the singles “On Green Dolphin Street” last November, “Tenderly” in June, and “Moonglow” last month. Now comes the complete collection mastered by three-time GRAMMY® winner Bernie Grundman, poised to introduce the US to this captivating chanteuse who reimagines songs made famous by such legendary jazz vocalists as Ella Fitzgerald, Billie Holiday, Dinah Washington, and Julie London.

“3 & More” opens with “Waltz for Debby,” which features Pao.

“I remember hanging out at Eugene’s (Pao) place, randomly listening through his exquisite vinyl collection. The Tony Bennett/Bill Evans album ignited our collaboration on ‘Waltz for Debby.’ My daughter, Elizabeth, is turning four this November. I have this fear of missing precious moments with her. I want to be present to witness her every journey. She is growing up so fast, perhaps too fast. The lyrics in this song speak to that,” said the Hong Kong-based Wong who is from Kuala Lumpur, Malaysia.

Elizabeth also factored into Wong’s decision to record “On Green Dolphin Street,” a tune that has been recorded by such seminal artists as Miles Davis, Sonny Rollins, Nancy Wilson, and Mel Tormé.

“What drew me to this song is the melody. But at the same time, Elizabeth was very much in love with anything to do with dolphins and she still is. So, I suggested the song to Jesse (van Ruller), and he worked his magic by producing, arranging, and playing guitar on the track,” Wong recalled.

On “Moonglow,” Wong shares the spotlight with TOKU, who sings, produces and plays flugelhorn on several tracks on “3 & More.” She explains, “I genuinely enjoy learning new music. TOKU recommended that we perform this particular song as a duet, and I must say, the warm tone of his flugelhorn really enhanced the arrangement. I am genuinely excited to add this beautiful romantic ballad to our set.”

Chet Baker’s version of “Everything Happens to Me” fueled Wong’s desire to record her own version.

“The captivating melody combined with Chet’s soulful vocals draws me in every time. The juxtaposition of melancholic lyrics against such a beautiful melody makes this song one of my all-time favorites.”

First introduced by Fred Astaire, Wong elected to record the Gershwins’ “A Foggy Day” for personal reasons.

“My husband (musician and the album’s executive producer Clem Fung) always requests that I sing ‘A Foggy Day.’ I am deeply moved by its beautiful melody and the lyrics as they echo the sentiments of our own love story,” said Wong.

Another standout track is “A Beautiful Friendship,” one of four numbers produced and arranged on the album by Peremans.

“I can still vividly recall stumbling upon one of the earliest renditions of this song, beautifully performed by Alexis Cole and Bucky Pizzarelli. The song has remained with me ever since, captivating me with its intimate instrumentation and romantic lyrics. When Dree (Peremans) proposed the idea of interpreting this song with his large ensemble, I initially struggled to envision the outcome. However, to my surprise, Dree presented a remarkable arrangement that I simply couldn’t turn down,” shared Wong.

“3 & More” builds on the evolutionary concept of Wong’s second album, “Two For The Road (Duo Concept Album),” which dropped in 2021. Her self-titled debut disc was released in 2018. Wong studied, trained, and learned jazz through mentorships with top musicians in Hong Kong, Japan, Europe, and New York City. As a teenager, she was a track and field athlete who competed in the Asian Junior Games. An exquisite and stunning beauty, Wong won the Miss Malayasia Universe crown in 1998. A model and an actor, she has been the face in print and television ads for such global brands as HSBC, Vidal Sassoon, Levi’s, Samsung, Shiseido, and the Malaysian Tourist Board.

Wong, who launched the album with a performance last Sunday (October 27) at the Hong Kong West Kowloon Jazz Festival on a marquee topped by GRAMMY® winner Herbie Hancock, is excited about her first American album release.

“I’ve always dreamed about releasing a jazz album in the U.S. and hopefully performing there, too. There is no end to the adventures we can have if only we seek them with an open heart. Keep the dream alive!”

“3 & More” contains the following songs:

“Waltz for Debby”

“On Green Dolphin Street”

“Tenderly”

“Don’t Be On The Outside”

“Moonglow”

“September in the Rain”

“Everything Happens to Me”

“A Foggy Day”

“A Beautiful Friendship”

“My Heart Stood Still”

For more information: https://www.sherinewong.com https://umhk.lnk.to/3andMoreOD?lf_source=qr

https://lnk.bio/umhkinternational.                            

DEEANN – ‘STAY HERE WITH ME’

We’ve all been in that dark, despairing place that multi-talented singer/songwriter DeeAnn sings of on her soulful, deeply passionate new single “Stay Here with Me.” We thought we had met the mate of our dreams, only to question everything when he or she walks away, sometimes without reason or warning. No matter what we’ve been through, we remember how it felt to be with this person who changed our life and we’ll do anything to have just a little more time.

Co-written with the Buffalo based artist’s longtime producer, renowned bassist RiShon Odel, the song perfectly captures those raw, plain-spoken feelings from the start, when DeeAnn sings: “I don’t want to live this life without you by my side/Ever since you walked away, I’m slowly dying inside. . .Every time I see you, I want you more and more…” The chorus finds her simply asking her loved one to “Stay Here With Me,” adding depth to her emotion with lush, dreamy scatting - just one of the remarkable tools in her vast artistry - that reminds us that sometimes it’s just hard to find words to convey the depth of all we’re feeling.

Recorded live at Red Booth Studios in Rochester, NY with a full band and string quartet, “Stay Here with Me” was originally released on DeeAnn’s 2019 EP Stay Here, but now makes the perfect follow-up single to her remarkable 2023 breakthrough album It’s My Time. There were a lot of possibilities to choose from, including any of the beautifully arranged standards and originals from her latest collection. She chose “Stay Here with Me” because it’s become a much-requested staple in her live performances at Buffalo hotspots like Sportsmen’s Tavern, PAUSA Art House and the historic Colored Musician’s Club.

DeeAnn could never have imagined it at the time of recording, but the concept of “Stay Here with Me” extends beyond the realm of romantic longing as an expression of her grief and enduring love for her son William, who passed away in a motorcycle accident at 23 not long after she and Odel had completed most of the tracks of It’s My Time. The poignancy of some of the lines in the second verse apply powerfully to her and anyone who is mourning a loved one: “Baby please don’t tell me this is time for us to part/Can’t you see without you slowly it’s breaking my heart.”

“With God’s help, William has given me the drive to keep going in all of my endeavors, from bodybuilding to music,” DeeAnn says. “He appreciated my focus on training my body and keeping it strong. On days when I would make excuses for not working out, he would say to me, ‘No excuses, Mom. Just do it.’ A friend of mine burnt that expression into a piece of wood so I would never forget it. In life, if you don’t ask and don’t try, the answer is always no. If you don’t ask, you’ll never know if someone gives you a chance. William’s spirit and life force is still with me. Between him, God and my 24-year-old daughter Gracie, I find the strength to keep on going.”

When DeeAnn returned to finish It’s My Time, she added several new, very personal songs, starting with a heartrending, gospel-influenced version of “You Are My Sunshine”, a song she sang to William to put him to sleep when he was a child.  Odel’s sensitive yet rousing and inspirational production features members of the Buffalo Philharmonic String Quartet (Roman Mekhulnov). Another original tune she added, the soulful ballad, “A Little Romance,” is a homage to the “angels” who helped her during her lowest points.

The singer laid the foundation for her newly burgeoning career with her cleverly titled 2017 collection Desperately Seeking DeeAnn, which was produced by contemporary jazz bassist, RiShon Odel (Brian Culbertson, Najee). When her father, popular Buffalo area jazz performer Frank DiMeo, learned she was finally embracing what he felt was her destiny as a jazz singer, he was thrilled.  Though she had previously sung pop and country professionally, he was the one who introduced her as a little girl to the music of Ella Fitzgerald and his favorite, Sarah Vaughan.  DeeAnn invited him to sing two duets with her, “Unforgettable” and “Fly Me to the Moon.”

Hailing from a small steel town outside of Buffalo, DeeAnn was raised in a musical family, learning standards that would eventually become part of her repertoire.  In addition to the smooth vocal stylings of her father Frank, she was inspired early on by Buffalo Blue Note legend, DoDo Green and attended multiple jazz jams.  During her early days as a pop/rock singer, she won Best Female Vocalist at the Buffalo Music Awards two years in a row.  Her later success as a country artist earned her placements on numerous radio CD compilations, resulting in airplay throughout the U.S and Europe.  When she returned to music as a jazz-blues singer in the mid-2010’s, she won Best Female Blues Vocalist at the Buffalo Night Life Music Awards and Stay Here won Best Jazz CD from JazzBuffalo.org.

MARK EITZEL – ACCLAIMED SOLO ARTIST AND LEADER OF AMERICAN MUSIC CLUB ANNOUNCES FIRST EUROPEAN TOUR IN EIGHT YEARS

MARK EITZEL | photography by Mark Holthusen

MARK EITZEL
UK & EUROPEAN TOUR
MARCH & APRIL 2025

Mark Eitzel is a US musician and songwriter renowned for his solo work and as the frontman of the revered San Francisco-based indie rock band American Music Club. He has just announced that his first European tour for eight years will take place in spring 2025, with the majority of dates being solo acoustic sets but concluding with two full band shows.  

Eitzel will perform songs from his solo albums and an upcoming new EP in his set, as well as a number of American Music Club classics that will also be featured on a new archival box set due out in the second half of the year.

MARK EITZEL
PERFORMING AMERICAN MUSIC CLUB & SOLO SONGS
25.03.25  DUBLIN (IE) Whelans  tickets
26.03.25  WATERFORD (IE) Phil Grimes  tickets
27.03.25  KILKENNY (IE) Cleeres  tickets
29.03.25  PARIS (FR) Life Is A Minestrone  tickets
30.03.25  MARSEILLE (FR) Life Is A Minestrone  tickets
08.04.25  MILAN (IT) Arci Bellezza  tickets
09.04.25  FLORENCE (IT) Circolo Progresso  tickets
10.04.25  BELGRADE (RS) venue TBC
12.04.25  AARHUS (DK) VinDanmark  tickets
13.04.25  COPENHAGEN (DK) Hotel Cecil  tickets
15.04.25  UTRECHT (NL) TivoliVredenburg tickets
16.04.25  DUDELANGE (LU) Opderschmelz  tickets
17.04.25  ANTWERP (BE) Arenberg  tickets
22.04.25  BRISTOL (UK) Hen & Chicken  tickets 
23.04.25  GLASGOW (UK) Cottiers  tickets
24.04.25  SHEFFIELD (UK) Greystones  tickets
26.04.25  MANCHESTER (UK) St Michael's  tickets
27.04.25  NEWCASTLE (UK) Gosforth Civic  tickets
29.04.25  LONDON (UK) Moth Club  tickets | tickets  (BAND SHOW)
30.04.25  HASSOCKS (UK) Mid Sussex Music Hall  tickets  (BAND SHOW)

Mark Eitzel has released nine albums as leader of American Music Club, the most recent of which was in 2008, plus double that number as a solo artist. The Guardian newspaper has acclaimed him as ‘America’s greatest living lyricist’, while Rolling Stone awarded him their ‘Songwriter of the Year’ accolade in 1992.

Founded in 1983, American Music Club released seven albums, with their third, ‘California’ (1988), included in the book ‘1001 Albums You Must Hear Before You Die’. The group split in 1995, but reunited a decade later for two further records. Eitzel then focused on his solo career, issuing the albums ‘Don’t Be A Stranger’ (2012) and ‘Hey Mr. Ferryman’ (2017) via Decor/Merge, with the latter widely regarded as his strongest work since the 1990s. He has spent much of his time since then composing music for the playwright Simon Stephens, as well as working on reissues of American Music Club titles that are slated for release in autumn 2025.

TEDDY DOUGLAS - 'I'M HERE’

US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Across the 11 songs, Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, 'Gypsy Woman'. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more. Fast forward, and 30 years later Teddy is still very much rocking dance floors with his uplifting DJ sets and producing some of the finest Soulful House music around and is also currently working on a new Jasper St. Co. album for 2025.

Track Listing
1 Teddy Douglas ft Pauline Taylor - Don’t Turn Your Back On Me
2 Teddy Douglas ft Richard Farrell - Gimme A Call Sometime
3 Teddy Douglas ft Fast Eddie - House Music
4 Teddy Douglas & Ultra Naté - Searching (For Your Love)
5 Teddy Douglas ft BDI Thug - Star In The Ghetto
6 Teddy Douglas ft Sipho – Help!
7 Teddy Douglas ft Pauline Taylor - Don’t Turn Your Back On Me (Radio Edit)
8 Teddy Douglas ft Richard Farrell - Gimme A Call Sometime (Radio Edit)
9 Teddy Douglas ft Fast Eddie - House Music (Radio Edit)
10 Teddy Douglas & Ultra Naté - Searching (For Your Love) (Radio Edit)
11 Teddy Douglas ft BDI Thug - Star In The Ghetto (Radio Edit)

Teddy Douglas ‘I’m Here’ Album will be released on vinyl October 18th / Digital & Streaming on November 1st 2024 on Nervous Records.

Teddy Douglas
‘I’m Here’ (Album Sampler)
Nervous Records / NER 25903
https://www.instagram.com/djteddydouglas/
https://www.instagram.com/nervousrecords
https://nervousnyc.com

GLOEDNIEUWE VLAAMSE FAMILIEMUSICAL ‘ALICE IN WONDERLAND’ WORDT OPVOLGER VAN ‘PETER PAN’

Try-outs van 5 t/m 7 december 2025 @ Capitole Gent
Vanaf 12 december 2025 (première 13 december) @ Stadsschouwburg Antwerpen
9 t/m 11 januari 2026 @ Trixxo Theater Hasselt

Op zaterdag 7 december 2024 gaat de familiemusical  ‘Peter Pan, Terug Naar Neverland’ in première, maar bij Deep Bridge liggen de plannen al klaar voor een waardige opvolger. Jong en oud(er) mogen zich alvast opmaken om tijdens de eindejaarsperiode van 2025 te gaan genieten van een gloednieuwe, Vlaamse musicalversie van het tijdloze verhaal 'Alice in Wonderland'. Capitole Gent (try-outs), Stadsschouwburg Antwerpen en Trixxo Theater Hasselt worden dan letterlijk omgetoverd tot een Wonderland waar je ondergedompeld wordt in een fantastisch avontuur, met energieke choreografieën,  oogverblindende kostuums en originele muziek. Stany Crets ontfermt zich als vanouds als een waanzinnige Mad Hatter over het scenario en de regie. Tickets & info 'Alice in Wonderland': deepbridge.be.

Van Neverland naar Wonderland...

"Deep Bridge tekent al enkele jaren voor een eigen familiemusical tijdens de eindejaarsperiode. Onze grote familiemusicals hebben een bijzondere plaats veroverd in de harten van musicalliefhebbers. De voorstellingen zijn een perfecte gelegenheid om samen te genieten van de magie van het theater in de gezelligste periode van het jaar. 

Na 'Peter Pan' komende eindejaarsperiode, zetten we die traditie verder in 2025 en maken een volledig eigen versie van het tijdloze verhaal van ‘Alice in Wonderland’. In deze betoverende bewerking word je ondergedompeld in een voorstelling waarin we Wonderland tot leven brengen. We combineren de magie van theater met de charme van klassieke verhalen."
 - Koen Hendrickx, producent Deep Bridge -

HET VERHAAL

'Alice in Wonderland' vertelt het fascinerende verhaal van een jong meisje, Alice, dat in een vreemde en kleurrijke wereld terechtkomt nadat ze een wit konijn volgt. In deze wonderlijke wereld ontmoet ze bizarre wezens, zoals de pratende Cheshire Cat, de waanzinnige Mad Hatter en de hartenkoningin, die bekend staat om haar tirannieke gedrag.

Alice beleeft spannende avonturen, zoals een bijzondere thee-party en een chaotische rechtszaak. Terwijl ze door deze surrealistische omgeving reist, komt ze voortdurend in situaties die haar dwingen na te denken over identiteit, logica en volwassen worden. Het verhaal is een unieke mix van fantasie en humor.

Maak je klaar om betoverd te worden door de magie van ‘Alice in Wonderland’, waar verbeelding geen grenzen kent en het buitengewone de norm wordt.

Tickets & info 'Alice in Wonderland': deepbridge.be

!! RANG-UPGRADE !!
Boek tot 1 november 2024 je tickets en krijg een gratis rang-upgrade cadeau.
Voor Golden Seat betaal je de prijs van Categorie 1, voor Categorie 1 betaal je de prijs van Categorie 2, enzovoort.

JEFF LOGAN MAKES ‘LEMONADE’

NW FRQNC FT. SELINA ALBRIGHT – ‘COME OVER’

GREGORIAN STRIJKT MET JUBILEUMTOUR ’25 YEARS MASTERS OF CHANT’ NEER IN GENT EN ANTWERPEN

Meest succesvolle koor ter wereld komt naar België!

GREGORIAN strijkt met jubileumtour ’25 Years Masters of Chant’ neer in Gent en Antwerpen

21 maart 2025 – Capitole Gent
23 maart 2025 – Koningin Elisabethzaal Antwerpen

Met meer dan 2000 shows in 35 landen en meer dan 10 miljoen verkochte albums, is GREGORIAN het meest succesvolle koor ter wereld. Al 25 jaar lang brengt GREGORIAN wereldwijd miljoenen mensen in vervoering met hun unieke combinatie van klassieke gregoriaanse zang met moderne pop- en rockmuziek, uitgevoerd in spectaculair gechoreografeerde shows. Dit bijzondere jubileum wordt in 2025 gevierd met de nieuwe tournee ’25 Years Masters of Chant’, een heerlijke ‘greatest hits’ tour die de hoogtepunten uit de producties van de voorbije 25 jaar bundelt in één waanzinnige show. GREGORIAN strijkt op 21 maart met ’25 Years Masters of Chant’ neer in Capitole Gent en op 23 maart 2025 in de Koningin Elisabethzaal in Antwerpen. Tickets & info: ticketkopen.eu 

Het ontstaan van GREGORIAN

Het idee voor GREGORIAN ontstond in 1989, toen internationale muziek- en showproducent Frank Peterson (o.a. Justin Timberlake, Andrea Bocelli, Backstreet Boys, Tom Jones, Plácido Domingo, Josh Groban, Florent Pagny en Sarah Brightman) het koninklijke klooster van San Lorenzo de El Escorial in Spanje bezocht. Geïnspireerd door de serene sfeer van het middeleeuwse klooster- en kasteelcomplex, en de moderne muziek die hij op dat moment op zijn walkman beluisterde, kreeg Peterson het idee om oude gregoriaanse muziek te vermengen met moderne klanken. 

Peterson realiseerde zijn idee voor het eerst samen met Michael Cretu en het wereldwijde geluidsfenomeen ‘Enigma’, waarvan het debuutalbum ‘MCMXC a.D.’ uit 1990 een enorm succes werd, met nummer 1-posities in 41 landen en talloze gouden en platina platen. Dit gigantische succes maakte de weg vrij voor Peterson om een stap verder te gaan.

Met de oprichting van GREGORIAN in 1999 en het debuutalbum ‘Masters Of Chant’, zette Peterson dit muzikale experiment voort. Sindsdien heeft de groep wereldwijd meer dan 10 miljoen albums verkocht, 7 DVD’s uitgebracht en goud- en platinastatus behaald in 24 verschillende landen.

In aanloop naar de jubileumtour '25 Years Masters of Chant' verschijnt eind 2024 een nieuw GREGORIAN-album, geproduceerd door Frank Peterson. Dit album zal zowel nieuwe nummers als opnieuw opgenomen klassiekers van GREGORIAN bevatten.

Frank Peterson over de jubileumtour ’25 Years Masters of Chant’:
“Deze ‘Greatest Hits’ tour is een viering van GREGORIAN's geschiedenis en prestaties, maar ook een kans om dank je wel te zeggen aan onze fans over de hele wereld, die hun liefde en steun tonen door keer op keer naar onze shows te komen. De compilatie van deze jubileumshow wordt een spectaculaire reis door de geschiedenis van onze band - een terugblik op enkele hoogtepunten uit zo'n 20 producties die GREGORIAN de afgelopen 25 jaar heeft opgevoerd. We kunnen niet wachten om deze nieuwe show aan ons publiek te presenteren en deze prachtige hoogtepunten nieuw leven in te blazen.”

Door de unieke muzikale formule blijft GREGORIAN een wereldwijde sensatie. Hun jubileumtour belooft een onvergetelijke viering te worden voor zowel de groep als hun trouwe fans. Mis dit dus niet en bestel nu je tickets voor ’25 Years Masters of Chant’ op 21 maart 2025 in Capitole Gent en 23 maart 2025 in de Koningin Elisabethzaal in Antwerpen, via ticketkopen.eu.

EXTRA TIJDSLOTEN EN DATA NA STORMLOOP OP TICKETS ‘SPROOKJESWANDELING’ IN DE SCHORRE

Vanaf 14 december 2024 - Boom

Nog geen twee weken na de aankondiging van de eerste editie van 'Er Was Eens...een sprookjeswandeling' in Provinciaal Recreatiedomein De Schorre in Boom, moet er door de organisatie al geanticipeerd worden op de instant stormloop op tickets. 

Niet alleen extra tijdsloten op 14,15, 26, 27 december 2024 en 2 en 3 januari 2025, maar ook extra speeldata 23 en 30 december 2024 worden toegevoegd aan de eerdere speellijst, om aan de enorme vraag naar tickets voor deze interactieve sprookjes- en belevingswandeling te kunnen blijven voldoen.

'Er Was Eens...een sprookjeswandeling'

Vanaf 14 december wordt De Schorre letterlijk omgetoverd tot het Grote Sprookjesbos en worden de poorten geopend voor een betoverend avontuur, met als bestemming het Grote Koninklijke Bal.

Ontmoet prinsen en prinsessen, feeën, ridders, koningen, tovenaars en foute schoonmoeders. Luister naar de aanwijzingen van Roodkapje, pas op voor de Heks van Hans en Grietje, geniet van een theekransje met Alice en de Mad Hatter in Wonderland, ga de uitdaging aan met de vrijbuiters van Robin Hood en passeer de Draak van Doornroosje die het pad naar de balzaal bewaakt.

De prachtige wandelroute is geschikt voor het hele gezin, met sprookjesverhalen voor kinderen en een vleugje nostalgie voor de volwassenen.

HET VERHAAL START THUIS

De 'Sprookjeswandeling' is meer dan een event. Op 1 december gaat de website ‘Sprookjes Bestaan’ online. Op die website zullen de bezoekers al ondergedompeld worden in de beleving van het Sprookjesbos. Je zal danspasjes aangeleerd krijgen voor het grote bal, je kan muziek downloaden, je toverstaf en kroon knutselen, en je leert de toverspreuken die nodig zijn om de uitdagingen van het Sprookjesbos te trotseren!

We verlangen allemaal naar buitengewone ervaringen die onze verbeelding prikkelen. Deze magische theaterwandeling belooft precies dat te doen, dus trek je wandelschoenen aan, neem vrienden en familie mee en laat je meevoeren naar een wereld waar dromen werkelijkheid worden!

Tickets & info 'Er Was Eens... een Sprookjeswandeling': deepbridge.be

JAZZ VOCALIST PENNI LAYNE WARMS UP CHRISTMAS WITH THE UPBEAT, HOPEFUL, AND ROMANTIC ‘WARM IN DECEMBER’

The straight-ahead jazz album of seasonal standards dropping November 29 will be celebrated at a December 13 concert at Boston’s Regattabar.

BOSTON, Mass. (23 OCTOBER 2024): For many, Christmastime is a feeling more than a religious occasion and jazz singer Penni Layne ventured to capture the enchanting feelings of the holiday season and set them to music via a ten-song setlist comprised of classics and an original song that she wrote with her coproducer Larry Jackson. Backed by a jazz quartet, Layne’s “Warm in December” arrives on November 29 from Upside.

Layne, Jackson, and pianist Michael Kanan entered New York City’s famed Sear Sound studios equipped with fresh acoustic jazz arrangements of nine holiday chestnuts curated by Layne, who first began ruminating on the album’s playlist last Christmas.

“I wanted to record and produce, along with my husband/collaborator Larry Jackson, an album that stays true to the lyrical intention of these songs and evokes holidays past for the listener. We also aimed to showcase a sound of minimalism and timelessness, which is why we thought the medium of a jazz quintet was the perfect canvas,” said Layne who was flanked by Kanan, Neal Miner (bass), Greg Ruggiero (guitar), and Keith Balla (drums).

After opening with the fun frolic “Winter Wonderland,” the title track swings and is permeated with allure.

“I first heard ‘Warm in December” as sung by Julie London. I love her soul, her musical interpretation and simplicity as well as her sex appeal. She’s a goddess in my book and she teases that in this song. Like ‘if you get with me, I’ll keep you warm,’” said the Boston-based Layne, who grew up in Alexandria, Virginia and summered on the South Carolina coast.

For Layne, like so many of us, our earliest memories of the wonder and beauty of Christmas come from childhood. She is immediately transported back to that idyllic time at the first strains of Nat King Cole’s “The Christmas Song.” Feeling that “this song is the essence of the holidays in song form,” she recorded her own sterling rendition for the album. 

“Let It Snow” is Layne’s playful invitation to beckon the gods to blanket the holidays with the delightful white stuff.  

Layne and Jackson composed “At The First Snowfall” during the height of the pandemic, a unique time in history during which families were encouraged to stay apart instead of coming together.

“To be frank, this song was conceived as a practice to cultivate gratitude during a time of uncertainty. I was not feeling very Christmas-y. Larry and I were spit-balling ideas of what makes us happy at Christmastime and what images it conjures up in us. This song wanted and maybe even needed to be written. I think it speaks to the heart at any time, but at that specific time, it addressed the longing, sadness, fear, and confusion we felt being separated from family and friends, and it healed us, if even for a little while,” Layne shared.  

Layne’s mother instilled in her “a love for songs that cut deeply,” which is why she recorded “I’ll Be Home for Christmas.”

“This song, originally written for the soldiers wanting to be home during the holidays, is the truest song on the album. I hoped to honor it vocally,” said Layne whose voice throughout the album croons with rich warmth, grace, emotion, and joy.

The lesser known “I Love The Winter Weather” is just as happy and romantic as the more popular tunes on the collection.

“I love that it’s a love song to cuddle up close to. This song just makes for ‘mitten-wearing, let’s-wrap-up-in-some-blankets-in-front-of-a-fire’ goodness!” Layne said with a smile.

It doesn’t get any more romantic and intimate than “A Christmas Love Song,” on which Layne derived inspiration from Rosemary Clooney’s earnest and transcendent rendition.

“I love the lyrics to this song because really, as adults, we don’t need any ‘things’ anymore. We just need someone to love and someone to love us,” said Layne.

Her version of “Have Yourself A Merry Little Christmas” is set to a bossa nova beat.

“This song has been imprinted on my consciousness since I was incredibly young. I first saw Judy Garland sing it so woefully in ‘Meet Me In St Louis’ and it’s probably one of the very first Christmas songs that I ever learned all the words to. Although it can be interpreted in a sad way, I have always loved it upbeat and more hopeful, so we recorded our version as a lovely little bossa nova,” said Layne, who closes the album with the merry “Sleigh Ride.”

Layne, Jackson (bass), GRAMMY-winning trumpeter Bijon Watson, keyboardist Ryan Claunch, and drummer Steve Bankuti will perform music from “Warm in December” at an album release concert on December 13 at the Regattabar in Boston, not far from where they studied at Berklee College of Music (Boston-born Watson attended the New England Conservatory of Music Preparatory School).

Layne has a passion for singing pages culled from the Great American songbook, striving to honor those songs by performing them “with respect and integrity.” And she’s just as ardent about R&B and, unexpectedly, EDM. In fact, she has an R&B collective called Penni Layne & The Wonder Boys and she indulges her EDM persona under the PLM moniker, the latter with high-energy mixes from producer Andrija Gavrilovic.

“My music covers three genres: jazz, contemporary R&B, and EDM. I have always felt like a crossover artist in the jazz and R&B realms. I love performing and honoring old and original standards, but I also find that the grit and feel of R&B speaks to my soul. Both jazz and R&B are vastly important outlets for me. The EDM arm was born from taking the songs written for my R&B group and reimagining them with dropped beats and remixes. If it’s a quality song, I think it can hold up to a little manipulation, so it’s very cool to hear the finished pieces,” said Layne, who is at work on multiple projects that she aims to release in 2025.

Until then, Layne is eager to share cherished holiday memories to foster the festive feelings of Christmas through “Warm in December.”

“This holiday album is the product of childhood memories and magic. My parents always tried to make Christmas a special time of year given that the other 364 days were tied to financial responsibilities, personal challenges, and the worries of being adults. It was a time we truly came together as a family and so the season and its soundtrack have been etched on my heart. We have passed these traditions onto our children. ‘Warm in December’ is a love letter to my husband, my family, past and present, and to anyone who believes in miracles.” 

The “Warm in December” album contains the following songs:

“Winter Wonderland”

“Warm in December”

“The Christmas Song”

“Let It Snow”

“At The First Snowfall”

“I’ll Be Home For Christmas”

“I Love The Winter Weather”

“A Christmas Love Song”

“Have Yourself A Merry Little Christmas”

“Sleigh Ride”

For more information, visit https://pennilayne.com.

NEW SINGLE ‘PIGIAMINO’ BY ROBERTO TOLA

An upbeat and fun track, born from a lighthearted summer adventure: we are talking about "PIGIAMINO", the new single by Roberto Tola, coming out on October 31st, 2024.

There's a funny story behind this song: Roberto told us about how one morning at dawn, after a night of partying, he woke up unable to find his pajamas. After tracing it hanging clumsily on the wardrobe, he was struck by its funny way of swaying in the breeze, almost as if it were dancing! At that moment Roberto spontaneously started singing a cheerful and rhythmic melody, which the artist immediately played on guitar, a festive and funny dance together with "Pigiamino". Laughter and joy inspired this carefree and uplifting song, perfect to lift your mood.

In the playful notes of this new single, Roberto manages to convey the joy of that impromptu fun moment, and his ability to find the positive side of things even in small "mishaps" of life. The yellow and pink anthropomorphic little doll on the cover of this Roberto's single perfectly embodies "Pigiamino" and the joyful spirit that gave life to this new song. Just listen to "Pigiamino" to carry a little optimism with you!

In addition to the funny story behind this new track by Roberto, the instrumental track is in latin jazz style. As always, plenty of space is dedicated to improvisation, both by Roberto and the talented pianist Luciano De La Rosa. Alongside Roberto Tola on guitar, we find once again the well-oiled and harmonious band of Roberto, with pianist Luciano De La Rosa, bassist Maciek Szczyciński and drummer Esteban Rotunno, a core roster that is now the hard nucleus of the formation that Roberto has wanted with him in many of his musical productions.

Let your pajamas set your day's playlist!

Roberto Tola: Guitar, Percussion, Composition and Arrangement, Mixing and Mastering;

Luciano De La Rosa: Piano

Esteban Rotunno: Drums;

Maciek Szczyciński: Bass;

Recorded at the Eden Beach Studio - Sassari, Sardinia (Italy)

SMOOTH SOUL SONGSTRESS ERIN STEVENSON SEDUCES ON ‘PERFECT ISLAND NIGHT’

Smooth Soul Songstress Erin Stevenson eager to uncover her own GRAMMY® nomination.

Music from “Cover Girl Uncovered” is up for consideration in three categories, perfectly timed to the release of her new single, “Perfect Island Night.”

LOS ANGELES, Calif. (21 OCTOBER 2024): The release of R&B/jazz singer Erin Stevenson’s “Cover Girl Uncovered” album last July was a coming out party for powerhouse performer and background singer who has spent the majority of her career singing behind GRAMMY-winning superstars. And now Stevenson herself is a contender for nominations in three GRAMMY® categories: Best Jazz Performance, Best R&B Album, and Best Traditional R&B Performance.

Stevenson has toured and performed around the world, sharing the stage with Justin Timberlake, Pharrell Williams, Duran Duran, Nicki Minaj, John Legend, Jennifer Lopez, Janet Jackson, Ciara, Rihanna, and Camila Cabello. Taking command of her own spotlight, she had a hand in writing seven new songs and producing three tracks for “Cover Girl Uncovered.” In addition to her originals, Stevenson reimagines tunes originally recorded by Teena Marie (“I Need Your Lovin’”), Chaka Khan (“Everlasting Love”), Phil Perry (“Perfect Island Night”), Nancy Wilson (“Save Your Love For Me”), and Alicia Myers (“I Want To Thank You”).

Recording “Cover Girl Uncovered” was more than a two-year journey for Stevenson, who calls herself the Smooth Soul Songstress. Early on, she got together with GRAMMY-winning saxophonist Marion Meadows to record “Smooth Soul.” Her sensual coos are surrounded by sultry soprano sax overtures on the single that is now for consideration as Best Jazz Performance. Stevenson produced the track with David P. Stevens.

The eleven-song “Cover Girl Uncovered” is up for Best R&B Album consideration. The Innervision Records release reveals an alchemy of R&B grooves, improvisational jazz, neo soul nuances, and buoyant pop melodies. Exercising her freedom to express herself through her own songs, Stevenson shares thoughts, insights, and stories that ruminate on love and relationships, and finds optimism through life’s challenges. In addition to her own production work, a variety of producers guided Stevenson on the record, including two-time GRAMMY® winner Paul Brown, who is featured playing acoustic guitar on the self-love affirmation “Believe.”   

Stevenson pays homage to Wilson on “Save Your Love For Me,” which is up for Best Traditional R&B Performance. She delivers the song as an elegant and exquisite straight-ahead jazz ballad which she produced with GRAMMY® nominee Nathan Mitchell who added piano as gorgeous and as graceful as Wilson was herself.  

“Cover Girl Uncovered” is Stevenson’s second album, but this is the first time that she submitted music for GRAMMY® consideration. The same day the GRAMMY® nominations are announced, November 8, Stevenson is scheduled to take the stage at Spaghettini near Los Angeles. She hopes to have something special to celebrate at that show.

“Being nominated would mean that I've beat all the odds, that faith and hard work are still a recipe for success, and that it's never too late to go after your dreams. I'm a former background singer turned artist, writer, and producer, who is over 40, Black, and Female,” said Stevenson, who also performs at the SoCal hotspot on October 27 and December 13 with the December date being a holiday-themed concert.

While Stevenson’s music garners GRAMMY® consideration, her latest single, “Perfect Island Night,” has begun its chart ascent. Her version of Perry’s song has Brazilian jazz inflections and is another coproduction between Stevenson and Stevens with the latter adding guitar to the mix. Keyboardist Christopher Thomas, bassist Keith Eaddy, and drummer Obadiah Joel Tate help create an enchanting and romantic ambience on the track that was released with a video. 

For more information, visit https://www.erinstevensonmusic.com.

STEFANO DE SANTIS ‘NEW BEGINNING’ EP (INCL. SEAN MCCABE & BOOGIE CAFE DUB)

Rome’s favourite contemporary Jazz maestro, Stefano De Santis, reveals his ‘New Beginning’ EP on the highly lauded Italian label, Quattro Bambole Music. Unleashing 4 incredible new tracks, performed with the highest level of musicianship, Stefano delivers his most impressive body of work to date as he seamlessly journeys across a colourful spectrum of Jazz fused Broken Beat, Boogie, Deep House and lo-fi Hip Hop. From the jazz-fuelled mellow soundscape of ‘Roy’ and the lush fusion of slo-mo House, Broken Beats and an effervescent bass on ‘Lie#3’, to the stunning down tempo piano led ‘Paths’ and the 80’s Boogie / Broken Beat vibe of ‘Tokyo 80', each composition is adorned with Stefano’s mesmerising key performances. Also on the package, UK producer talent Sean McCabe (who also mastered the EP), joins forces with Boogie Café, delivering a sublime Deep House Dub of ‘Lie#3’, ripe for the head nodders and dancers alike.

‘‘New Beginning’ symbolizes those moments in life when you start a new journey or challenge, embracing the excitement of testing yourself, exploring new paths, and discovering what is both unknown and alluring”. – Stefano de Santis

Based between Rome and London, Stefano De Santis is conservatory trained and raised on the music of Weather Report and Azymuth, with his recent musical output being fully supported by UK music legend, Colin Curtis. Stefano has been a go-to session player in many projects across multiple genres - from Jazz to Funk, Reggae, and Pop. And in 2017, he launched the ‘Big Beat’ trio who blended pure Jazz with new synth sounds and syncopated drum patterns. Later, in 2020, Stefano teamed up with his friend and consummate drummer, Gaetano De Carli to form Re:Fill, balancing the old world and the contemporary. Their first record, ‘Cycles’ (Cognitiva Records), was released in June 2022 and features a collaboration with heavy-hitters from the UK’s DJ-producer scene, Ben Hauke and WheelUp. As a solo artist, Stefano has been turning heads with his innovative fusions of Jazz, funk, Broken Beat with releases such as the bossa infused ‘Barra Nova’ (Mother Tongue Records) and his ‘Unreachable Galaxy’ EP (Ramrock Red), the spiritual jazz EP, ‘A Kind of Prayer’ and the Jazzfunk 7inch, ‘Santos ’79’, both through Colin Curtis.

Track Listing
1 Roy
2 Lie#3
3 Paths
4 Tokyo 80’
5 Lie#3 (Sean McCabe & Boogie Cafe Dub)

‘New Beginning’ EP (incl. Sean McCabe & Boogie Cafe Dub) will be released on both vinyl and digital stores on October 25th 2024 on Quattro Bambole Music.

Stefano De Santis
‘New Beginning’ EP (incl. Sean McCabe & Boogie Cafe Dub)
Quattro Bambole Music / QBM020
https://linktr.ee/stefanodesantis
https://quattrobambolemusic.bandcamp.com/
https://www.instagram.com/quattrobambole/

BOLD PARADE - ‘NEVER GIVE UP, NEVER GIVE IN’ EP

Since the release of his incredible debut album, ‘Two Leaves Falling’ last year, first rate multi-instrumentalist Bold Parade, aka Paul McMahon, has won fans around the globe with his Soul, Funk, Latin, and Jazz fusions and beautifully penned songs. Paul is now back with a stunning new 5 track EP, ‘Never Give Up, Never Give In’, featuring the delightful vocal talents of regular cohorts, Yanmife Ajolore, Marti Buchanan and newly discovered artist, Imole Ayo.

Paul blends a diverse range of genres throughout the EP, kicking off with the piano led ‘Never Give Up, Never Give In’, with its groovy bassline and positive message from Yanmife. ‘Rise Up’ comes with a booty shakin’ organic afro-boogie flavour, teased with infectious brass hooks and an empowering vocal message from Imole. Continuing the feel-good vibes, ‘Uplift’ is a sublime retro jazz affair, where infectious trumpets, flutes, organ and piano melodies dance around irresistible toe tapping beats. The deeply sensual ‘Uplift’ is a beautiful slice of laidback dance floor soul and features the seductive tones of Marti. Closing out this classy package, Members Of The Lifestyle deliver a superb sun drenched Latin re-vibe of ‘Never Give Up, Never Give In’, overflowing with layers of pretty melodies and lush percussive beats.

Bold Parade is the project from London based, Belfast born producer Paul McMahon. Paul has been making music for over 20 years under the name Crashdaddy. He has also worked with Mark Bell as part of the group Bellcrash. Together and separately with Mark, Paul has released through Sunshine Recordings, Seventh Sign, Illicit, Island Hopper and Freebooter Lounge, among others. Paul’s signature sound combines cool beats with jazz styled musicians to blend modern production with classic rhythmic jazz overtones. Having made his Bold Parade debut releases with ‘Flowers In The Dirt’ EP, ‘Heat’ EP, ‘Core’ EP and his full album, ‘Two Leaves Falling’, last year, the project has received great acclaim from the soulful and jazz fraternity. His productions have received lots of airplay on Craig Charles’ Funk & Soul Show on BBC 6Music where Paul was also invited to do the famous Trunk of Funk mix for the show.

Track Listing
1 Never Give Up, Never Give In ft Yanmife Ajolore
2 Rise Up ft Imole Ayo
3 Uplift
4 Jewel ft Marti Buchanan
5 Never Give Up, Never Give In ft Yanmife Ajolore (Members Of The Lifestyle Remix)

‘Never Give Up, Never Give In’ EP will be released worldwide on October 25th 2024 on Suzume Recordings.

Bold Parade
‘Never Give Up, Never Give In’ EP
Suzume Recordings / SR006
https://www.instagram.com/boldparade
https://twitter.com/BoldParade
https://www.youtube.com/@boldparade

INNERVISION RECORDS "BRINGS IT IN" THIS FALL WITH A BOUNTIFUL SLATE OF NEW RELEASES

The label inks guitarist Richard Smith whose debut single for the imprint drops November 1. Kim Scott, Pat Petrillo, and Cal Harris Jr. also have new singles coming out in autumn.

LOS ANGELES, Calif. (18 OCTOBER 2024): A model of high-level consistency as evidenced by being named Billboard magazine’s No. 3 Smooth Jazz Label of the Year for the last five years, Innervision Records is making moves to move up the chart by inking guitarist Richard Smith, who will release his label debut single, “Bring It In,” on November 1. The imprint’s fall release schedule also includes new singles by Billboard chart-topping flutist Kim Scott, drummer Pat Petrillo, and keyboardist Cal Harris Jr.

Smith is a highly regarded contemporary jazz musician and educator who was the youngest tenured professor at USC’s Thornton School of Music. He has recorded or shared the stage with contemporary jazz luminaries including Richard Elliot, Peter White, Kenny G, Dave Koz, Gerald Albright, Mindi Abair, Eric Marienthal, Brian Bromberg, Warren Hill, Everette Harp and Dan Siegel. His “SOuLIDIFIED” (2003) album spent 17 weeks in the top 10 in terms of airplay and his 2015 set, “Tangos,” spent more than five months in the top 10 on the indie and contemporary jazz charts.

“Bring It In” continues Smith’s string of singles that he wrote with one of his former guitar students, 16-time Billboard chart-topper Adam Hawley, who produced the tracks.

The pair teamed up in 2021 for “Let’s Roll” and “Soul Share” and again the following year to release “Groove Assets.” Smith explains the inspiration for their latest collaboration.

“‘Bring It In’ is my love letter to the deep community of musicians who play because they genuinely love music and come together to make music for music’s sake. During Covid, a group of talented musicians and I got together to play just for fun and ‘musical maintenance.’ We started with songs we knew, then moved onto songs we wanted to know, and then we started writing originals together. We played for many hours at a time and in the process, we rediscovered and reinforced the joy and the healing power of music when played together, underscoring yet again that music is a team sport. When we played, we would end the sessions and ‘bring it in’ with a high five or a hand slap or a group hug. You’d often hear someone say, ‘This is the reason I got into music!’ And it is true. Good music brings us all together and brings us joy,” said Smith, a globetrotter who also teaches abroad in such diverse locations as Tokyo, Kuala Lumpur, Hong Kong, Manila, London, Oslo, Amsterdam, Helsinki, Palermo, Rome or Bueno Aires.

Smith and Innervision Records’ general manager Steve Belkin have a decades long relationship, which made bringing the guitarist into the label family a natural fit.

“I'm excited to welcome my long-time friend and the great guitarist Richard Smith into the Innervision family. I was involved with Richard's career in his early years, and he has grown exponentially as an artist. I have deep respect and admiration for his background as a teacher and professor at the USC jazz guitar department. His influence continues to ripple through the jazz guitar community as can be seen on our first single release with Richard, ‘Bring It In,’ which was produced and co-written with one of his students, Adam Hawley,” said Belkin.  

Smith echoes Belkin’s enthusiasm by saying, “The human resources at the label, with Steve Belkin and Adam Leibowitz at the helm, represent decades in the global contemporary jazz scene. The underlying message of my first single for Innervision Record is that music is a team sport. Innervision Records is a dream team.”

Scott just released her latest single, “Freedom,” a joyous Afrobeat-influenced jazz instrumental as evidenced in the accompanying video: https://www.youtube.com/watch?v=I87riFR9wf4. In its debut week at radio, “Freedom” was the No. 1 most added on the Mediabase chart and was added out of the box to the SiriusXM Watercolors playlist. Scott’s previous single, “Like Butter” featuring saxophonist Jeff Ryan, went No. 1 on the Mediabase chart and hit No. 3 on the Billboard chart. Both singles will appear on her “Livin’ It Up” album, which will be released in February. The Birmingham, Alabama-based Scott was 2021’s Breakout Artist of the Year and had Billboard’s No. 1 Smooth Jazz Song of the Year in 2022, “SHINE.”

Petrillo’s second single for Innervision Records, “Weekend Vibe,” arrives on November 8. The New Yorker made his label debut last June with “Glide in My Stride.” Both singles will appear on Petrillo’s first album for Innervision Records that is slated to drop next year.

Harris Jr.’s “Love Stories” will be shared on November 15. The single previews his forthcoming album, which will be released next year.

Innervision Records will start the year with a busy first quarter with new singles and albums coming from Scott, 11-time Billboard chart-topping guitarist Blake Aaron, guitarist Dee Brown, and keyboardist Charles A. Kelly. In January, many of the Innervision Records artists will gather to perform at the label’s twelfth annual After NAMM JAMM at Spaghettini south of Los Angeles.

Twenty-six-year-old Innervision Records has curated a diverse roster of recording artists who craft contemporary jazz, R&B, and world music that consistently impacts the Billboard, Mediabase, Groove Jazz, Radiowave, and multiple smooth jazz charts. For more information, please visit www.innervisionrecords.com. 

Preorder Smith’s “Bring It In” at https://sym.ffm.to/bring_it_in.

BELLE PEREZ KRIJGT MET ‘ENAMORADA’ EEN PLEKJE IN DE EREGALERIJ

CHARLES MOORER FT. GERALD ALBRIGHT – ‘IF YOU WAIT’

TOM DINGENEN EN ANOUCK LUYTEN MAKEN MUSICALDEBUUT IN ‘PRETTY WOMAN’

Ook David Cantens en Jervin Weckx in hoofdcast

Vanaf 23 maart 2025 - Antwerpen, Gent, Hasselt

Vanaf 23 maart 2025 brengt producent Deep Bridge voor het eerst 'Pretty Woman - De Musical' op de planken in Vlaanderen (Antwerpen, Gent, Hasselt). Vlaamse schone Helle Vanderheyden mag in deze romantische musicalcomedy, gebaseerd op de iconische film, in de voetsporen treden van Hollywood-legende Julia Roberts als de flamboyante escorte Vivian Ward. 

Wie ‘de Vlaamse Richard Gere’ wordt en de rol van zakenman Edward Lewis zal spelen, werd - naast de rest van de hoofdcast - op donderdag 17 oktober bekendgemaakt tijdens een glamoureus persmoment in vijfsterren superior hotel Botanic Sanctuary in Antwerpen.

Twee bekende musicaldebutanten in hoofdcast!

Het hoofd van Helle Vanderheyden zal in deze 'Pretty Woman' op hol gebracht worden door acteur en überhunk Tom Dingenen. Tom, bekend door zijn tv-rollen als playboy Bart in 'Dertigers' en meer recent Koen in 'Milo', maakt als de charmante zakenman Edward Lewis door de grote poort zijn musicaldebuut. Naast Tom Dingenen zit er in de hoofdcast ook een bekende Vlaamse actrice die zich voor het eerst in haar carrière aan een musical waagt. Anouck Luyten (o.a. 'Fair Trade', 'Lisa') kruipt in de huid van Kit De Luca, beste vriendin en collega-gezelschapsdame van Vivian.  Voor Anouck en Helle Vanderheyden een leuke professionele hereniging nadat ze samen ooit de set van 'De Kotmadam' onveilig maakten.

David Cantens en Jervin Weckx vervolledigen hoofdcast

Met acteur-zanger David Cantens als advocaat Philip Stuckey nog bekend volk in de hoofdcast. De bekendste rollen van David zijn die van de autistische Rudy Marsman in de tv-serie 'Marsman' en Jonas Versteven in het populaire 'Familie', maar afgelopen zomer schitterde hij ook als kapitein Robert de Beaudricourt in het musicalspektakel 'Jeanne d'Arc'. Musicalacteur en Deep Bridge-getrouwe Jervin Weckx zal kameleongewijs verschillende rollen op zich nemen (o.a. hotelmanager) in deze productie.

'Pretty Woman - De Musical', naar het script van Garry Marshall en J.F. Lawton, speelde reeds met groot succes op Broadway en de West End. De musicalproductie, waarin ook het klassieke Roy Orbison-nummer 'Oh, Pretty Woman' voorkomt, zal bij ons opeenvolgend te zien zijn in Stadsschouwburg Antwerpen, Capitole Gent en Trixxo Theater Hasselt.

Tickets & info 'Pretty Woman - De Musical' via deepbridge.be 

!! RANG-UPGRADE !!
Boek tot 31 oktober 2024 je tickets en krijg een gratis rang-upgrade cadeau.
Voor Golden Seat betaal je de prijs van Categorie 1, voor Categorie 1 betaal je de prijs van Categorie 2, enzovoort.

EDMEE - 'LISTEN TO YOUR HEART’ (NEW ANNIVERSARY VERSION)

Twintig jaar later brengt Edmée haar hitversie van ‘Listen To You Heart’ uit in een countrypop style.

Een mens is veerkrachtig en een positieve mindset maakt een groot verschil. Daar is Edmée Daenen een levend bewijs van. Amper 20 was ze toen ze in 2005 Amerika veroverde met haar hitsingle ‘Listen to your heart’, met dank aan Roxette. Vandaag blikt Edmée terug op een bijzonder uitdagende levensloop en brengt ze de, voor haar symbolische, song opnieuw uit. In haar geliefde countrypop style en als voorbode van een reeks prachtige autobiografische nummers. 

Het West-Vlaamse Deerlijk is nu al geruime tijd Edmées hometown, maar het nomadenbloed van haar voorouders kruipt waar het niet gaan kan. Ze zat op 14 scholen en ook het aantal keren dat ze verhuisde is niet meer op twee handen te tellen. “Uiteindelijk is het ook die souplesse die me door verschillende uitdagingen, ziekte en andere grote tegenslagen liet spartelen. Ik kan me alleen maar verbazen over wat de laatste jaren allemaal op mijn pad kwam ... maar ik ben dankbaar voor de weg die ik aflegde. Alles bleek uiteindelijk één grote bron van creatieve inspiratie”,  zegt ze met haar aanstekelijke lach en betoverende stem die beiden de wilde rit overleefden. 

“Op mijn 39ste voelt het alsof ik al meerdere levens achter de rug heb. Ik ben sowieso een oude ziel.” 

Da Boy Tommy

Edmée was 15 toen ze tijdens een karaokeavond werd ontdekt door Da Boy Tommy, de bekende Belgische dj die in 2013 veel te jong overleed. Ze startte als studiozangeres en er volgden verschillende projecten waarbij iemand anders het gezicht werd van de groep. Een typisch fenomeen voor de dance-scene in de nineties en nillies. Belpop wijdde er recent nog een docu aan. “Ik ben Da Boy Tommy eeuwig dankbaar voor die eerste kans. In de jaren die volgden was het raar om zogenaamde zangeressen – die wel meerderjarig waren – mijn nummers te zien playbacken op het podium. Ik vroeg me dan altijd af of het publiek iets doorhad en kon merken aan mij dat ik eigenlijk de echte stem was. Supernaïef natuurlijk, want die mensen hadden geen enkel idee. Omdat ik toen nog zo jong was en de nummers niet echt mijn ding waren kon ik daar in het begin wel mee leven, maar de lokroep van het podium klonk steeds luider.” 

Wereldhit
Eenmaal achttien werd Edmée gevraagd als gezicht van een van de projecten waar ze al enkele jaren de vocals voor inzong. Nog geen twee jaar later brak ‘DHT featuring Edmée’ internationaal door dankzij hun dancecover van het nummer ‘Listen To Your Heart’ van de Zweedse popgroep Roxette. Edmées pianoversie werd gelijktijdig gereleased. Nog een schot in de roos! De zangeres belandde als een van de weinige Belgische artiesten in de top 10 van de felbegeerde Amerikaanse hitlijst Billboard Hot 100. 

Edmée trad wereldwijd op voor uitverkochte zalen en als voorprogramma van internationale artiesten zoals de Backstreet Boys, de Pussycat Dolls en Rihanna.Toen het succesverhaal met DHT vertraagde, besloot de zangeres zich meer te profileren als songwriter. Zo schreef ze nummers voor andere artiesten en werkte ze samen met tal van Belgische dj’s en topproducers waaronder Regi (Milk Inc), David Vervoort (Lasgo, Ian Van Dahl), DJ F.R.A.N.K. en Patrick Renier (Belle Perez). 

“Door het massale succes van ‘Listen to your heart’ kreeg ik de kans om de wereld rond te reizen. Ik ontmoette onderweg geweldige mensen. De pianoversie van het nummer groeide in Amerika uit tot een evergreen en is er nog dagelijks op de radio te horen”, zegt Edmée. 

Tegenslagen
Ondanks het succes werden Edmées muzikale plannen een halt toegeroepen. Op haar 31ste onderging ze noodgedwongen operaties en chemobehandelingen. Ze trok zich bewust terug om te focussen op haar herstel. De pittige periode bleek een katalysator voor de zoektocht naar en de herontdekking van haarzelf. Eenmaal hersteld besloot de getransformeerde en gelouterde Edmée om niet onmiddellijk terug te keren naar haar muzikale roots maar om eerst opnieuw de schoolbanken op te zoeken. Ze haalde magna cum laude haar bachelordiploma Marketing- communicatie. Alweer een mooie overwinning. 

“Je kan altijd opnieuw beginnen.
Je bent nooit te oud. Ga achter je dromen aan.” 

Toen voelde ze dat het tijd was om het creatieve deel in haarzelf weer meer zuurstof te geven.Veel mensen dachten dat ze na haar diagnose helemaal klaar was met muziek, maar schrijven was haar uitlaatklep. Aan inspiratie voor teksten geen gebrek. “Ik moest alles wat ik doormaakte uit mijn systeem zien te krijgen, want het was onmenselijk veel tegelijk. Er was zoveel dat ik probeerde
te begrijpen en te plaatsen. Het schrijven van nummers bleek uiteindelijk de beste therapie te zijn”, zegt Edmée overtuigend. 

Back on track 

“I’m back en deze keer doe ik het zelf”, gaat Edmée enthousiast verder. De voorbije twee jaar bereidde ze geduldig en in stilte haar muzikale comeback voor, samen met de Haachtse producer Yannic Fonderie. Udo wees haar de weg naar hem. Ook Natalia en Clouseau vertrouwden al op Yannic. In hem vond de zangeres een muzikale bondgenoot. Ze spendeerde al haar vrije tijd in zijn opnamestudio in Haacht. 

“Het is mede dankzij Yannic dat de tijd is aangebroken om weer op het podium te staan. Met nummers die rechtstreeks uit mijn eigen pen en hart vloeiden en 100 % als mezelf aanvoelen. Deze topproducer wekt mijn songs meesterlijk mee tot leven. Ik ben heel benieuwd naar de reacties wanneer we ze binnenkort loslaten”, zegt Edmée enthousiast. 

Listen To Your Heart
In afwachting van nieuwe, originele nummers is er de release van de New Anniversary Version van ‘Listen To Your Heart’, dé Roxette-klassieker waarmee ze bijna twintig jaar geleden, met een eigen versie, een wereldhit scoorde. “Van nature uit was ik altijd al meer ballade-gericht. Countrypop is iets waar ik heel vertrouwd mee ben, vanuit mijn periode in de States en omdat ik er thuis zelf dagelijks naar luister. De kracht van het genre zit hem in de storytelling. Dat ontdek je ook in het nieuwe werk, maar zeker in deze versie van ‘Listen To Your Heart’ waar we met de countrypop een ode brengen aan mijn pianoklassieker. Beyoncé, Taylor Swift en Dasha zijn actuele voorbeelden van hoe je met moderne popcountry een breed publiek bereikt. Inspelend op die trend, maar ook passend, hebben we een aanvullende, actuele versie gemaakt van ‘Listen To Your Heart’, een song die twintig jaar later nog geen gram aan kracht heeft ingeboet. Het is altijd een uitdaging om een nieuwe versie te maken van iets waarmee je in het verleden al succesvol was, maar ik denk dat ik daar met Yannic in geslaagd ben. Ik ben alvast heel blij met het eindresultaat, wat het begin is van nog meer nieuwe muziek van Edmée.”

De New Anniversary Version van Edmées ‘Listen To Your Heart’  is digitaal beschikbaar. 

'Listen To Your Heart' (New Anniversary Version), de nieuwe single van Edmée, kan u HIER beluisteren op alle grote streamingplatformen.

WHITNEY JONES – ‘UNDER THE MOONLIGHT’

MARK HARRIS II FT. MARCUS ANDERSON – ‘OUT 2NIGHT’

ANDREW NEU – ‘LIVING YOUR BEST LIFE’

BETOVEREND SPEKTAKEL ‘KERSTMAGIE’ STRIJKT OPNIEUW NEER IN 6 KASTELEN IN VLAANDEREN

Westerlo - Aartselaar - Laarne - Wijnendale - Vlamertinge - Sint-Truiden

Vanaf 7 december 2024 - nieuw verhaal!

Het betoverende kerstspektakel 'Kerstmagie' strijkt in december 2024 opnieuw neer in 6 kastelen in Vlaanderen. In de provincies Antwerpen (Aartselaar en Westerlo), Limburg (Sint-Truiden), Oost-Vlaanderen (Laarne) en West-Vlaanderen (Vlamertinge en Wijnendale), openen de kastelen vanaf 7 t.e.m. 28 december 2024 de poorten voor deze magische en interactieve theaterwandeling. Jong en oud kunnen zich tijdens deze editie helemaal laten meeslepen door 'In de ban van de ijskoningin', een gloednieuw, spannend verhaal van de hand van schrijver-regisseur Niels De Valk.

Interactief en met live acteurs!
'Kerstmagie’ is een heerlijke combinatie van een theaterwandeling met live acteurs, met een spannende, audiovisuele en interactieve ontdekkingstocht voor het hele gezin. Na deze interactieve en spectaculaire theaterwandeling kan er ook weer op de foto gegaan worden met de enige echte Kerstman!

Tijdens je reis doorheen één van de 6 kastelen, kom je in een spannend avontuur terecht. Fantastische lichteffecten, prachtige muziek en een gloednieuw verhaal zullen jou de weg tonen doorheen een sprookjesachtig kerstkasteel. 

'Kerstmagie' is de ideale, ontspannende familie-uitstap om helemaal in de kerstsfeer te komen en bovendien een unieke kans om prachtig Belgisch erfgoed van binnen te bewonderen. Tickets voor deze ultieme en betoverende kerstbeleving kosten  €18,95 p.p. en zijn gratis voor kinderen onder de 5 jaar.

Nieuw verhaal
In de kastelen wordt 'In de ban van de ijskoningin' gebracht, een meeslepend en spannend verhaal geschreven door regisseur Niels De Valk.

De ijskoningin heeft haar ijzige spreuk uitgesproken. Het eens zo warme en feestelijke paleis is nu omhuld door een dikke laag sneeuw en ijs. In deze wrede kou zijn de Kerstman en zijn trouwe elfjes gevangen. Ze zitten vast in een ijzige greep, hun magie en vreugde bevroren in de tijd.

Hoe kan Kerstmis doorgaan zonder hen?

Iemand moet de ijskoningin stoppen. Kom jij mee op avontuur om Kerstmis te redden?

Praktische info 'Kerstmagie'
Vanaf 7 t.e.m. 28 december 2024

Limburg: Kasteel van Duras (Sint-Truiden)                                                    
West-Vlaanderen: Kasteel du Parc (Vlamertinge), Kasteel van Wijnendale
Oost-Vlaanderen: Kasteel van Laarne                                                                              
Antwerpen: Kasteel Cleydael (Aartselaar), Kasteel de Merode (Westerlo)                                                                                                              

Tour: Per kwartier beginnen er, afhankelijk van welk kasteel, max. tussen de 26 en 32 personen aan hun tocht doorheen het kasteel. Een tour duurt ongeveer 50min. Er zijn meerdere trappen te nemen en daardoor is de tour niet toegankelijk voor rolstoelgebruikers en buggy’s. 

Prijs: 18,95 euro p.p., kinderen onder de 5 jaar gratis. 
Tickets en info via www.kerstmagie.be

GUITARIST JOE TAYLOR HOPES GRAMMY VOTERS WARM UP TO ‘WESTSIDE CHILL’

His return to jazz is up for Best Contemporary Instrumental Album consideration as the video for the title track debuts.

BENNETTS POINT, SC (15 OCTOBER 2024): Guitarist Joe Taylor didn’t have GRAMMY® nominations in mind when he recorded his first contemporary jazz album in seventeen years. “Westside Chill,” the Moonwatcher Music album that he released earlier this year, is indeed up for GRAMMY® consideration as Best Contemporary Instrumental Album.

The category itself is fitting for how Taylor’s music has evolved over the years. He was one of the core artists when Billboard first introduced a smooth jazz chart in the 1980s. Prior to “Westside Chill,” Taylor’s last release was 2015’s “Sugardust in the Devil Wind,” which wasn’t a jazz album. His last contemporary jazz outing was 2007’s “Accidental Sugar.” In the interim, Taylor played, wrote, produced, recorded, and performed in a variety of settings spanning rock, pop, blues, country, classical, and Celtic music.

While Taylor remains an instrumentalist who incorporates contemporary jazz, there’s a strong presence of blues licks and Americana folksiness in the mix on “Westside Chill.” Taylor’s sound and style are uniquely branding while labeling his recordings as “jazz” doesn’t tell the entire story.  

Four-time GRAMMY® winner Steve Rosenthal produced “Westside Chill.” Anchoring the beats on the album is GRAMMY® nominated drummer Steve Holley (Paul McCartney & Wings). The rest of the lineup on the set are seasoned professionals, including jazz pianist Jeff Franzel (Frank Sinatra, Josh Groban, Shawn Colvin), bassists Woody Lingle and Brian Stanley (Bryan Adams), flutist John Ragusa, and percussionist Blair Shotts. Rosenthal and the musicians on the album aren’t only long-time Taylor collaborators, but they are long-time friends. 

“Considering that ‘Westside Chill’ is a return to my roots as an instrumental artist, any acknowledgement from my peers via a GRAMMY® nomination would be greatly appreciated. That said, it is an even greater reward to have my dear friends and long-time compatriots join me on my records. Their confidence in me and their contributions are invaluable,” said Taylor, who wrote ten songs for the album.

Taylor used to divide his time between living in the South Carolina Lowcountry and New York City, both of which factor in prominently on “Westside Chill.” The music heard on the collection reflects the diversity of these two vastly different locales. Taylor deftly finds the balance of the gritty edge, bustle, and big city energy with the laidback, downhome earthiness of the country confines that now serve as his primary residence. His songs were equally informed by both locations.

Big Apple observations include the title cut, which sprang from a late-night walk up Broadway on the Westside of the city as the wind blew off the Hudson River; “Jaco’s Court,” inspired by seeing the late bass great Jaco Pastorius playing playground basketball; and “Twenty-Two Rivers,” which Taylor describes as “a big city murder ballad.”

Musical meditations from life in the slower lane emerge as “Menemsha Fog,” “The Cut,” inspired by a bobcat sighting along the water’s edge; “The Waterman,” written about Taylor’s friend Captain Baldwin; and Taylor’s tribute to the late 6-time GRAMMY® winner Glen Campbell titled “Mr. Campbell.” “Available Light” could apply to either location while other songs sprang from his passion for his wife and wine, “She’s The Moon” and “The Cooper and the Thief” respectively.

Taylor just premiered a video for the album’s first single and title track, “Westside Chill.” The clip perfectly captures the ethos of the collection - from the lo-fi nocturnal city images in color to the arresting black and white footage of Taylor playing his D’Angelico guitar in the corner of a dimly lit juke joint. Watch the “Westside Chill” video at https://youtu.be/l8iknRu2Lx0.

Last month, Taylor began recording his next album with what he calls “a stellar bunch of friends.” Rosenthal remains in command of the producer’s chair from which he directs Taylor, Franzel, drummer Ray Marchica (Barbra Streisand, James Brown, Southside Johnny), and bassist Paul Adamy (Carly Simon, Robben Ford, Gladys Knight). With completion expected early next year, look for the album to drop next spring.

Please visit Taylor’s GRAMMY® FYC page to listen to “Westside Chill.” http://www.joetaylormusic.com/fyc-.html

PARIS CESVETTE – ALBUM ‘AS ABOVE, SO BELOW’

Following her acclaimed Traxsource chart-topping ‘Celestial’ album in 2018, London’s soulful dance music trailblazer, Paris Cesvette, reveals her second artist album, ‘As Above, So Below’, on DJ Spen’s Quantize Recordings. With a deep spiritual theme running throughout the album, ‘As Above, So Below’, comes with an array of brilliantly penned songs with meaningful, uplifting, lyrics and stunning vocal performances that exquisitely flow with Paris’ impeccable soulful and jazzy House productions. Pulling together a plethora of highly esteemed artists on the project, the album features some heavyweight international vocal talents including Sabrina Chyld, Mr V, Frank McComb, Will Downing, Rona Ray, Tracy Hamlin, Hannah Khemoh, C Robert Walker, Kenny Bobien, Gershon Jackson, Lejuan, Michelle Weeks and Scott Paynter. From the smooth and sensual to the uplifting and empowering, Paris once again has delivered a stunning body of work designed to move bodies, hearts and minds.

“‘As Above, So Below’ is the second song book from my heart to yours. As a music producer, I am always creating. The idea of these albums is my stop gap in where I can align the artists I’m producing for at the time and showcase them through my ears, my heart and my mind. My mission with this album is to further the boundaries of sing along, soulful, RnB, Jazz infused house music. I aim to lead a new generation of House Music maestros, inviting everyone to love and learn the reimagined sounds of house music, from its 80s roots to today.” – Paris Cesvette

Paris Cesvette stands as a luminary in the music industry, recognized worldwide for her unparalleled talent as a multidisciplined musician, songwriter, music producer, highly sought-after DJ and Grammy Recording Academy member. Her current remix of Kinky Roland & Boy George’s ‘You’re Not The One’ single is currently up for Grammy consideration this year. With a career spanning decades, Paris has continually pushed the boundaries of sound, earning her a place among the most esteemed figures in contemporary soulful music. Aside of successful releases on her own label, ‘Our People, Our Music’ (launched in 2018), Paris’ productions and remixes have graced labels such as Reel People Music, Freeze Records, Soul Heaven, Ts Box, Groove Odessey, Quantize Records, More House Records, TSTC Music, Dafia Records, HouseHead London and MN2S, among many. During her career, Paris has produced and remixed the likes of Barbara Tucker, Robert Owens, Kenny Bobien, Byron Stingily, Demuir, Boy George, Lifford, Tortured Soul, DJ Spen and Leee John (Imagination), alongside Jazz and R&B artists such as Will Downing, Robert Glasper, Marion Meadows, Jean Baylor from the Baylor Project and Marcus Johnson, to name a few.

Paris Cesvette’s DJ sets are a testament to her remarkable ability to seamlessly blend genres, creating a sonic experience that transcends conventional boundaries. She has graced the decks at festivals and parties worldwide, including Jameos Festival and Mallorcan Smooth Jazz Festival, Spain, Wolfsburg Festival, Germany, and the Chosen Few Picnic, Chicago, among many others. Her involvement as a "Beatport 20 BPXX" artist and her performances at live streams for Beatport's 20th Birthday celebration https://www.youtube.com/watch?v=Sxs90ez96eo, and the newly popular Elevator Music series, showcase her dynamic range and her ability to captivate audiences with electrifying beats and soulful rhythms.

Track Listing
1 Paris Cesvette & Sabrina Chyld Ft Mr V - Closer
2 Paris Cesvette & Frank McComb - Drifting
3 Paris Cesvette & Will Downing - You Are Magic
4 Paris Cesvette & Rona Ray - Jaded
5 Paris Cesvette & Hannah Khemoh - Love The Way
6 Paris Cesvette & Tracy Hamlin - Shoulda Known Better
7 Paris Cesvette & C Robert Walker - Mind Traveling
8 Paris Cesvette & Kenny Bobien - Too Many Times
9 Paris Cesvette & Gershon Jackson Ft Lejuan - Back To Me
10 Paris Cesvette & Michelle Weeks - Living My Dreams
11 Paris Cesvette & Scott Paynter - Problems

Paris Cesvette ‘As Above So Below’ Album will be released on Traxsource promo October 18th / Full release November 1st 2024 on Quantize Recordings.

Paris Cesvette
‘As Above, So Below’ Album
Quantize Recordings / QTZLP033
https://www.pariscesvette.com
https://www.facebook.com/paris.cesvette.1
https://www.facebook.com/QuantizeRecordings/

WORLD JAZZ GUITARIST REZA KHAN HOPES TO BASK IN THE ‘MYSTICAL’ GLOW OF HIS FIRST GRAMMY NOMINATION

His latest release, featuring an all-star ensemble of GRAMMY® winners and nominees, is up for GRAMMY® consideration as Best Contemporary Instrumental Album. The second single, “Rising,” began collecting playlist adds on Monday.

NEW YORK CITY (14 OCTOBER 2024): World jazz guitarist Reza Khan has consistently kept the company of GRAMMY® winners and nominees on his seven albums, which he believes has elevated and inspired his own level of musicianship, performance, and composition. On his latest outing, “Mystical,” he gathered the most accomplished collective of collaborators to date and now, that resulting collection is up for first-round GRAMMY® consideration as Best Contemporary Instrumental Album.

“Mystical” is Khan’s first album on which he brought in an outside producer to help him craft a cohesive project blending contemporary jazz, fusion, world music, and new age. David Mann, a saxophonist, flutist and woodwinds player who has worked with GRAMMY® winners and GRAMMY® nominees Tony Bennett & Lady Gaga, Sting, James Taylor, Paul Simon, Madonna, Billy Joel, The Eagles, Chuck Loeb, Michael Franks, Dave Koz, and The Rippingtons, produced “Mystical” and cowrote half of the album’s ten songs composed by Khan. 

Khan took a different albeit risky approach to the music he wrote for “Mystical,” writing seven new songs and reimagining three tunes culled from his catalogue. First, he wrote down a short list of marquee artists that he wanted to feature on the album. Artists such as two-time GRAMMY® winner Bob James, GRAMMY® winner Jeff Lorber, three-time GRAMMY® winner Jimmy Haslip, GRAMMY® winner Mark Egan, GRAMMY® nominees Keiko Matsui and Philippe Saisse, and Billboard chart-topper Nils Jiptner. He composed the songs with each artist’s unique instrumental voice in mind. Then Khan invited them to perform on the album. Luckily, they all agreed. And that leads to how Khan came up with the album title.   

Khan finds the unknowns inherent in artists coming together to collaborate to be a curious and exhilarating mystery. The magic of the collaborative process between artists sparks creativity, taking the music and album in previously unimagined directions. Khan sees that approach to creativity as “mystical.”

The first single issued from “Mystical,” which dropped last March, was “Language of Love,” a cut that features James’ ardent and communicative piano. On Monday (October 14), the second single, “Rising,” began collection radio playlist adds. Mann conceived the initial ideas for the inspirational tune about rising above challenges and difficulties while striving for your dreams and goals. Khan wrote additional parts for the song, adding an electric guitar solo that coaxes Mann’s tenor sax into engaging banter.

If “Mystical” receives a GRAMMY® nomination, Khan sees it not as his but an acknowledgement for the team that he and Mann put together to bring his vision to fruition.

“Collaborating with GRAMMY® winners and nominees has always been a significant part of my musical journey, and it has enriched my work immensely. Having such talented artists contribute to my projects elevates the music and brings a unique blend of creativity and excellence. Receiving my first GRAMMY® nomination would validate the hard work and passion that goes into every note and composition. It would be a recognition, not just of my efforts, but also of the incredible contributions from all the amazing artists I’ve had the privilege to work with. This acknowledgment would mean that our collective vision and dedication to creating beautiful, impactful music resonates with a wider audience,” said the Bangladesh-born, New York City-based Khan, who will next perform at South Restaurant & Jazz Club in Philadelphia on November 3 featuring saxophonist Jeff Kashiwa.

It is a prolific period for Khan that includes work on his next solo album as well as a band project, both of which will be released next year. Titled “Shadow Dancers” and slated to arrive next fall, Khan’s next album will feature many of the premier musicians who have appeared on his previous albums. His “dance partners” include Saisse, Haslip, Egan, 7-time GRAMMY® nominee Nathan East, Brendan Rothwell, GRAMMY® nominated Brazilian drummer Mauricio Zottarelli, Zach Brown, and Matt King.  

Khan’s band project is under the name of Moon Tree and he describes the music as “a genre-defying contemporary world jazz fusion album.” The guitarist joins Mann, Egan (bass), Danny Gotlieb (drums), and Clifford Carter (keyboards) on the album expected to drop early next year. Clearly, Khan remains focused on continuing to tap into and harnessing the power of collaboration, just as he did on “Mystical.”

“A GRAMMY® nomination for ‘Mystical’ would be a milestone in my career, inspiring me to continue pushing the boundaries of my creativity. It would also serve as a testament to the power of collaboration and the magic that happens when talented individuals come together to create something special. Ultimately, it’s about sharing the joy of music with the world and knowing that it has touched people’s lives in a meaningful way.”

For more information, please visit https://rezakhanmusic.com.

HORN PLAYER GABRIEL MARK HASSELBACH COUNTS HIS LUCKY STARS IN THE HOPE OF RECEIVING HIS FIRST GRAMMY NOMINATION

“Count Your Lucky Stars” is up for GRAMMY® consideration in three categories. The Juno Award-winning jazz musician makes his debut at the Catalina JazzTrax Festival on October 17.

VANCOUVER, BC (10 OCTOBER 2024): Juno Award-winning (Canada’s GRAMMY® equivalent) horn player Gabriel Mark Hasselbach hopes that the lucky stars are aligned for his first GRAMMY® nomination to cap a prolific year during which he released two albums. His latest Windtunnel Records release is “Count Your Lucky Stars” and music from that set is presently up for first-round consideration in three GRAMMY® categories: Contemporary Instrumental Album, Best Jazz Performance, and Best R&B Song.

Hasselbach wrote and produced “Count Your Lucky Stars” with Lew Laing Jr. (Paul Brown, Richard Elliot, Norman Brown). His 18th album is a 13-song exploration through contemporary jazz rhythms, grooves, and melodies. One of Hasselbach’s unique musical signatures is that he plays multiple horns – flugelhorn, flute, and trumpet - on every track, emoting through each distinctive horn voice, tapping into his fervent passion while displaying technical prowess and proficiency as he colors, shades, and texturizes each song.

Released in August, “Count Your Lucky Stars” is up for GRAMMY® consideration as Best Contemporary Instrumental Album. Hasselbach spent two years crafting the album that he considers to be his best to date, calling it “the crown jewel of my catalog.” Its title comes from Hasselbach’s years dedicated to personal development, including a gratitude practice that utilizes positive affirmations and visualization. 

Hasselbach’s explosive multi-horn flugelhorn and muted trumpet solo in the album opener, “SunSeeker,” is in the running for Best Jazz Performance. He shares the spotlight with GRAMMY® winning and Billboard chart-topping saxophonist Marion Meadows. Both artists lived in Hawaii for a time, and they turn the magic and majestic beauty of the Hawaiian Islands into song on the track.

A standout tune vying for Best R&B Song, “We Are” features the distinctive and caramelly voice of Juno and American Music Award-winning singer-guitarist Alfie Zappacosta. Hasselbach has a long-running tradition of including one vocal song on every album and he wrote this dramatic showstopper with Laing Jr. and Zappacosta. 

It’s rare for a jazz musician to have success on both sides of the genre – contemporary and straight-ahead - but Hasselbach is that artist who is equally comfortable in traditional New Orleans jazz settings as well. Having his peers and the Recording Academy voters recognize his body of work would bring the validation he craves along with the opportunities to perform on larger platforms.

“It’s said that one needs to put in 10,000 hours to be considered a pro or a master at their skillset. At this point, I have doubled or likely tripled that number. Downbeat magazine coined the term TDWR: Talent Deserving Wider Recognition. I believe that moniker aptly describes my career. The exuberant accolades have piled up over the years with my track record of gold-selling records, eleven Billboard hits, a Juno Award and many other national awards including Album of the Year from the Canadian Smooth Jazz Awards. I have recorded and performed with GRAMMY® winners, GRAMMY® nominated artists, and Billboard chart-toppers (Michael Bublé, Jeff Lorber, Paul Brown, Paul Hardcastle, Bob Baldwin, Marc Antoine, Greg Manning, Darren Rahn, Warren Hill, Rob Tardik, Bob James, Chuck Loeb, Larry Coryell, Ernie Watts and Bob Mintzer among them). I believe a GRAMMY® nomination would validate my work in the eyes of my peers and the industry, allowing me greater opportunities and wider exposure. We all strive to create a lasting legacy, so acknowledgment from the Recording Academy via a GRAMMY® win or nomination would dot the I’s and cross the Ts on the completion of my mission statement,” said Hasselbach, a Denver native who is a longtime resident of Vancouver, British Columbia.

Hasselbach opened summer with the release of “The Vocalists,” an album of 18 vocal tracks spanning straight-ahead jazz, R&B, blues, and adult contemporary pop selections culled from his catalog. The compilation features Bublé, Dee Daniels, and an accomplished assortment of Canadian vocalists along with Hasselbach at the vocal mic himself.

A consummate concert performer, Hasselbach has performed around the world at some of the most prestigious jazz festivals including Montreux, North Sea, and JVC. On October 17, he will make his debut at the Catalina JazzTrax Festival on the island 26 miles off the Los Angeles coastline. He’ll share the marquee with GRAMMY® winner and Academy Awards nominee Ray Parker Jr.

Listen to the “Count Your Lucky Stars” album at https://lnk.to/gUdvg0Ta.

Listen to “We Are” at https://lnk.to/DPPVRJhl.

See and hear the Best Jazz Performance entry at https://www.youtube.com/watch?v=xee7Av48A04.

For more information, visit https://gabrieljazz.com.

BARBARA FOWLER FT. CARL COX – ‘GOD BLESS THE CHILD’

WILLIE BRADLEY FT. NATHAN MITCHELL – ‘RAISING THE BAR’

DE SCHORRE WORDT GROOT SPROOKJESBOS VOOR ‘SPROOKJESWANDELING’

Recreatiedomein De Schorre wordt groot sprookjesbos voor ‘Sprookjeswandeling’

Vanaf 14 december 2024 – Boom

Provinciaal Recreatiedomein De Schorre in Boom is in de zomer voor vele festivalgangers wereldwijd een absolute droomwereld, maar in de winter van 2024 wordt de groene oase in het hart van de Rupelstreek letterlijk omgetoverd tot het Grote Sprookjesbos voor jong en oud. Vanaf 14 december openen De Schorre, Deep Bridge en La Volta de poorten voor 'Er Was Eens... een Sprookjeswandeling', een interactieve sprookjes- en belevingswandeling die je meeneemt op een betoverend avontuur voorbij je verbeelding, met als bestemming het Grote Koninklijke Bal in het Sprookjesbos.

Ontmoet prinsen en prinsessen, feeën, ridders, koningen, tovenaars en foute schoonmoeders. Luister naar de aanwijzingen van Roodkapje, pas op voor de Heks van Hans en Grietje, geniet van een theekransje met Alice en de Mad Hatter in Wonderland, ga de uitdaging aan met de vrijbuiters van Robin Hood en passeer de Draak van Doornroosje die het pad naar de balzaal bewaakt.

De prachtige wandelroute is geschikt voor het hele gezin, met sprookjesverhalen voor kinderen en een vleugje nostalgie voor de volwassenen.

"Net zoals bij onze sprookjesmusicals in het theater, hebben we veel aandacht voor de magie en de originele vertellingen. We vertellen een verhaal dat zich voor de neus en rondom de bezoekers afspeelt, terwijl ze wandelen langs feeërieke sprookjesdecors en de sprookjesfiguren ontmoeten. Meer dan 40 acteurs, actrices en figuranten brengen de sprookjesfiguren tot leven.

We maken gebruik van een systeem waarbij iedereen een eigen hoofdtelefoon krijgt en je het verhaal dus in de beste omstandigheden kan volgen. De bezoeker zal – anders dan in het theater - zelf in de betoverende wereld stappen en deel uitmaken van het verhaal."
- Deep Bridge -

HET VERHAAL

De koning organiseert zijn Grote Koninklijke Bal in het Sprookjesbos, en jij bent uitgenodigd. Om het bal te bereiken, moet je eerst een avontuurlijke tocht door het Sprookjesbos vol magie en uitdagingen volbrengen. Het bos zit vol verrassingen: sommige magische wezens helpen je met aanwijzingen, terwijl anderen je proberen te misleiden. Niets is wat het lijkt en uiteindelijk leidt een reis vol magie en obstakels je naar het Koninklijke Bal, waar je hartelijk wordt ontvangen door de koning, de hofhouding en prinsessen.

Durf jij het aan om het Sprookjesbos te betreden, de uitdagingen aan te gaan en het bal te bereiken? Welkom in een wereld waar dromen werkelijkheid worden! Sprookjes bestaan!

HET VERHAAL START THUIS

De 'Sprookjeswandeling' is meer dan een event. Op 1 december gaat de website ‘Sprookjes Bestaan’ online. Op die website zullen de bezoekers al ondergedompeld worden in de beleving van het Sprookjesbos. Je zal danspasjes aangeleerd krijgen voor het grote bal, je kan muziek downloaden, je toverstaf en kroon knutselen, en je leert de toverspreuken die nodig zijn om de uitdagingen van het Sprookjesbos te trotseren!

We verlangen allemaal naar buitengewone ervaringen die onze verbeelding prikkelen. Deze magische theaterwandeling belooft precies dat te doen, dus trek je wandelschoenen aan, neem vrienden en familie mee en laat je meevoeren naar een wereld waar dromen werkelijkheid worden!

Tickets & info 'Er Was Eens... een Sprookjeswandeling': deepbridge.be

!! Lanceringskorting !!
Geniet tot en met 23 oktober 2024 van -15% korting per ticket

CAROL ALBERT’S NEW SINGLE ‘SEASIDE STORY’

DARRYL EVAN JONES BRINGS THE FLUTE’S CLASSIC VIBE, RICH MELODIC AND HARMONIC POSSIBILITIES TO A NEW GENERATION

Darryl Evan Jones brings the flute's classic vibe, rich melodic and harmonic possibilities to a new generation.

The musical style of Darryl Evan Jones is truly original - combining the genres of Jazz, Classical, and Gospel music. He calls his style Instrumental Soul. Darryl insists that he’s a soul singer who can’t sing, but expresses his emotions through the flute. 

Born and raised in the South Bronx, music was originally introduced as an alternative to the lure of the streets and other ills of the projects. Soon, it became evident that music was more than a distraction. It was a calling. Darryl began to develop a very unique musical voice that was simply undeniable.

Darryl Evan Jones' journey has brought him to performance stages like The Cannon Center in Memphis, Philadelphia's Mandell Theater, and the Capital Jazz Fest. He's also been the opening act for artists like Howard Hewett, Jeff Lorber, Kem, Boney James, and has shared the stage with Marion Meadows. Darryl is also the winner of the "Solo Instrumental" category in the (International) 2024 Made In New York Jazz Competition, representing the United States.

Since the release of his “Relentless” album, Darryl has made quite a stir with this memorable project. Darryl Evan Jones unfolds the diversity of the flute as only a master of this instrument can do; a valuable asset to those who love this instrument and all other contemporary jazz fans.
 "On The Run", the first radio single from the "Resilient" album has already made waves by making its mark on the Radio Wave Groove Jazz and SJ Network Charts. The release of the second radio single "Road Trip, combined with the release of "Resilient" is sure to cement Darryl Evan Jones as a bonified force in Contemporary Jazz.

Single Description

"Resilient" is a "statement piece" of musical and personal triumph. This uptempo muse is dedicated to that "never give up" spirit that is necessary to get more out of life than just accepting whatever comes your way. "Resilient" has incredible energy that will have even the most rhythmically challenged among us moving to the beat. 

Social Media Id's:

FB: Darryl Evan Jones Music ((14) Facebook) 

IG: @darrylevanjones

X: @DarrylEvanJones

Website: www.dejmusic.com

AMERIKAANSE ZANGERES & ACTRICE CISSY HOUSTON OVERLEDEN

De Amerikaanse zangeres en actrice Cissy Houston, de moeder van Whitney Houston, is gisteren op 91-jarige leeftijd overleden. Dat melden diverse Amerikaanse media. Cissy Houston, die eigenlijk Emily Drinkard heette, had een succesvolle carrière als lid van The Sweet Inspirations en als achtergrondzangeres voor Elvis Presley, Mahalia Jackson en Aretha Franklin. Pas later waagde Cissy zich ook een solocarrière, aanvankelijk onder de naam Cecily Blair. Als kind zong Cissy samen met haar zus Anne en haar broers Larry en Nick in de gospelgroep The Drinkard Four. Haar zus, Lee (die later moeder zou worden van de zangeressen Dee Dee Warwick en Dionne Warwick) kwam later in de groep samen met Ann Moss en Marie Epps. De groepsnaam werd gewijzigd in The Drinkard Singers. De groep trad geregeld op in de New Hope Baptist Church en nam later een live-album op voor RCA, getiteld ‘A Joyful Noise’. In 1963 formeerde Cissy The Sweet Inspirations met Doris Troy en haar nicht Dee Dee Warwick. Later, onder contract bij Atlantic Records, vormden Sylvia Shemwell, Estelle Brown, Myrna Smith en Cissy de line-up. In het midden van de jaren zestig verzorgden The Sweet Inspirations de achtergrondzang op plaatopnamen van Otis Redding, Wilson Pickett, Lou Rawls, The Drifters, Dusty Springfield en Houston’s nicht Dionne Warwick. De dames zongen mee op Van Morrison's hitsingle ‘Brown Eyed Girl’ en op Aretha Franklin’s hit ‘Ain't No Way’. In 1967 waren The Sweet Inspirations te horen op het nummer ‘Burning Of The Midnight Lamp’ van The Jimi Hendrix Experience. In 1969 werden The New Inspirations gevraagd om de achtergrondzang te verzorgen voor Elvis Presley in Las Vegas tijdens zijn comeback in juli en augustus. In 1996 won Cissy een Grammy Award in de categorie ‘Best Traditional Soul Gospel Album’ voor ‘Face To Face’. In datzelfde jaar zong ze een liedje op het gospel soundtrack album voor de film ‘The Preacher’s Wife’, waarin dochter Whitney speelde. In 1998 won Cissy haar tweede Grammy Award voor haar album ‘He Leadeth Me'. Met dochter Whitney nam Cissy het duet ‘I Know Him So Well’ op, een cover van de gelijknamige hit van Barbara Dickson en Elaine Paige uit de Broadway musical, ‘Chess’. In 1992 werkte Cissy samen met Chuck Jackson aan het album ‘I'll Take Care Of You’. Cissy Houston ruste in vrede!

Met dank aan Leo Weijers.

IERSE DANSSENSATIE RHYTHM OF THE DANCE KEERT TERUG NAAR BELGIË MET ADEMBENEMENDE NIEUWE SHOW

19 juni 2025 – Trixxo Theater Hasselt
20 juni 2025 – Capitole Gent
21 juni 2025 – Stadsschouwburg Antwerpen

Na het enorme succes van hun ‘25th Anniversary Tour’ in 2024, komt de Ierse danssensatie Rhythm of the Dance in juni 2025 terug naar België met hun gloednieuwe en spectaculaire show ‘Feel The Rhythm’. Naast een terugkeer naar Capitole Gent en Stadsschouwburg Antwerpen, mag deze keer ook Trixxo Theater Hasselt zich opmaken voor de krachtige ritmes, razendsnelle choreografieën en indrukwekkende liveoptredens bij Rhythm of the Dance. Het visuele en muzikale dansspektakel ‘Feel The Rhythm’ belooft het publiek opnieuw mee te nemen op een adembenemende reis doorheen de rijke geschiedenis en tradities van Ierland, met een frisse en moderne twist. Bestel nu je tickets voor ‘Feel The Rhythm’ van Rhythm of the Dance in juni 2025 in Trixxo Theater Hasselt (19/06), Capitole Gent (20/06) en Stadsschouwburg Antwerpen (21/06) via ticketkopen.eu.

Sinds de oprichting blijft Rhythm of the Dance wereldwijd het publiek betoveren. Met meer dan 14 miljoen bezoekers in meer dan 50 landen, heeft de show een blijvende impact gemaakt. In 2025 tillen ze dit succes naar een nog hoger niveau met de volledig nieuwe productie ‘Feel The Rhythm’, waarin zowel traditionele Ierse dans en muziek, als de nieuwste podiumtechnologie perfect samenkomen. Dit spektakel staat garant voor een unieke totaalervaring, vol energie en passie, zoals het publiek van Rhythm of the Dance gewend is.

Wat Rhythm of the Dance zo bijzonder maakt, is de constante vernieuwing en creativiteit van het artistieke team. Onder leiding van de regisseur, choreograaf en componist, wordt elk aspect van de productie geperfectioneerd om het publiek keer op keer te verrassen. Ook in deze editie worden wereld- en Ierse kampioensdansers, getalenteerde muzikanten en vocale toppers samengebracht voor een adembenemende voorstelling die de Ierse cultuur in een nieuw daglicht plaatst.

Laat je meeslepen door de krachtige ritmes, razendsnelle choreografieën en indrukwekkende liveoptredens, die de rijke Ierse geschiedenis doen herleven. ‘Feel the Rhythm’ belooft een visueel en muzikaal spektakel te worden, waarin zowel de oude Keltische mythes als het moderne Ierland op meeslepende wijze tot leven komen.

Mis deze vernieuwde, ongeëvenaarde show niet! 

Rhythm of the Dance: ‘Feel The Rhythm’ op 19 juni 2025 in Trixxo Theater Hasselt, 20 juni 2025 in Capitole Gent en 21 juni 2025 in Stadsschouwburg Antwerpen.

Tickets en info: ticketkopen.eu

NIEUWE SINGLE ‘CATCH THE WORLD’ VAN .FEN

.Fen lanceert ‘Catch The World’ waarmee hij inspeelt op het moment en avontuur

Met de single ‘Make it’ en de albumsingle ‘Hero’ was .Fen al succesvol. Het muzikale avontuur krijgt een verlengstuk met ‘Catch The World’, een track waarbij hij jou uitnodigt om deel te nemen aan zijn nieuwe, wervelende muzikale avontuur. Met een onweerstaanbare groove en inspirerende tekst is .Fen zijn nieuwe single een muzikale ontdekkingstocht die je meetrekt in het enthousiaste muzikale verhaal van deze ijzersterke soloartiest. 

“’Catch The World’, een song die je terugvindt op mijn album ‘Hero’, is er eentje die je uitnodigt om hét moment in dit leven te grijpen, je droom te leven en vooral ook de schoonheid van onze planeet te ontdekken. Het is een eerbetoon aan het reizen, aan het wonder van de natuur en de oneindige horizon die op ons wacht. Deze song, met een aanstekelijke melodie, is gemaakt om op te dansen en te dromen. Onderweg, thuis of met vrienden. Het maakt niet uit, want dit nummer zorgt meteen voor het perfecte gevoel”, zegt .Fen enthousiast. 

Als je goed luistert naar ‘Catch The World’ ontdek je opnieuw invloeden van Stevie Wonder, Bruno Mars en Alicia Keys, artiesten die .Fen inspireren wanneer hij muziek maakt. Als auteur-componist heeft hij zich in zijn nieuwste single helemaal laten gaan, waardoor je kan genieten van de vocale samenzang en het ondersteunende gospelkoor, waardoor er een subliem refrein is ontstaan. De reggaestijl en de ondersteunende piano zorgen voor een extra toets aan het geheel en maken dat deze song direct in je oor blijft zitten. 
 

De Hero-tournee is in volle gang!

.Fen blijft ook op het podium verbazen, want in de slipstream van de release van zijn album ‘Hero’ was ook zijn gelijknamige tournee de afgelopen maanden een absolute voltreffer. In Bergen, zijn geboorteplaats, gooide hij hoge ogen. Daarna volgden nog succesvolle optredens op o.a. de bekende Francofollies in Spa, maar ook in de Ardèche waar hij een massa van 5000 mensen in vuur en vlam zette. Net als bij Stromae en Angèle, is er voor .Fen buitenlandse aandacht, maar ook in Vlaanderen waar ze zijn songs omarmen: “’Hero’ en ‘Proud’ zijn twee goede voorbeelden van nummers die hun weg vonden naar de nationale playlisten van o.a. Radio2, MENTPop en de regionale televisiezenders. Via sociale media krijg ik heel wat berichten uit Vlaanderen van mensen die mijn muziek goed vinden. We zijn aan het bekijken waar we zouden kunnen optreden. De Parkies-concerten? Waarom niet. Dat zou een mooie ervaring zijn en daar staan we zeker voor open”, zegt de zanger die weet hoe hij mensen moet raken. Dat laatste doet hij o.a. met de nieuwe single ‘Catch The World’ die live ook één van de absolute smaakmakers is op de podia. 

Streamingsucces

Met nu al 4 miljoen streams op de teller is .Fen met zijn nieuwste album ‘Hero’ op weg om het succes van alle nummers van zijn vorige plaat ‘Life Is So Beautiful’ (6 miljoen streams alltime) snel te evenaren. Op Spotify was de single ‘Hero’ goed voor meer dan 300.000 streams, het album ‘Hero’ ging over de kaap van de 700.000 streams.

Buitenland

Het gaat hard voor de Belgische artiest .Fen die ondertussen internationale promotie voert voor zijn ‘Hero’-album. “Onlangs werd ik geïnterviewd door iHeartRadio, dat is één van de meest invloedrijke Amerikaanse netwerkradio’s. Het doet deugd wanneer je muziek ook in het buitenland de erkenning krijgt die het verdient. Recent werd ik ook uitgenodigd voor ‘Du son dans mon salon’ in Parijs, waar ik bij enkele mensen thuis het album ‘Hero’s’ heb gespeeld in hun huiskamer (lacht). Dat was de perfecte plek om in een warme, intieme sfeer de nummers te spelen die je op de plaat terugvindt. Het was een heel leuke actie die opnieuw extra aandacht opleverde in de Franse media”, zegt .Fen. 

‘Catch The World’ van .Fen is nu digitaal beschikbaar en terug te vinden op zijn ‘Hero’-album, dat hij uitbracht op zijn eigen muzieklabel. 

Catch The World, de nieuwe single van .Fen, kan u HIER beluisteren op alle grote streamingplatformen.

PRODUCENT, COMPONIST & TEKSTDICHTER HANS VAN HEMERT OVERLEDEN

Vanochtend is de zeer succesvolle muziekproducent, componist en tekstdichter Hans van Hemert op 79-jarige leeftijd overleden. Hans heeft zijn sporen meer dan verdiend als componist, tekstschrijver en producer voor onder meer Q65, Ramses Shaffy & Liesbeth List, Sandra & Andres, Mouth & MacNeal, Kamahl, Luv’, Vulcano, American Gypsy, D.C. Lewis, André Hazes en Glennis Grace. Door de enorme invloed die hij heeft gehad op het Nederlandse en Europese muzieklandschap, is hij in 2017 onderscheiden met de Buma Lifetime Achievement Award. Hans Christiaan Willem van Hemert werd op 7 april 1945 in Voorburg geboren als zoon van televisieregisseur Willy van Hemert en danseres Miep Kronenburg. Eigenlijk wilde Hans acteur worden, maar hij zakte voor het toelatingsexamen van de toneelschool. Zijn loopbaan als producer begon toen hij in 1965 op de verkoopafdeling van Phonogram in Amsterdam werd ontslagen, maar door de voordeur in Hilversum weer werd binnengehaald, omdat de afdeling artiesten en repertoire wel iets in hem zag. Hij werd vaste producer voor de afdeling pop bij Phonogram, met de productionele leiding over bands als The Sound Magics, The Dukes, Q65, Zen, The R-od-ys, Groep 1850, The Motions en Willem Duyn’s vroegere band The Jay-Jays. Zijn eerste eigen compositie, die ook een hit werd, was het thema voor de door zijn vader geregisseerde televisieserie ‘De Glazen Stad‘ (1968). Van 1969 tot en met 1973 maakte hij enkele solo-singles, waaronder ‘Old Dom Is Dead’, maar het artiest-zijn lag hem niet. In de jaren zeventig bedacht hij het succesvolle duo Mouth & McNeal, dat tussen 1971 t/m 1974 maar liefst negen hits scoorde, waaronder wereldsuccessen als ‘How Do You Do’ en ‘Hello-A’. Van de single ‘How Do You Do’ werden maar liefst 6 miljoen exemplaren wereldwijd verkocht. Ook met Cardinal Point en American Gypsy scoorde Hans hits in die tijd. Zijn eigen compositie ‘I’m Ok, You’re OK’ werd zelfs een hit in de Amerikaanse discolijsten. In 1975 schreef Van Hemert in opdracht van het World Life Fund speciaal voor Frank Sinatra ‘The Elephant Song’. Uiteindelijk scoorde de Australische zanger Kamahl hier een nummer 1-hit mee. De grote klapper kwam echter met het sexy damestrio Luv’. De opdracht van de VPRO om het titelnummer voor het televisieprogramma ‘Waldolala’ met Waldo van Dungen (Dolf Brouwers) te schrijven, zorgde voor de doorbraak. Luv’ zong ‘U-O-Me in ‘Waldolala’ en werd een begrip, niet alleen in Nederland, maar ook bij onze ooster- en zuiderburen. Tot 1981 scoorde Luv’ de ene hit na de andere, waaronder ‘You’re The Greatest Lover’ en ‘The Trojan Horse’. Voor Kinderen voor Kinderen produceerde Hans in 1982 een aantal liedjes, waaronder de klassieker ‘Meidengroep’. In 1987 componeerde en produceerde hij de UNICEF-benefietsingle ‘Song For Nadim’, die gezongen werd door Yann Andersen, met wie hij de tekst schreef. ‘Song For Nadim’ werd een megahit in Portugal. In 1988 produceerde Hans het liedje ‘Wij Houden Van Oranje’ voor en met André Hazes. In 1997 maakte Hans nog een album met Glennis Grace. Zoals gezegd, kreeg Hans in 2016 voor zijn gehele oeuvre een dik verdiende Buma Lifetime Achievement award. Hans van Hemert ruste in vrede!

Met dank aan Leo Weijers.

TOMMY GLASSES – ‘TIME’

DI ANGELIS PRESENTEERT NIEUWE SINGLE ‘NOW IS EVERYTHING’

CONTEMPORARY JAZZ TRUMPETER-VOCALIST ILYA SEROV’S FIRST ALBUM OF ORIGINAL SONGS IS HIS FIRST PROJECT UP FOR GRAMMY CONSIDERATION

AUSTIN, TX (7 OCTOBER 2024): The release of trumpeter-singer Ilya Serov’s “Colors” album, a ten-song set of original soul-jazz vocal tunes, R&B grooves, and Brazilian jazz instrumentals, signified artistic and personal growth for the artist. It’s his first album on which he had a hand in writing the entire album instead of reimaging standards from the Great American Songbook as he did on his first three albums. When he began working on “Colors,” Serov became a father for the first time, an event that spurred life-altering change in his life as well as his recording process. And now, music from “Colors” is up for GRAMMY® Awards consideration in two categories, which is another monumental first for Serov. 

“Colors” is up for Best Contemporary Instrumental Album in the current GRAMMY® cycle. Serov describes the album as “a tapestry, fusion of musical genres, blend of cultures and backgrounds, friendships and so much more.” He wrote and produced three tracks on the album and brought in two-time GRAMMY®  winner Paul Brown, multiple GRAMMY® nominee Darren Rahn, and 16-time Billboard chart-topper Adam Hawley to produce and cowrite the rest of the songbook. In addition to his own spotlit trumpet, flugelhorn, and jazzohorn work (the latter being an innovative instrument that he co-invented) that fills the recording with soulful melodies, harmonic shades, and inspired improvisations, Serov duets with saxophonist Jeff Ryan and British keyboardist Oli Silk.   

“Having my music up for GRAMMY® consideration is an extremely exciting and kind of a vulnerable moment for me. I have thought of submitting my music and becoming a voting member of The Recording Academy for many years, but somehow felt like I wasn’t ready yet. Because ‘Colors’ consists of all original music and songs I wrote or cowrote, I have more of a personal connection to the music and that gives me much more confidence. The new album is definitely my best work yet,” said Serov.

One of the standout tracks on “Colors” is “A Day In Rio,” which is under award consideration for Best Jazz Performance. The song indulges Serov’s passion for Brazilian music and features authentic Brazilian musicians along with GRAMMY-winning bassist Hussain Jiffry (Sergio Mendes, Herb Alpert).  

“I have always been a huge fan of Brazilian music. Samba and bossa nova are my obsessions. I have been to Brazil a few times and every time I went, I wanted to write something using Brazilian beats and instrumentation. A few years ago, I spoke to Hussain Jiffry, who played with Sergio Mendes & Brasil ‘66, about collaborating. The stars aligned and ‘A Day In Rio’ was created. I had a blast producing this track and building it piece by piece with the most amazing Brazilian players,” enthused Serov.

“Colors” has already spawned three singles, the latest of which is “Sea Breeze,” featuring Serov and Ryan engaging in horn banter on the Hawley-produced cut. 

“Jeff (Ryan) is an incredible saxophonist who has one of the best tones and energy. I am so happy my dear friend was able to join me on this track,” said the Austin, Texas-based Serov, who was born in Russia and lived in Los Angeles for fifteen years.

Serov will join multi-time GRAMMY® nominated pianist Keiko Matsui for a Christmas concert on December 8 in Altamonte Springs, Florida and will be the special guest of six-time GRAMMY® nominated saxophonist Eric Marienthal on December 16 for a show at Spaghettini south of Los Angeles. Serov hopes to be a first-time GRAMMY® nominee when those concerts take place.

“So many of my colleagues that I admire so much are members of The Recording Academy and being a part of this community of incredibly talented musicians, songwriters, and producers would mean a lot to me. It would be incredible to be nominated, but just to have my music heard by some of my musical heroes and peers is already a tremendous honor.”

For more information, visit https://www.ilyaserov.com.

BACK 2 BASICS – ‘MANHATTAN BLUE’

VON STUPART – ‘BOUNCE’

ROBERTO VALLY – ‘KOOL LIKE THAT’

CONTEMPORARY JAZZ GUITARIST BLAKE AARON BELIEVES THE TIME IS PERFECT FOR A GRAMMY NOMINATION

His collection of chart-topping hits, “Love and Rhythm,” is up for consideration as Best Contemporary Instrumental Album.

LOS ANGELES (4 OCTOBER 2024): Ancient Greeks celebrated the number seven as representing perfection. Contemporary jazz guitarist Blake Aaron hopes that his timing is perfection for his first GRAMMY® nomination. He recently notched his seventh Billboard chart-topping single, a tune that appears on his seventh album, “Love and Rhythm,” which was released on Innervision Records last April. Could lucky number seven come up for Aaron next month when the GRAMMY® nominations are announced? 

“Love and Rhythm” is up for GRAMMY® consideration as Best Contemporary Instrumental Album. The project indulges Aaron’s love of a wide array of rhythms celebrated with a ten-song setlist incorporating contemporary jazz, R&B, funk, and pop along with excursions into fusion and Brazilian jazz. Aaron’s passion for composition, performance, and production comes to the fore on the album that he wrote and produced with Billboard hitmakers Adam Hawley and Greg Manning.

Two-time GRAMMY winners Bob Mintzer (saxophone) and Mel Brown (bass), GRAMMY® winners Hussain Jiffry (bass) and Will Kennedy (drums), and GRAMMY® nominated musicians Andrew Neu (saxophone), Tateng Katindig (keyboards), and Tyries Rolfe (strings and string arrangements) are among The Recording Academy recognized musicians who perform on “Love and Rhythm.” Other first-call players on the album include bassist Alex Al (Michael Jackson, Stevie Wonder, Sting), percussionist Ramon Yslas (Chicago, David Sanborn, Jennifer Lopez), drummers Eric Valentine (Gerald Albright, Erykah Badu, Jonathan Butler) and Tony Moore (George Benson, Jeff Lorber, The Isley Brothers), keyboardist Carnell Harrell (Boney James, Andra Day, Rick Braun), and an arsenal of horns powered by David Mann, Trevor Neumann, Donald Hayes, Michael Stever, Jimmy Reid, Andrew Neu and Nick Lane.

To date, three singles from “Love and Rhythm” took command of the top spot on the Billboard chart and by the time the GRAMMY® nominations are announced on November 8, Aaron may have scored his…well…lucky eighth chart topper. The latest single from the album, “The Way You Sway,” a vintage 70s instrumental R&B groove anchored by Aaron’s lyrical and dexterous electric jazz guitar and empowered by a mighty and crisp horn section, is charging up the chart destined for the top spot.

In addition to the seven times Aaron summited the Billboard chart as a solo artist, he has architected four chart toppers as a producer. He has been a featured soloist on two chart-topping singles, including 2022’s Billboard Song of the Year by flutist Kim Scott (“Shine”).

A GRAMMY® nomination would be a first for Aaron in a lengthy and accomplished career that is a model of consistency. As an in-demand guitarist, he’s recorded and/or performed with such diverse R&B, jazz, and rock headliners as Philip Bailey (EWF), Sheila E., The Alan Parson Project, The Gap Band, Lakeside, Najee, Ronnie Laws, Keiko Matsui, Warren Hill, and Bobby Womack and Carlos Santana. In other media, Aaron has film and television music credits for his work on “MAD TV,” “Super Dave Osborne,” and “The Ben Stiller Show.”

"A GRAMMY® nomination would be a huge honor for me. I have been so grateful for the hits that I’ve created and been a part of, but a GRAMMY® nomination would be the first award from my fellow artists and colleagues in the industry. That acknowledgement from my peers would be the icing on the cake of an amazing and blessed career," said Aaron. 

Aaron is also a popular performer at festivals, theaters, and nightclubs. He’ll next take the stage on October 11 at the Catalina JazzTrax Festival, teaming up with smooth soul songstress Erin Stevenson. US and European concert tours are being booked now for next year.  

To listen to “Love and Rhythm” and for more information, please visit https://blakeaaron.com/fyc​.

COUNTRY SINGER-SONGWRITER & ACTEUR KRIS KRISTOFFERSON OVERLEDEN

De Amerikaanse country singer-songwriter en acteur Kris Kristofferson is afgelopen zaterdag in zijn woning op het Hawaïaanse eiland Maui op 88-jarige leeftijd overleden. Dat heeft zijn familie bekendgemaakt. Kris Kristofferson werd in 1936 geboren in Brownsville in de Amerikaanse staat Texas. Wat zijn muzikale carrière betreft, is Kristofferson voornamelijk bekend van liedjes als ‘Me And Bobby McGee’, ‘Sunday Mornin' Comin' Down’ en ‘Help Me Make It Through The Night’. Nummers die veelvuldig door andere artiesten zijn gecoverd, onder wie Janis Joplin, Johnny Cash, Jerry Lee Lewis, Elvis Presley en Willie Nelson. Tussen 1967 en 1969 scoorden verschillende muzikanten in de Verenigde Staten grote country-hits met nummers die door Kristofferson waren geschreven. Bijvoorbeeld Roy Drusky (‘Jody And The Kid’), Billy Walker & The Tennessee Walkers (‘From The Bottle To The Bottom’), Ray Stevens (‘Sunday Mornin' Comin' Down’), Faron Young (‘Your Time's Comin'’) en Jerry Lee Lewis (‘Once More With Feeling’). Als we kijken naar de Amerikaanse hitlijst, de Billboard Hot 100, scoorde Kristofferson als uitvoerend (solo)artiest flinke hits met singles als ‘Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)’, ‘Josie’, ‘Why Me’ en ‘Watch Closely Now’. In duet met Rita Coolidge bereikte hij de hitlijsten met singles als ‘A Song I’d Like To Sing’, ‘Lovin’ Arms’ en ‘Lover Please’. Toen Janis Joplin in 1971 postuum een nummer 1-hit scoorde met ‘Me And Bobby McGee’, kreeg Kristofferson voor het eerst erkenning buiten zijn genre. In 2014 ontving hij een Grammy Lifetime Achievement Award. Naast zijn muzikale carrière was Kristofferson acteur. Zo speelde hij onder meer in ‘Blume In Love’ (1973) en ‘Alice Doesn't Live Here Anymore’ (1974) van Martin Scorsese. Voor zijn rol in ‘A Star Is Born’ (1977), waarin hij te zien was naast Barbra Streisand, ontving hij een Golden Globe. Naast Rita Coolidge werkte Kristofferson als muzikant ook samen met Willie Nelson, Waylon Jennings en Johnny Cash. Dat resulteerde in de oprichting van het kwartet The Highway Men, dat drie succesvolle albums opnam: ‘Highwayman’ (1985), ‘Highwayman 2’ (1990) en ‘The Road Goes On Forever’ (1995). Daarnaast nam Kristofferson met Willie Nelson, Dolly Parton en Brenda Lee in 1982 het album ‘The Winning Hand’ op en samen met Nelson het album ‘Music From Songwriter’ (1984). Kris Kristofferson’s laatste studio-album ‘Feeling Mortal’ dateert uit 2013. Hij ruste in vrede!

Met dank aan Leo Weijers.

SKIP PRUITT – ‘SKYLINE’

Recognized as a magnetic force, Skip Pruitt’s career has encompassed the roles of saxophonist, record producer, entrepreneur, artist, and educator. As an authority in blending gospel, soul, hip-hop, classical and jazz music into brilliant fusions, which includes a variety of mediums like grammy winning records, live performances, radio, and television. Born in Little Rock, Arkansas and raised in Detroit, Michigan, Skip has been playing the saxophone since the tender age of six. Although Influenced by such greats as John Coltrane, Charlie Parker and Grover Washington Jr, it was his father, the late Benjamin L. Pruitt, Sr., who inspired him to play the saxophone.

He has released three projects, all of which can be heard on various media and streaming outlets: “Eternity”, a contemporary mix of R&B and Jazz instrumental and vocals. “The Anointing” is a collection of standard gospel hymns, and “Do You Hear What I Hear”, a collection of his favorite Christmas songs. His latest release is titled “Skyline”, co-written and produced by Chris Big Dog Davis.

PATRICK BRADLEY FT. DARREN RAHN – ‘GRATITUDE’

DENDERMONDS PRODUCTIEHUIS BRENGT GROOTS THEATERSPEKTAKEL ‘DE SAGE VAN HET ROS BEIAARD’ NAAR OKOTOBERHALLEN WIEZE

Vanaf 26 september 2025 tot en met 5 oktober 2025 

Tickets & info: rosbeiaardspektakel.be 

Vanaf 26 september 2025 presenteert het Dendermondse productiehuis Camerata Productions vzw het grootse theaterspektakel 'De Sage van het Ros Beiaard' in de Oktoberhallen te Wieze. Meer dan 80 acteurs, ruiters, dansers en figuranten zullen in deze legendarische locatie, waar er speciaal voor deze voorstellingen een grote tribune gebouwd zal worden, een historische evocatie rond de middeleeuwse sage van het Ros Beiaard en de Vier Heemskinderen op de planken brengen. 

De absolute topcast van dit spektakel zal bestaan uit een mix van enkele zeer gekende namen én lokale helden. In de bekwame handen van regisseur Stijn De Wolf, muzikaal leider Geert Baetens en choreografe Ingrid Coppieters belooft dit nu al een overweldigende voorstelling te worden met nieuw gecomponeerde muziek, prachtige kostuums, een uniek decor en tal van speciale effecten!

'De Sage van het Ros Beiaard' is de opvolger van het bejubelde theaterspektakel 'Karmeliet' dat Camerata Productions vzw in 2018 met overdonderend succes bracht aan het kasteel van Opdorp.

"De plannen om een theateradaptatie te maken rond de sage van het Ros Beiaard en de vier Heemskinderen koesteren we al meer dan 10 jaar. Lokaal erfgoed aanwenden om een universeel verhaal te vertellen en hiervoor een brede groep van mensen met elkaar te verbinden door cultuur, is onze motivatie. Iedereen is dan ook meer dan welkom om dit spektakel mee te beleven en vorm te geven."
- Joris Verschueren, gedelegeerd producent –

Foto: Stijn De Wolf (regie & scenario) - Joris Verschueren (gedelegeerd producent)

Het verhaal in het kort:

De jonge Reynout wordt als onervaren ridder samen met zijn broers ingezet in de oorlog tussen zijn vader heer Aymon en Karel De Grote. Vol goede bedoelingen trekken ze ten strijde, maar wanneer ze met de drieste waarheid van het slagveld worden geconfronteerd, beseffen ze al snel dat ze evenveel te winnen als te verliezen hebben. Want hoeveel offer je op om je idealen te bekomen? 

Audities in stadhuis Dendermonde

Voor enkele rollen in dit spektakel (o.a. hoofdrollen Reynout en Clarisse) wordt er nog op zoek gegaan naar jonge, getalenteerde acteurs (V, X, M) tussen de 15 en 22 jaar. Voor deze rollen wordt er in het stadhuis van Dendermonde een eerste ronde castings gehouden op zaterdag 26 en zondag 27 oktober 2024. Meer info en aanmelden kan HIER.

Daarnaast wordt er ook gezocht naar een  grote groep van enthousiaste dansers en leuke figuranten. Iedereen tussen 5 en 95 jaar wordt verwelkomd om deel uit te maken van dit unieke project. Meer info en aanmelden kan HIER.

'De Sage van het Ros Beiaard' speelt vanaf 26 september 2025 tot en met 5 oktober 2025 in de Oktoberhallen te Wieze. Tickets & info: rosbeiaardspektakel.be  

Regie & scenario: Stijn De Wolf
Scenario: Wout Stallaert
Staging & choreografie: Ingrid Coppieters
Componisten: Pieter Van Baeveghem & Bert Van Weyenbergh
Muzikale leiding: Geert Baetens

Scenografie: Yannic Duchateau
Lichtontwerp: Laurens van Henden
Geluidsontwerp: TWIN4U
Ontwerp kap & grime: Sara Joris

HUSKY FT. RONA RAY ‘HOLD ME’ (INCL. ART OF TONES REMIX)

Australia’s Husky (Random Soul) enlists the dreamy vocal talents of Poland’s Rona Ray on his new single, ‘Hold Me’. Rona has had an explosive release schedule recently with music landing on Defected, Atjazz, Quantize, along with her amazing album with Ezel on Bayacou. ‘Hold Me’ is a chic and soulful house affair, adorned with catchy synth hooks, warm pads and a hypnotic bass that all bubble under Rona’s lush vocals. In addition, French Disco and House connoisseur, Art of Tones, lends his much in demand remix finesse, delivering a glamourous funky Disco affair, injecting an irresistible funky bass groove and garnishing with sublime key solo, offering a smooth and seductive vibe.

Sydney’s producer and DJ Husky is well known for his distinct soulful, deep and disco solo productions, as well as his output as one half of Random Soul with production partner Yogi. You’ll find his works on his own labels Random Soul Recordings and Bobbin’ Head Music, as well as labels such as Salted Music, Purple Music, LouLou, Nurvous, Guesthouse, TMRW Music, Fool’s Paradise and Soul Divine, to name a few. Over the last decade Husky has deepening his catalogue success via 2 full length artist albums, along with singles and collaborations with Mr V, Martina Budde, Kokiri, Ridney, Xira, Andre Espeut, Lee Wilson, Shyam P and many more.

Art Of Tones is Ludovic Llorca's House and Disco guise which started in 2006 with a series of EP's on 2020 Vision and quickly became Ludovic's highly regarded moniker. Ludovic released his first Art Of Tones album ‘Unbalanced’ in 2018. In addition, His Art Of Tones productions and remixes have graced labels such as Toytonics, Jalapeno, MoodFunk, King Street, AtJazz Record Company, Lazy Days, Local Talk Records Papa Records, House Of Disco and Glitterbox, among many. He has remixed key artists including Izo Fitzroy, Da Lata, Sebb Junior, Flevans, Dave Lee, S3A, Kapote and Reel People, among others.

Track Listing

1 Hold Me (Extended Mix)
2 Hold Me (Husky Extended Beach Club Mix)
3 Hold Me (Art Of Tones Extended Remix)
4 Hold Me
5 Hold Me (Husky Beach Club Mix)
6 Hold Me (Art Of Tones Remix)

Husky Ft. Rona Ray ‘Hold Me’ (Original Mixes) is out now on Bobbin’ Head Music.

Husky Ft. Rona Ray ‘Hold Me’ (Art Of Tones Remix) will be released on Traxsource promo September 27th / Full release October 4th on Bobbin’ Head Music.

Husky Feat Rona Ray
‘Hold Me’ (Incl. Art Of Tones Remix)
Bobbin’ Head Music / BBHM126 & BBHM126B
https://www.facebook.com/Huskyrandomsoul
https://www.instagram.com/ronaray_/
https://www.instagram.com/artoftonesmusic/
https://www.instagram.com/bobbinheadmusic

BONEY JAMES – ‘SLIDE’

slow burn: noun, informal: A feeling that grows with a slow but deliberate intensity.

For saxophonist and composer Boney James, these words perfectly describe the music he has crafted for his new Concord Records album, Slow Burn, to be released on October 18, 2024. “When I mentioned that phrase to people as a possible title, they said, ‘That also refers to your whole career in a way,’” James says with a laugh. “This is my 19th record and I feel like I’m just hitting my stride.” Slow Burn is a new high point in a remarkable career that now spans more than three decades and includes a long list of accolades; four GRAMMY nominations, three NAACP Image Award Nominations, a Soul Train Award for Best Jazz Album, and four RIAA Gold Record certifications. In 2009, Billboard named James one of the Top 3 Contemporary Jazz Artists of the decade.

In 2024, Boney became the first ever artist to score 20 #1 singles on the Billboard Smooth Jazz chart. But Boney James has never been one to look backwards and Slow Burn, which the artist produced, marks several firsts. 

The funky new single "Slide" features Boney on tenor saxophone and keyboards, backed by all the member of his crack touring band. “This song has a little Minneapolis feel,” says James. “I got my start as a professional musician touring with Morris Day, but this is the first time I’ve copped this groove.”

See Boney's upcoming tour dates HERE

REVERED JAZZ SONGSTRESS DEEANN RELEASES ‘IT’S MY TIME’

 In 2015, years after setting aside her larger musical dreams to dedicate herself to raising a family, multi-talented singer/songwriter DeeAnn is back to create her legacy. Her latest album It’s My Time, currently receiving National airplay with Neal Sapper, New World n Jazz and featuring three original songs amidst a mix of folk, pop and jazz classics, is the latest manifestation of the Niagara Falls, NY native’s renewed vision of her life.  

The singer laid the foundation for her newly burgeoning career with her cleverly titled 2017 collection Desperately Seeking DeeAnn, which was produced by contemporary jazz bassist, RiShon Odel (Brian Culbertson, Najee). When her father, popular Buffalo area jazz performer Frank DiMeo, learned she was finally embracing what he felt was her destiny as a jazz singer, he was thrilled.  Though she had previously sung pop and country professionally, he was the one who introduced her as a little girl to the music of Ella Fitzgerald and his favorite, Sarah Vaughan.  

To pay tribute to her dad’s influence, DeeAnn invited him to sing two duets with her (“Unforgettable” and “Fly Me to the Moon”).  The collection also featured the blues and jazz influenced original tune, “Everybody’s Got a Story”, whose chorus served as her life’s new mission statement: “Everybody’s Got a Story/Everybody’s got a cross to bear/Everybody’s got something to say/So shine the light and spread your love.” The following year, DeeAnn was honored to be inducted into the Niagara Falls Music Hall of Fame.  

The singer soon had a painful story to tell.  The tragedy of losing her 23-year-old son William Michael Tompkins to a motorcycle accident, after she and Odel had completed most of the tracks of “It’s My Time’ threw DeeAnn’s life into a tailspin and delayed the project indefinitely.  Her original concept was to record analbum of old standards, and the two had 90 percent of them.    

When DeeAnn came back to the project she added a few new, very personal songs, starting with a heartrending, gospel-influenced version of “You Are My Sunshine”, a song she sang to William to put him to sleep when he was a child.  Odel’s sensitive yet rousing and inspirational production features members of the Buffalo Philharmonic String Quartet (Roman Mekhulnov).

Another original tune she added, the soulful ballad, “A Little Romance,” is a homage to the “angels” who helped her during her lowest points: “You help me pray, when my faith is shaken/You give me hope, help my soul awaken.” The other originals are the passionate love ballad “Here to Stay” and “Writing on the Wall,” a whimsical, hard hitting, brassy blues-rock breakup song, a duet with Mick Hayes that balances the poignancy of the album.  

The other tracks on It’s My Time reveal DeeAnn as a masterful song interpreter and storyteller who turns words and melodies of legendary writers and artists into her own emotional narratives.  Drawing from a wide range of styles and eras, these include “Blue Skies,” “Summertime,” “Killing Me Softly,” “My Funny Valentine,” “Nearness of You” and “Fine and Mellow.”

Hailing from a small steel town outside of Buffalo, DeeAnn was raised in a musical family, learning standards that would eventually become part of her repertoire.  In addition to the smooth vocal stylings of her father Frank, she was inspired early on by Buffalo Blue Note legend, DoDo Green and attended multiple jazz jams.  During her early days as a pop/rock singer, she won Best Female Vocalist at the Buffalo Music Awards two years in a row.  Her later success as a country artist earned her placements on numerous radio CD compilations, resulting in airplay throughout the U.S and Europe.  When she returned to music as a jazz-blues singer in the mid-2010’s, she won Best Female Blues Vocalist at the Buffalo Night Life Music Awards and her 2019 EP Stay Here won Best Jazz CD from JazzBuffalo.org. 

Tony Zambito, Executive Director of JazzBuffalo, says, “DeeAnn is not only a soulful powerhouse, but also a superb storyteller who’s emotionally charged performances create a deeply personal and wonderful listening experience for audiences.  Whether interpreting timeless classics or presentingher own originals, DeeAnn captivates listeners with her heartfelt delivery and genuine connection, making each concert and listen truly memorable.”

www.deeannmusic.com

MULTIPLE GRAMMY WINNER GEORGE WHITTY AND “AMABASSADOR OF SOUL” ELLIS HALL TO RELEASE ‘DIE LIVING’

When music legends George Whitty and Ellis Hall decided to turn their longtime mutual admiration society into an official partnership, they committed full throttle to recording their explosive contemporary twist on classic R&B and came up with a clever branding idea. 

Rather than simply calling themselves Whitty Hall, Hall added “Artistic Team” to create WHAT. Add in  a handful of exclamation points and WHAT!!!! was born.  As the full CD shaped up, with its probing commentary on the ups and downs of living today, the title In the World suggested itself as the accompaniment to the band’s name. 

When longtime fans of these two keyboard powerhouses and newcomers to the Whitty-Hall experience check out these eclectic ten tracks, their initial responses will truly be a rousing, “WHAT!!!! In the World?” 

Whitty says, “At first glance, there’s a little inside joke in there, but it also speaks to Ellis’ and my observations of the world we live in, pooling and sharing our various life experiences together.” Their pitch-perfect creative mission statement is “WHAT!!!! puts the fun in funk!” 

Once the multi-Grammy winning Whitty and long beloved “Ambassador of Soul” and former Tower of Power vocalist Hall had their name and title down, next up was picking the perfect lead single. The goal was an invitation to immerse in the freshness of the grooves, the dynamics of their array of keys (including Whitty’s Moog bass and drum programming and Hall’s Hammond B-3 organ) and the surreal magic of Hall’s multi-octave vocals. The obvious choice was “Die Living,” a simmering soul anthem whose thought-provoking title came spontaneously to Whitty one day and inspired a grooving,gospel-blues fired track spiked by what Whitty calls “a front porch kind of thing.” 

In addition to organ, Hall adds various flavors of guitar on the track. Partly inspired by a casual but witty response Willie Nelson once gave to an interviewer who asked if he would ever think of retiring, “Die Living” is a song about wringing every last drop of life we can out of our time here, and seeking wisdom from others on how to do that. It’s a plea encouraging us to literally die while living as fully as possible and feeling as optimistic in old age as we did in our youth. 

As Hall sings in the first chorus, “Cause I want to die living/Help me sail into the sun/And I want to die believing/Life has just begun!” The engaging, insightful verses are essentially conversations with a “brother” who has wisdom to impart, an “old man” who can help us “steer clear from the fruit of the poisonous tree” and, as Whitty’s two boys taught him, “how much we loved to laugh and play.” 

 As Hall sings in his inimitably powerful way in the bridge, the hope is to “play it loud and long/Finish clear and strong/Just the way I did when I was young…!” “The son is basically asking different people for advice on how to live our best lives,” says Whitty. “In the second verse, Ellis added some interesting lyrics to what I had written, which was a shout out to joyful little kids who can also teach older folks a thing or two about living. He is a great lyricist with a good feel for the right words that just sort of tumble out of him to meet the occasion perfectly.”   

WHAT!!!! and the In the World album have their roots in another of the album’s instant classics, “Hug Me,” an epic, six-minute power ballad/anthem Whitty and Hall recorded in 2023 as a tribute to the strength and resolve of the people of Ukraine in the face of Russia’s bloody invasion - a way for artists to help in any way they can. Featuring the ethereal vocals of the great Ukrainian singer Maryana Golovko, the track is a powerful re-imagining of Slava Varkachuk’s Ukranian hit "Obiymy (Embrace).” The compelling video for the song intercuts clips of the two playing their parts (and Hall singing) in different studios with footage of Golovko singing in an outdoor setting and stark color and black and white images of the war’s youngest victims, the children. The recording went live on the fundraising platform United 24 within minutes of submission and currently has thousands of views on YouTube.   

Whitty had been a fan of Hall’s since he “kicked my ass so hard” when he headlined as Tower of Power’s lead singer at a mid-80s performance at NYC’s The Bottom Line. Hall’s longtime project manager (and longtime “watcher”) Alec Berfield had been bugging the singer about meeting Whitty for years, and when Whitty, with Berfield’s prompting, sent him his initial tracks for “Hug Me,” he knew it was divine timing. “Listening to what George had put together, I heard an opportunity to add some nice vocal harmonies to the track,” says Hall. Whitty adds, “I wanted it to start out simple and stripped down and build into a powerhouse symphony kind of vibe. Once I had a bass line going, it opened up into a big, epic Peter Gabriel type of sound. Ellis took it from there and wrote great English lyrics to it which deal with the human emotion side of the conflict, not the politics.” 

With three of the 10 songs recorded live in January 2024 at Inner Sanctum Studios in Coos Bay, Oregon, In The World – executive produced by Berfield and David Ford - also includes the up-tempo blues/soul/funk barnburner “Own Up,” the emotional, mid-tempo pop/soul ballad “Miami” and “Why Should I Care,” a heartfelt, poignant ballad about human indifference that Hall wrote years ago when he simultaneously heard about the Jonestown, Guyana tragedy and a previous Palestinian-Israel conflict. Prior to this dynamic re-imagining, Hall had sung it at African American summits in South Africa and Zimbabwe and it was one of Nelson Mandela’s favorite songs.   

The new collection also features the beautiful, moody introspection “Some Days Were Meant for Rain,” which Hall originally recorded on TOP’s 1987 album Power (the only album the singer recorded with the band during his tenure from 1984-88). WHAT!!!! also recorded a fiery live-in-studio version of the Sam & Dave classic “I Thank You.” The band includes guitarist David Ford, bassist Armand Sabal-Lecco (famous for his tours with Paul Simon) and drummer Aaron Haggerty (Al McKay, Kool & The Gang, Gary Clark Jr., UB40). 

A little background: For the past three decades, George Whitty has been playing live with everyone from the Brecker Brothers, Herbie Hancock and the late David Sanborn to Chaka Khan, Richard Bona, Sadao Watanabe and many others. As a producer and session keyboardist, his credits include Santana’s blockbuster Supernatural (with Dave Matthews), Celine Dion’s Falling Into You and These Are Special Times, Hancock’s The Imagine Project and hundreds of others. He has won four Grammys for his work on Chaka Khan’s The Woman I Am, Randy Brecker’s 34th and Lex, Michael Brecker’s Tales Fromthe Hudson and the Brecker Bros.’ Out of the Loop. 

In addition to his years with Tower of Power, Ellis Hall – who has been sightless since age 18 - fronted the Ellis Hall Group in the 70s, has written over 4000 soul, gospel, blues and pop songs, performed with the likes of Stevie Wonder, James Taylor, Herbie Hancock, George Benson and Maurice White and recorded with John Klemmer, George Duke and Kenny G, among countless others. He has also written and performed on many film soundtracks including The Lion King 2, Shrek 2, Invincible and Bruce Almighty. He also sang a Louis Armstrong tune in the Steven Spielberg film Catch Me If You Can. 

Speaking of his musical chemistry with Whitty, Hall says, “We are true brothers from another mother! I keep telling George to get outta my head sucka!” Whitty adds, “We just clicked right away and made each other laugh. From the get-go, I knew it would be easy to work with him and a lot of fun as well. Every time I get tracks from Ellis, it feels like Christmas Day. I guess I was on the good list. I was on a plane coming home to LA from New York recently and received some tracks from him in flight. They were so great that I was sitting there in my seat at 2 a.m.just smiling and kind of exclaiming; I wonder what the other passengers thought I was doing.” Hall adds, “It’s just a joyous thing and my word for joyous is ‘chakalaka’!”     “Die Living” will proudly be released in October in association with Mike Dion and ITI Records, followed in January 2025 by the album In the World.

JESSE “JT JAZZ” THOMSPON JOINS FORCES WITH ADAM HAWLEY AND JUDAH SEALY TO RELEASE ‘CAPE TOWN COAST’

Jesse "JT Jazz" Thompson, multi-talented composer, pianist and keyboardist, born in "The Land Of Funk" (Dayton, Ohio) attributes his humble beginnings in music to being captivated by a family of musicians: a father who was a professional drummer, Thompson's mother--a church organist/pianist and his brother Marvyn Wheatley (who recorded and played with Parliament and Slave). Industry influences were soul/funk legends The Ohio Players, Lakeside, and Zapp featuring Roger Troutman. 

Driven to continue the legacy of great musicianship, Thompson became a member of the popular Columbus-based R&B/Jazz group NexLevel for several years. The collectives released two albums, a string of singles and shared stages with countless notable artists.

In 2021, the impact of the global pandemic deeply inspired Thompson to write and release the up-tempo, feel-good melody, "Weekend Groove," ft Althea Rene which catapulted the musician into solo-artist status. The well-received track has garnered close to 200K Spotify streams to date.

Thompson would go on to release a 7-song EP, in 2022, intriguingly titled The Inauguration of JT Jazz (Jesse Thompson-the man behind the keys) marking the commencement of a new pathway, and birthing several singles from the project.

With 2024 being a 'leap' year which some say is the year of inspiration, Thompson has resolutely followed his passion by keeping his legacy in music alive by teaming with heavyweight Producer/Guitarist Adam Hawley and collaborating with highly sought after Saxophonist Judah Sealy to create an alluring mid-tempo track entitled, "Late Nite," which dropped worldwide 4/1/2024.

On the cusp of higher heights in his musical career, Thompson continues his collaborative efforts with Producer Adam Hawley, penning writing contributions from previously featured Billboard Charting Saxophonist Judah Sealy. 

Embodied with an infectious rhythmic flow, Thompson's next mid-tempo muse is coming soon to a digital platform near you! "Cape Town Coast" is a melody that provides energy and passion as a gateway to an uplifting experience and movement with an African groove vibe. This highly anticipated release is certain to please! 

"Cape Town Coast" is going for adds Monday, August 19th--available worldwide, Friday, August 30, 2024.

SINGLE DESCRIPTION: 

"Cape Town Coast" is a song that provides energy and passion as a gateway to an uplifting experience and movement. Its syncopated rhythms and uplifting movement will surely get you in a dance mood that exemplifies an island coast energy with an African groove vibe. This song is surely to make you feel good.  

LINER NOTES: 

Produced and Mixed: Adam Hawley 

Mastered: Steve Hall 

Written: Jesse Thompson, Adam Hawley, and Judah Sealy 

Associate Producer: Judah Sealy 

Keys/Piano, Synths: Jesse Thompson 

Saxes: Donald Hayes 

Guitars, Keys, Programming, Key Bass: Adam Hawley 

Keys, Key-bass, Programming: Judah Sealy 

Drums: Eric Valentine

HUBERT EAVES IV – ‘MY GIRL’

MIKE BURTON – ‘FREMONT STREET’

DEE LUCAS FT. MICHAEL BROENING – ‘TWENTY’

JASON JACKSON FT. RICK BRAUN – ‘UPSIDE DOWN’

'IT'S OKAY TO DREAM’ ABOUT GRAMMY® NOMINATIONS FOR JAZZ KEYBOARDIST BOB BALDWIN

Both albums and two tracks from the projects that he released this summer are being considered for award nominations in four categories.    

NEW YORK, NY (19 SEPTEMBER 2024): In his 35th year as a recording artist, jazz keyboardist Bob Baldwin double-downed on himself. Instead of releasing one new 12-song album as he’s done every year of his unparalleled career, he released two collections: one straight-ahead jazz set and one contemporary jazz record. Both albums, “Songs My Father Would Dig” and “It’s Okay to Dream,” and two tracks culled from the projects, "Malema" and “Cape Town at Night,” are up for GRAMMY® consideration.

Baldwin is a seminal urban-jazz mixologist, a maverick who owns the rights to the majority of his prolific 37-album catalogue. The musician, producer, composer and arranger owns the City Sketches label, which is distributed by BFD/The Orchard. Baldwin has created music for and/or recorded with an array of GRAMMY® winners and nominees, including Bob James, Paul Brown, Gerald Albright, Grover Washington Jr., Darren Rahn, Regina Carter, Freddie Jackson, and The Four Tops. He received a GRAMMY® nomination for his work on R&B balladeer Will Downing’s “All The Man You Need” album but has not yet had any of his own records nominated despite consistently writing, producing and performing music at the highest-level year after year after year.

While Baldwin certainly does not make records with awards in mind, he would welcome the acknowledgement from his peers a GRAMMY® nomination would bring in recognition of the work he did on his two latest albums.

“I enjoy the process of making music, but also enjoy how others receive the music I produce. When I receive emails about people bringing my music into chemotherapy, or into military battle, that tells me that the music is cathartic and peaceful. The fact that I’ve earned a living the last thirty years doing something I genuinely enjoy and having traveled around the world is a blessing,” said Baldwin, a Mount Vernon, New York native who divides his time between Westchester, New York and Atlanta, Georgia.

For consideration as Best Instrumental Jazz Album, "Songs My Father Would Dig" is an intensely personal project for Baldwin inspired by the straight-ahead cool jazz music of the 1960s. He composed half the songbook for the album and reimagined tunes by John Coltrane, Miles Davis, Herbie Hancock, Stevie Wonder, and a song by his late cousin, Larry Willis, a pianist who was a member of the original Blood, Sweat & Tears band and played alongside Roy Hargrove, Jerry Gonzalez & The Fort Apache Band, and Hugh Masekela. Flanked by a jazz trio, Baldwin played a century-old acoustic Steinway piano on the album that pays tribute to his late father.

For consideration as Best Contemporary Instrumental Album, “It’s Okay to Dream” is comprised entirely of Baldwin songs served as a fusion of R&B, contemporary jazz, soul, funk, and dance music, some seasoned with authentic Latin and South African music. Baldwin says the music he wrote for the album is “a contemporary playlist of thoughts and dreams.”

Two tracks from “It’s Okay To Dream” will garner GRAMMY® consideration, both of which Baldwin wrote with Mozambique artist Jimmy Dludlu and were performed by Dludlu’s bandmembers. Included on the album in two parts, "Malema" is for consideration as Best African Music Performance while “Cape Town at Night" is being considered for Best Global Music Performance.

This fall, Baldwin’s “Complicit” from “It’s Okay To Dream” will drop as a single. It’s the latest cut from his repertoire that indulges his passion for Brazilian music.

“I created it through my jazz-funk-Brazilian lens. The track has a minimalist-type groove that’s carried by its distinct percussive rhythm and simple melody,” said Baldwin.

Baldwin, who cowrote eight of soul-jazz flautist Ragan Whiteside’s Billboard top 10 singles, is working on the second edition of his book, “You Better Ask Somebody! Staying On Top Of Your Career in the Friggin’ Music Business,” adding content to confront music streaming issues. He also produces and hosts the long-running nationally syndicated radio show NewUrbanJazz Radio.

See Baldwin in concert on the following dates (shows will be added, including a 2025 tour of Trinidad and Tobago):

October 25                      Tin Pan                                                          Richmond, VA

December 6                    St. James Lounge                                     Atlanta, GA

December 7 & 8             Chayz Lounge                                           Columbia, SC

For more information, visit https://www.bobbaldwin.com.

NA ZINDERENDE PREMIÈRE IS ‘GREASE’ WEER HELEMAAL THE WORD

!! Extra show op 3 oktober in Capitole Gent !!

Afgelopen zondag raasde de nieuw, frisse versie van de hitmusical 'Grease' als een gesmeerde bliksem door Stadsschouwburg Antwerpen. Het publiek ging uit z'n dak en beloonde de supersonische cast, met o.a. Tinne Oltmans (Sandy), Danny Dorland (Danny), Ruth Beeckmans (Miss Lynch) en Lauren De Ruyck (Rizzo), na afloop met een welverdiende, uitzinnige staande ovatie.

Ook Bekend Vlaanderen tekende massaal present op de zinderende première. Reacties van o.a. Clara Cleymans, James Cooke, Jo Hens, Steffie Mercie, Manou Kersting, Els De Schepper en Joren Dumont in onderstaand premièreverslag:

Wegens succes: extra show in Capitole Gent!

Wie zelf nog wil gaan genieten van dit heerlijk nostalgisch feelgood feestje vol humor, dans, liefde en aanstekelijke Nederlandstalige versies van onverwoestbare hitsingles als 'You're The One That I Want', 'Hopelessly Devoted', 'Greased Lightnin', 'Sandy' en 'We Go Together', kan wel best niet te lang meer aarzelen.

De tickets vliegen namelijk in die mate de deur uit dat er, na de eerder aangekondigde extra shows in Gent en Hasselt, nu nog een extra show ingepland wordt op donderdag 3 oktober om 20u00 in Capitole Gent. Verschillende shows in Gent en Hasselt zijn ook al volledig uitverkocht.

Producenten Albert Verlinde, JK Theater, Senf & partners en House of Entertainment zijn blij met het enthousiasme in Vlaanderen rond 'Grease' en trots dat er na eerdere bijboekingen, nog een extra show kan toegevoegd worden aan de speellijst.

'Grease' speelt nog tot en met 13 oktober 2024 in Antwerpen, Gent en Hasselt. Tickets & info: greasemusical.be .

Credits scènefoto's: Kenney Simons

AMERIKAANSE ZANGER & GITARIST TITO JACKSON (THE JACKSONS) OVERLEDEN

De Amerikaanse zanger en gitarist Tito Jackson, één van de broers van Michael Jackson, is gisteren op 70-jarige leeftijd overleden. Dat bevestigt de voormalige manager van de familie, Steve Manning. Toriano Adaryll ‘Tito’ Jackson was het derde kind van Joseph Jackson en Katherine Jackson. Tito’s muzikale loopbaan begon in 1963, toen hij tien jaar oud was. Zijn talent werd ontdekt toen hij op een dag op de gitaar van zijn vader zat te spelen en door hem betrapt werd. Op initiatief van zijn vader vormde Tito, samen met zijn twee broers Jackie en Jermaine, in 1964 een groep: The Jackson Brothers. Niet lang daarna breidde het trio uit met Michael en Marlon en ontstond The Jackson 5. Tito's rol in de groep was vooral die van gitarist en achtergrondzanger, al werden de gitaarpartijen tijdens studio-opnames aanvankelijk ingespeeld door sessiemuzikanten. The Jackson 5 werd in 1969 wereldberoemd en scoorde vier Amerikaanse nummer 1-hits op rij: ‘I Want You Back’, ‘ABC’, ‘The Love You Save’ en ‘I’ll Be There’. Daarnaast haalden de singles ‘Mama’s Pearl’ en ‘Never Can Say Goodbye’ de tweede plaats van de Billboard Hot 100. Vanaf 1976 gingen de broertjes Jackson verder onder de naam The Jacksons. Tito nam voortaan alle gitaarpartijen zelf op en begon ook vaker mee te schrijven aan muziek en teksten. Ook The Jacksons scoorden hit na hit: ‘Enjoy Yourself’, ‘Shake Your Body Down To The Ground’, ‘Show You The Way To Go’, ‘Blame It On The Boogie’, ‘Lovely One’ en ‘State Of Shock’. Hoewel Tito Jackson gedurende zijn loopbaan vooral op de achtergrond actief was, begon hij in 2003 met het maken van solomuziek. Hij vond zichzelf opnieuw uit als bluesmuzikant en begon ook live op te treden met zijn band The Funk Brothers. In 2016, na meer dan vijftig werkzame jaren in de showbusiness, scoorde Jackson zijn eerste solohit in de Verenigde Staten met de single ‘Get It Baby; een samenwerking met rapper Big Daddy Kan. Na zijn broers Jackie, Jermaine, Marlon, Michael en Randy en zussen Rebbie, La Toya en Janet werd hij daarmee de laatste van de familieleden van de eerste generatie Jacksons die een solohit scoorde in de Amerikaanse Billboard Hot 100. ‘Get It Baby’ was afkomstig van zijn solo-debuutalbum ‘Tito Time’, dat in december 2016 werd uitgebracht in Japan en in 2017 een wereldwijde release kende. In 2021 volgde nog zijn album 'Under Your Spell’. Tito Jackson laat drie kinderen na, Taj, Taryll en TJ, en negen kleinkinderen. Hij ruste in vrede!

Met dank aan Leo Weijers.

WALTER BAELE, LIV VAN AELST, MAJA VAN HONSTÉ, STEVEN COLOMBEEN EN LINE ELLEGIERS IN HOOFDCAST ‘DOORNROOSJE’

Liv Van Aelst / Walter Baele / Maja Van Honsté / Steven Colombeen  /  Line Ellegiers

Koningskoppel Walter Baele en Liv Van Aelst, olijk duo Maja Van Honsté en Steven Colombeen, en feeërieke Line Ellegiers naast 'Doornroosje' Lotte De Clerck in sprookjesmusical.

Vanaf 12 april 2025 presenteert Deep Bridge een volledig nieuwe versie van de geliefde sprookjesmusical 'Doornroosje' in opeenvolgend Capitole Gent en Trixxo Theater Hasselt. Met Lotte De Clerck werd het gedroomde Doornroosje reeds gevonden en nu krijgt ook de rest van de zinnenprikkelende hoofdcast vorm.

Nadat ze eerder al royaal schitterden als koning en koningin in 'Doornroosje' anno 2018 en 'Rapunzel' in 2023, wordt het geliefde koningskoppel Walter Baele en Liv Van Aelst in deze nieuwe versie van 'Doornroosje' herenigd. Ook voor Maja Van Honsté en Steven Colombeen, die het hilarische duo Cherry & Jerry vormden in 'Charlie and the Chocolate Factory', wordt het een ongetwijfeld vrolijk weerzien. Maja kan haar onnavolgbare duivels ontbinden als slechte fee en mag/moet daarvoor rekenen op Steven als hulpje. Waar een slechte fee is, moet uiteraard ook een goede fee zijn. Die rol is net als in de vorige versie van 'Doornroosje' weggelegd voor Line Ellegiers.

"Super leuk dat ik opnieuw Steven aan mijn zijde krijg", zo zegt Maja Van Honsté. "En dan nog als mijn hulpje, dat wordt zweten voor hem!" (lacht). "We hebben ons zo geamuseerd als Cherry & Jerry in 'Charlie and the Chocolate Factory' en hebben een ongelofelijke klik zowel op als naast het podium. Dat merk je als we samen spelen, we voeden en versterken elkaar, niet in het minst in humor en gekkigheid.

Ook de rest van de cast zijn stuk voor stuk toppers. Ik kan het publiek één ding garanderen: bij deze versie van 'Doornroosje' zal je zeker niet in een honderdjarige slaap vallen!", besluit Maja Van Honsté met een kamerbrede glimlach.

Wie Doornroosje wakker mag kussen, blijft voorlopig wel nog even geheim.

Generatie na generatie blijft 'Doornroosje' één van de meest tot de verbeelding sprekende sprookjes. Gelaagde humor, leuke liedjes, prachtige kostuums en kleurrijke decors, het creatieve team van Deep Bridge zorgt steeds voor een totaalbeleving voor jong en oud, en dat zal in deze 'Doornroosje' niet anders zijn.

Vanaf 12 april 2025 kan je gaan genieten van deze gloednieuwe sprookjesmusical in Gent en Hasselt. 

'Doornroosje' speelt op zaterdag 12 en zondag 13 april 2025 in Capitole Gent en op zaterdag 19 april in Trixxo Theater Hasselt. De Antwerpse data en locatie worden binnenkort bekendgemaakt. In het najaar van 2025 gaat de voorstelling op tournee.

Tickets & info: deepbridge.be

!! RANG-UPGRADE !!
Boek tot 20 september 2024 je tickets en krijg een gratis rang-upgrade cadeau.
Voor Golden Seat betaal je de prijs van Categorie 1, voor Categorie 1 betaal je de prijs van Categorie 2, enzovoort.

ERIC KNIGHT – ‘SENSITIVITY’

“Sensitivity”, a modern Smooth Jazz interpretation of Ralph Tresvant’s 90's R&B smash hit, is the next radio single to drop from Eric Knight’s debut album, Cover 2 Cover -Vol.1.

From the conception of this album, "Sensitivity" was one of the first songs Eric & Wolf made a commitment to perform. They both grew up listening to it and have never stopped loving it! It’s a perfect mixture of funky and feel-good vibes that will have you hooked from the very first beat.

Soaring on top of this classic new jack swing groove are Eric Knight's silky smooth and unforgettable sax melodies, transporting you to a whole new realm of musical bliss. With each note, he proves that he's a true virtuoso, leaving a craving for more & more!

SOUL SINGER FRANKIE BEVERLY (MAZE) DIED

R&B singer Frankie Beverly, the founder of the funk and soul band Maze, has died at the age of 77.

The family of the musician, whose birth name was Howard Stanley Beverly, shared the news in an Instagram post the day after his death.

“He lived his life with pure soul as one would say, and for us, no one did it better. He lived for his music, family and friends,” the Beverly family shared in a Sept. 11 message. “Grieving the loss of a loved one is a deeply personal and emotional experience. During this time, as we are navigating feelings of sorrow, reflection, and remembrance we kindly ask for privacy and understanding, allowing us the space to grieve in our own way.”

Noting that they want to “honor the memory of our beloved Howard Stanley Beverly,” the family asked that fans, “Love one another as he would want that for us all.”

Beverly formed the hit group Maze, originally called Raw Soul, in 1970. The group, who helmed top hits including their single “Joy and Pain” and the classic song “Before I Let Go” later became an opening act for soul legend Marvin Gaye.

The band released a total of nine certified Gold albums and received a loyal following.

In 2019, Beyonce sampled Maze’s “Before I Let Go” as a cover bonus track on her album Homecoming: The Live Album, which was recorded at her historic 2018 Coachella appearance.

At the time, Beverly gushed over the Grammy winner’s cover, telling Billboard, “She’s done so much, this is one of the high points of my life.”

Calling Beyonce a “great friend of mine,” Beverly shared that he was “blown away” by the chart-topper’s rendition, saying at the time, “I’m caught off guard, but in a beautiful way.”

In recent weeks, the artist announced his plans for retirement from music, introducing singer Tony Lindsay as the new frontman for Maze.

GLENNIS GRACE KOMT MET FENOMENALE WHITNEY HOUSTON-TRIBUTE NAAR HASSELT

Nadat de Nederlandse nachtegaal Glennis Grace eerder al aankondigde op zaterdag 8 maart 2025 met haar onder superlatieven bedolven Whitney Houston-tribute terug te keren naar Antwerpen (Stadsschouwburg), mag ook Limburg zich vanaf nu opmaken voor een avondje ‘WHITNEY, a tribute by Glennis Grace’. Op vrijdag 30 mei 2025 strijkt de ‘America’s Got Talent’-finaliste (2018) met dit unieke muzikale eerbetoon neer in Trixxo Theater Hasselt en neemt het publiek daar mee naar vervlogen tijden. Glennis wisselt in deze fenomenale show swingende uptempo hits als ‘How Will I Know’, ‘I'm Every Woman’, 'Queen Of The Night' en ‘I Wanna Dance With Somebody’ op verbluffende wijze af met gevoelige ballads als ‘Run To You’, ‘One Moment In Time’, 'Greatest Love Of All', ‘Where Do Broken Hearts Go’ en uiteraard het onsterfelijke 'I Will Always Love You'.

Tickets voor ‘WHITNEY, a tribute by Glennis Grace’ op zaterdag 8 maart 2025 in Stadsschouwburg Antwerpen en vrijdag 30 mei 2025 in Trixxo Theater Hasselt, zijn nu verkrijgbaar via ticketkopen.eu .

Bekijk Glennis Grace - 'Run To You' @ America's Got Talent 2018

“Whitney Houston heeft een ongekend aantal hits op haar naam staan. Ik wil mensen heel graag meenemen naar vervlogen tijden door haar klassiekers opnieuw te zingen. Er zitten echt zoveel pareltjes tussen die nog een keer gehoord mogen worden.” 
- Glennis Grace –

In 2018 maakte de wereld dankzij ‘America’s Got Talent’ kennis met de grenzeloze zangcapaciteiten van de Nederlandse Glennis Grace. Ze blies er de jury, het publiek en de miljoenen tv-kijkers een eerste keer omver met haar indrukwekkende versie van de Whitney-classic ‘Run To You’. De toon was meteen letterlijk gezet en de ravissante Nederlandse stoomde helemaal door tot in de finale. 

Geruggesteund door deze indrukwekkende prestatie en de lovende commentaren, concerteerde Glennis in oktober 2018 voor het eerst met haar muzikale eerbetoon ‘WHITNEY, a tribute by Glennis Grace’ in een uitverkochte AFAS Live in Amsterdam. Uit de enthousiaste reacties van het publiek en de lovende recensies na afloop, bleek eens te meer dat de muziek van Whitney Houston de mensen nog altijd in vervoering brengt en Glennis Grace werd door pers en publiek geroemd om haar stemgeluid en bezieling.

Door de aanhoudende vraag uit binnen- en buitenland, bracht Glennis Grace de show in 2019 o.a. ook nog in Ahoy Rotterdam en een eveneens uitverkochte Lotto Arena in Antwerpen. Vorig jaar stond de Nederlandse nachtegaal eindelijk terug in ons land met dit fenomenale eerbetoon aan de legendarische Whitney Houston en speelde zowel Play Zuid Antwerpen als Kursaal Oostende helemaal plat.

Op zaterdag 8 maart en vrijdag 30 mei 2025 neemt Glennis het publiek in Stadsschouwburg Antwerpen en Trixxo Theater Hasselt mee naar vervlogen tijden en wisselt swingende uptempo hits als ‘How Will I Know’, ‘I'm Every Woman’, 'Queen Of The Night' en ‘I Wanna Dance With Somebody’ af met gevoelige ballads als ‘Run To You’, ‘One Moment In Time’, ‘When You Believe’, 'Greatest Love Of All' en uiteraard het onsterfelijke 'I Will Always Love You'.

Tickets voor ‘WHITNEY, a tribute by Glennis Grace’ op zaterdag 8 maart 2025 in Stadsschouwburg Antwerpen en vrijdag 30 mei 2025 in Trixxo Theater Hasselt zijn nu verkrijgbaar via ticketkopen.eu

FRANS-ITALIAANSE ZANGERES CATERINA VALENTE OVERLEDEN

De Frans-Italiaanse zangeres Caterina Valente is op 9 september op 93-jarige leeftijd overleden. Met haar veelzijdige stem werd Caterina ook wel de ‘Europese Barbara Streisand’ genoemd. Caterina Germaine Maria Valente werd geboren in Parijs als dochter van de accordeonist Giuseppe Valente en de muzikale clown Maria Valente. In 1952 trouwde Caterina met jongleur Erik von Aro, die haar manager werd. Ze begon als zangeres en danseres bij het circus Grock en maakte in 1953 haar eerste platenopnamen als zangeres van het orkest Kurt Edelhagen op het platenmerk Polydor. Haar eerste grote hit had Caterina in 1954 met het nummer ‘Ganz Paris Träumt Von Der Liebe’, de Duitse vertaling van ‘I Love Paris’ van Cole Porter. ‘Malaguena’ dateerde uit datzelfde jaar. Caterina werd tussen 1954 en 1962 de bekendste schlagerzangeres. Ze was in de jaren vijftig en beginjaren zestig enorm populair in met name Duitsland, Nederland en België en scoorde grote hits met de singles ‘The Breeze And I’, ‘Tipitipitipso’, ‘Spiel Noch Einmal Für Mich, Habanero’, ‘Tschau Tsau Bambina’, ‘Sweetheart, My Darling, Mijn Schat’, ‘Seemann’, ‘Itsy Bitsy Teenie Weenie Honolulu Strand Bikini’, ‘Ein Schiff Wird Kommen’, ‘Pepe’ en ‘Sucu Sucu’. Tot 1963 scoorde Caterina in de Lage Landen bijna onafgebroken hits met al dan niet originele Nederlands- en Duitstalige nummers. De zangeres maakte haar debuut in de Verenigde Staten, waar haar show ‘Bonsoir Kathrin’ werd uitgezonden op de televisie. Daarnaast stond ze een maand lang in het beroemde Parijse theater L'Olympia. In Oostenrijk, Duitsland en Zwitserland was ze op televisie te zien met haar eigen ‘Caterina Valente Show’. Valente speelde ook in films. Ze debuteerde in ‘Mannequins For Rio’, gevolgd door hoofdrollen in films als ‘Liebe Tanz Und 1000 Schlager’ (met Peter Alexander) en ‘Casino De Paris’ (met Vittorio de Sica en Gilbert Bécaud). Toen haar Europese succes eind jaren zestig afnam, verlegde Caterina haar werkterrein meer naar Amerika. Daar trad ze op met grote sterren als Doris Day, Bing Crosby, Louis Armstrong, Ella Fitgerald en het orkest van Count Basie. Haar repertoire werd daardoor een stuk jazzier. Haar huwelijk met Van Aro strandde in 1971 en ze hertrouwde met de Britse pianist Roy Budd, met wie ze een tweede zoon kreeg. Het huwelijk hield niet lang stand en na haar scheiding maakte ze uitgebreide tournees door Amerika, Rusland, Oostenrijk, Zwitserland en Oost- en West-Duitsland. In 1996 gaf Caterina in Leipzig haar afscheidsconcert. Sindsdien leefde ze teruggetrokken in haar villa in Zwitserland aan het meer van Lugano. Caterina Valente ruste in vrede!

Met dank aan Leo Weijers.

NEW SINGLE ‘50/50’ FROM SPYRO GYRA

Legendary Jazz super group Spyro Gyra bandleader Jay Beckenstein grew up in Brooklyn listening to the music of Louis Armstrong, Charlie Parker, Sonny Rollins and Dizzy Gillespie./In 2024 Beckenstein and Spyro Gyra observe the 50th anniversary of what started as a diversion, something that was just for fun. It began inauspiciously when Beckenstein and a few musician friends in Buffalo NY organized a get together on their shared night off. Fast forward 50 years and the band has released over 30 albums, garnering Gold and Platinum along the way. They’ve played over 10,000 concerts on six continents. Spyro Gyra has maintained its standards of excellence that has sustained them on the “A list” of live attractions in Jazz for 50 years.

Milestone celebrations like a 50th Anniversary deserve a little sonic souvenir swag, which longtime loyal fans and newcomers to the Spyro Gyra experience alike can enjoy on the band's new album, Jubilee (Amherst Records). The vibrant, high-octane (and perfectly titled) new radio single is “50/50”– a riff on the title of the band’s 1997 release 20/20, which marked 20 years and 20 albums.

Every year, Spryo Gyra continues to exhibit how to remain among a relative handful of artists who will be able to say that they have worked constantly in their 50 year career in the year 2024. Their energy and joy in concert match their unmatched musicality.

See upcoming tour dates HERE

BELLE PEREZ TRAKTEERT OP PAELLA EN KONDIGT GASTARTIESTEN JEROEN VAN DER BOOM EN NATALIA AAN VOOR HAAR ’25 JAAR HITS’ – CONCERT IN DE LOTTO ARENA

In de Lotto Suites van de Antwerpse Lotto Arena, de concerttempel waar ze op vrijdagavond 8 november 2024 met een uniek ’25 jaar hits’ jubileumconcert haar succesvolle carrière viert, kondigde Belle Perez gisteren gastartiesten Jeroen Van der Boom en Natalia aan. Met de lepel in de hand, achter een immense paellapan, trakteerde Belle de aanwezigen op een heerlijk verse paella. “Het is één van de dingen die ze in mijn familie goed kunnen maken”, zegt de Spaans-Belgische met een brede glimlach. “Vers gemaakt, met de juiste verhoudingen en ingrediënten is dit één van de lekkerste gerechten die er bestaan. Ik deel hem graag met de mensen die mij vandaag omringen en die mee kleur gaven aan mijn zomer. Naast de onvergetelijke optredens, solo en met mijn liveband, werd er overal meegezonden met ‘Bailale’, het nummer waarvoor ik samenwerkte met Miguel Wiels. Het was de eerste keer, maar zeker niet de laatste”, zegt Belle lachend.

Belle staat al jaren bekend om haar opzwepende latino pop, een genre waarmee ze in binnen- en buitenland al veel succes scoorde. Dankzij haar warme stem, energieke podiumprésence en aanstekelijke charisma groeide ze uit tot een relevant icoon. Op vrijdag 8 november 2024 trekt ze in de Antwerpse Lotto Arena nog eens alle registers open voor een muzikale reis door haar 25-jarige carrière. Van ‘Hello World’, ‘Enamorade’, ‘El Mundo Bailando’ en ‘Que Viva La Vida’, tot nog een rist nummers die jong en oud kunnen meezingen. De onbetwistbare ‘koningin van Zomerhit’, goed voor 5 overwinningen op rij, gaat all-in voor een onvergetelijk muzikaal verjaardagsfeest.

Jeroen Van der Boom

Aan de zijde van de populaire Nederlandse Topper, zanger en presentator Jeroen Van der Boom, bekend van o.a. ‘Jij Bent Zo’ en ‘Eén Wereld’, scoorde Belle afgelopen voorjaar nog een hit met de Nederlands-Spaanstalige single ‘Jij & Ik’. “Jeroen ken ik al jaren, dus ik was blij dat hij toehapte voor een duet dat we dus op 8 november ook voor het eerst live gaan brengen in de Antwerpse Lotto Arena. Jeroen is een vakman die altijd ‘aan’ staat, met veel energie en enthousiasme. Dat ga je voelen als hij op het podium van mijn jubileumconcert staat”, zegt Belle glimlachend.

Natalia

Naast Jeroen Van der Boom en nog enkele gastartiesten die als verrassing langslopen, is het ook uitkijken naar de doortocht van Natalia. “Als we elkaar tegenkomen is het altijd warm en hartelijk. Wij vrouwen onder elkaar hebben een goeie match (lacht). Leuk dat we onze vriendschap een muzikaal verlengstuk geven in de Lotto Arena en heel fijn dat Natalia nog een plekje vrij kon maken in haar drukke agenda. Samen met haar en Jeroen (Van der Boom) deel ik het podium. Als je benieuwd bent, moet je zeker komen kijken”, sluit Belle mysterieus af.

Collega's verrassen Belle!

Als kers op de paella-taart kreeg Belle een bijzondere verrassing in de vorm van een leuk filmpje te zien. Naast de gastartiesten die opduiken op het einde, ook heel liefdevolle felicitaties van collega’s, zoals o.a. superfan Laura Tesoro, Zomerhit-winnaar Maksim, Aaron Blommaert, Metejoor, K3, Gene Thomas, Bart Kaëll, 2Fabiola, Laura Lynn, Guy Swinnen… . Dit geeft duidelijk aan hoe geliefd Belle is bij haar collega’s en hoe ze niet enkel muziekgenres, maar ook generaties overstijgt.

Tickets voor ’25 Jaar hits’, het enige en unieke jubileumconcert van Belle Perez dat op vrijdag 8 november 2024 plaatsvindt in de Lotto Arena, bestel je op www.ticketkopen.eu

DAVE KOZ & ADAM HAWLEY – ‘AUTOMATIC’

JONGEREN BRENGEN VERHAAL VAN AMERIKAANSE SCHOOL SHOOTINGS IN NIEUWE MUSICAL 'VRIJDAG.'

2 volwaardige jongerencasts (52 jongeren) - 1 Vera Mann

Vanaf 1 november 2024 - Zuiderpershuis Antwerpen

Als je wist wat er die dag zou gebeuren, zou je dan teruggaan?

The Singing Factory verwierf de voorbije jaren naam en faam met hun musicals, gebracht door overwegend jongeren, rond niet-alledaagse, maatschappelijk relevante thema's. Na o.a. 'Magdalena' (misbruik in de katholieke kerk), 'June Foster' (pleegouderschap) en 'If I Fall' (gevaren social media voor jongeren), brengt The Singing Factory vanaf vrijdag 1 november 2024 met VRIJDAG. een gloednieuwe, pakkende musical over het helaas brandend actuele thema van de Amerikaanse school shootings op de planken in Zuiderpershuis Antwerpen.

Het verhaal
Vrijdagochtend, 2 juni. Het lijkt een doordeweekse schooldag, tot het ondenkbare gebeurt. Een schutter komt de school binnen en opent het vuur. Zesentwintig leerlingen zitten opgesloten in hun klaslokaal, niet wetend hoe lang ze daar zullen moeten blijven, of ze nog wel buiten zullen geraken...

Het onderwerp wordt behandeld met het grootste respect en brengt een noodzakelijk verhaal van vriendschap, verlies, maar ook hoop, in de schaduw van een ondenkbare tragedie.

Maar liefst 52 jongeren tussen 12 en 18 jaar, verdeeld over 2 volwaardige casts die afwisselend telkens de klas van 26 leerlingen spelen, storten zich vol overgave in dit opmerkelijke avontuur. Hierbij kunnen ze niet enkel achter de schermen rekenen op de nodige omkadering, ook op het podium krijgen ze, zelfs letterlijk in deze, les van een doorwinterde professional.

Vera Mann wordt lerares Frances

Niemand minder dan de Vlaamse zangeres, actrice en levende musicallegende Vera Mann zal als lerares Frances de jongeren in VRIJDAG. bijstaan met al haar ervaring, kennis en kunde. Vera Mann is vooral bekend door hoofdrollen in grote musicals als 'My Fair Lady', 'Mamma Mia!' en 'Sweeney Todd'. Ze won meerdere awards in zowel Vlaanderen als Nederland en bracht als zangeres bekroonde hommages aan iconen als Jacques Brel en Frank Sinatra. Ook op het kleine scherm schitterde ze in meerdere series, zoals 'Baantjer' en 'Spring'.

Hoofdcast Groen + Blauw

Hoofdrollen zijn er verder voor Sebe Buermans (17, Herenthout) en Lucas Geldof (18, Oostkamp) als Quin. Helena De Reu (15, Kruibeke) en Chaya Van Mol (17, Beersel) kruipen in de huid van Robin. Kasper Vervoort (17, Lier) en Jasper Cardinaels (17, Peer) spelen de rol van Abel. Olivia wordt vertolkt door Zuri Bukuru (16, Lokeren) en Laure De Boeck (17, Opwijk). Laura Schaeken (14, Geel) en Desere Hammond (16, Melsele) mogen zich uitleven als Alexis. Mac Di Bono (14, Lier/Schoten) en Josse Van Rijckeghem uit Merelbeke, die met zijn 13 jaar de benjamin van de hoofdcast is, wisten de rol van Tobias te strikken. Scout Di Bono (15, Lier/Schoten), samen in de groene hoofdcast met broer Mac, mag afwisselend met de 16-jarige Senne Vanwildemeersch uit Dendermonde gestalte geven aan Seb. De rol van Maya is last but not least weggelegd voor de Nederlandse Maartje Vaarhorst (15, Borculo) en de 16-jarige Rosanne Poltrock uit Schaarbeek.

HOOFDCAST GROEN

HOOFDCAST BLAUW

We stellen je ook graag de rest van de casts voor:

Provincie Antwerpen
Cast groen:  Alexander Dielen (13, Berendrecht), Bo Elisabeth (17, Mechelen), Ezra Van Boekel (15, Borgerhout), Lio De Block (17, Wilrijk), Louis Maes (12, Kontich), Nore Vanwetswinkel (17, Mortsel), Marieke Van Waes (15, Edegem), Lore Noukens (14, Beerse), 
Cast blauw: Jasmijn van der Elst (15, Wilrijk), Lize Laekeman (14, Kontich), Marilou Dierickx (15, Mortsel), Merel Carracillo (17, Puurs-Sint-Amands), Molly Baeken (13, Antwerpen), Karolina Skarzynska (17, Merksem), Aurelia-Luna Vittiglio (17, Hemiksem), Dexter Van der Vieren (14, Wechelderzande), Ella Anthoni (17, Olen), Fee Hannes (16, Olen), Enno Bové (14, Heffen), Kiran Vanhees (17, Kalmthout)

Limburg
Cast groen: Laurien Onclin (15, Riemst)
Cast blauw: Resa Vaesen (15, Hamont), Xander Creemers (14, Peer)

Oost-Vlaanderen
Cast groen: Yuna Devroe (14, Baasrode), Gabrielle Weyn (16, Temse), Talitha Muyldermans (16, Zele), , Levi Van Overtveldt (17, Beveren-Waas), Lobke Vandendriessche (15, Moerbeke-Waas), Noah Jolie (16, Scheldewindeke), Ruben Eskens (14, Gentbrugge)
Cast blauw: Sander Taleman (14, Kerksken), 

West-Vlaanderen
Cast blauw: Louis Geldof (16, Oostkamp), Nimay Verlinde (18, Zillebeke), Nooni Merchiers (14, Bredene)

Vlaams-Brabant
Cast groen: Leen Vandewaetere (17, Boortmeerbeek)

Nederland
Cast groen: Dusty Heijnen (17, Breda)

VRIJDAG. speelt vanaf vrijdag 1 november tot en met zondag 17 november 2024 in het Zuiderpershuis in Antwerpen.

Tickets en info: singingfactory.be 

Trigger warning: in deze voorstelling wordt gebruikgemaakt van geweerschoten.
Onder 12 jaar met begeleiding

Muziek: Helmer Kant
Tekst & regie: Wanne Synnave
Arrangementen: Peter Favier
Staging: Gregory Langen
Dirigent: Robin Boel

Producent: Diederik Van Durme
Koorleiding: Tinne De Groot & Ronny Plovie
Regie-assistentie: An Wuyts en Sin Jonkers

R&B/JAZZ SAXOPHONIST NICK STONE IS ‘STANDING STRONG’ IN THE FACE OF ADVERSITY

The inspiring debut single that he wrote with Grammy nominated producer Nate Harasim honors his wife’s courageous battle with breast cancer.

DETROIT, MI (10 SEPTEMBER 2024): Last October, during Breast Cancer Awareness Month, R&B/jazz saxophonist Nick Stone’s wife, Jill, was diagnosed with breast cancer. As she fearlessly embarked on the journey to healing by undergoing extensive treatments that are still ongoing, Stone stood by her side in awe of her endless positivity and undaunted outlook. Her towering courage inspired Stone’s debut single, “Standing Strong,” which he wrote with Grammy nominated producer Nate Harasim (Dave Koz, Darren Rahn, Nils). The Sax-Ed Records release is out now and is presently collecting playlist adds. 

“Standing Strong” is an optimistic and energizing tune powered by Stone’s impassioned alto  sax leads. The invigorating melodies and high-tempo groove constructed by Harasim (piano, Rhodes, synths, guitar, and programmed drums and bass) is bolstered by Jimmy Smith’s trumpet. 29-time Billboard chart topper Darren Rahn mixed the track.   

When the couple received the cancer diagnosis, Jill took the news in stride, determined to fight the disease valiantly while Stone turned to music as an outlet to express his feelings. He entered the studio with Harasim to craft a song that was purposely positive.   

“Nate (Harasim) and I talked about it a lot and when we were approaching what we wanted to do with the song, I kept saying how amazing it was to me how nothing really ever phases Jill, that she just ‘stands strong’ in the face of adversity. That's how the song came to be. It's how the melody, bridge, chorus, and how everything was built,” said the Detroit-based Stone who premieres as a solo artist and has a long history of playing and touring with R&B/pop superstars Ne-Yo and Charlie Wilson.

Stone’s fervent pursuit of Harasim as producer and collaborator is another storyline. After earning a Grammy nomination for his work on Dave Koz’s “Hello Tomorrow” album and collecting multiple Billboard No. 1 singles, Harasim retired from music. Stone persistently and tenaciously approached Harasim over a five-year span, attempting to lure him back into the game, but the producer-songwriter-multi-instrumentalist declined. However, after doing a deep dive into Stone’s work and seeing the saxophonist’s soulful artistic expression and unique musical voice, he agreed. Harasim is producing Stone’s debut album, which is expected to drop early next year. 

As the one-year anniversary of Jill’s diagnosis approaches, Stone is hopeful for her return to full health after watching her endure taxing cancer treatments.

“She's now in her final phases of treatment and is about to leave the cancer behind: ‘Standing Strong.’”

For more information, visit https://www.nickstonesax.com.  

BRAZILIAANSE ZANGER & MUZIKANT SÉRGIO MENDES OVERLEDEN

De Braziliaanse zanger en muzikant Sérgio Mendes is woensdag op 83-jarige leeftijd overleden in Los Angeles. De artiest werd in de jaren zestig wereldberoemd met de band Brasil ’66 en hun hit ‘Mas Que Nada’. Mendes debuteerde in 1961 met het album ‘Dance Moderno’, maar hij verwierf pas faam nadat hij samen ging werken met jazzmuzikanten als Cannonball Adderly en Herbie Mann. Het maakte hem de onbetwiste meester van de bossanova: een jazzy variant van de traditionele samba muziekstijl. Met ‘Mas Que Nada’ gaf hij in 1966 zijn visitekaartje af. Mendes wist in 1967 dat wereldwijde succes te evenaren met een cover van de Burt Bacharach song ‘The Look Of Love’. Zijn jazzy versie werd een grotere hit dan het origineel. gezongen door Dusty Springfield voor de James Bond-film ‘Casino Royale’. Het was de start van een loopbaan die meer dan zestig jaar duurde. In die tijd nam hij meer dan 35 albums op, won hij 3 Grammy’s en kreeg hij in 2011 een Oscarnominatie voor de soundtrack van de film ‘Real In Rio’. Andere bekende nummers van Mendes zijn ‘Scarborough Fair’, ‘Love Me Tomorrow’ en ‘Never Gonna Let You Go’ (met Joe Pizzulo en Leza Miller). Zijn eerder hit ‘Mas Que Nada’ kende in 2006 een enorme revival, toen Mendes het liedje opnieuw opnam met de Amerikaanse hip hop groep The Black Eyed Peas. Mendes trad tot november vorig jaar nog op. Zijn laatste wapenfeit was een West-Europese tournee met shows in Parijs, Londen en Barcelona. In een eerste reactie laat zijn muzikale collega Herb Alpert weten dat Mendes vredig en rustig is gestorven. “Hij was een ware vriend en een begaafd muzikant die de wereld liet kennis maken met Braziliaanse muziek in al z’n diversiteit.” Mendes was maar liefst 54 jaar getrouwd met zijn vrouw Gracinha Leporace. Zij was samen met hun zoons Gustavo en Tiago bij Sergio toen hij overleed. Sergio Mendes ruste in vrede!

Met dank aan Leo Weijers.

DEEP BRIDGE PAKT UIT MET STRAFFE KORTINGEN OP STRAFFE MUSICALS TIJDENS MUSICAL WEEK

Van 6 tot en met 13 september 2024

Breaking news: 'HAIRSPRAY' KOMT TERUG!!!

Het nieuwe theaterseizoen is gestart en bij Deep Bridge wordt er meteen zwaar uitgepakt. Tijdens de Musical Week krijg je van 6 tot en met 13 september straffe kortingen op straffe musicals. Deep Bridge wil z'n voorstellingen zo toegankelijk mogelijk maken en moedigt theaterbezoek met vrienden en in familie- of gezinsverband heel erg aan. Daarom krijg je tijdens Musical Week de kans je tickets voor Deep Bridge-producties aan de meest voordelige tarieven - met tot 50% korting - te kopen. Voor het volledige aanbod, check deepbridge.be

Musical Week wordt bovendien afgetrapt met breaking news, een echte knaller van formaat, want....

'HAIRSPRAY' KOMT TERUG!!
1 + 1 gratis tijdens Musical Week

Wegens het enorme succes afgelopen seizoen en de wanhopige smeekbeden van het publiek, komt de ultieme feelgood musical 'Hairspray' in de zomer van 2025 terug naar Stadsschouwburg Antwerpen. Swing mee hits als 'You Can't Stop The Beat' en 'Welcome To The Sixties' en beleef een onvergetelijke tijd bij 'Hairspray'. Revelatie Jozefien Grossen en multitalent Jérémie Vrielynck hernemen hun bejubelde rollen als Tracy Turnblad en Link Larkin. De rest van de cast wordt later bekendgemaakt. 

Deep Bridge tekent al enkele jaren voor een grote familiemusical tijdens de eindejaarsperiode, van ‘Charlie and the Chocolate Factory’ tot ‘A Christmas Carol’. Die traditie wordt verdergezet in 2024 met een volledig eigen versie van het tijdloze verhaal van 'Peter Pan'.

Vlieg mee met Peter Pan naar Neverland! Van het magische elfenstof tot opwindende avonturen vol zwaardgevechten, in het magische universum van Peter Pan is alles mogelijk! Prachtige muziek, kleurrijke kostuums en adembenemende decors maken van deze voorstelling een onvergetelijke ervaring. Met o.a. Lotte De Clerck (#LikeMe), Nordin De Moor (Charlie and the Chocolate Factory), Sophie Janssens (Nachtwacht) en Lotte Stevens (Mega Mindy).

'Pretty Woman - De Musical'
30% korting - tickets vanaf €22,40 ipv €32

Exact 35 jaar na de release van de iconische film brengt Deep Bridge vanaf 23 maart 2025 ‘Pretty Woman – De Musical’ naar Antwerpen, Gent en Hasselt. De film was een wereldwijde hit en is tot op vandaag nog steeds één van de meest geliefde romcoms allertijden. Helle Vanderheyden speelt Vivian en mag zo in de voetsporen treden van Hollywood legende Julia Roberts

‘Pretty Woman’ vertelt het onwaarschijnlijke liefdesverhaal tussen escorte Vivian Ward en zakenman Edward Lewis wiens levens voorgoed veranderen na één toevallige ontmoeting.

'A Christmas Carol'
30% korting - tickets vanaf €24,50 ipv €35

Wegens succes komt de familiemusical ‘A Christmas Carol’ dit jaar terug voor een beperkte reeks voorstellingen tijdens de kerstvakantie. Lucas Van den Eynde zal opnieuw te zien zijn als Ebenezer Scrooge.

De Deep Bridge-versie van het tijdloze verhaal over de verbitterde Ebenezer Scrooge werd vorige kerst bijzonder warm onthaald door groot en klein, en daarom kon een herneming niet uitblijven. Tijdens de kerstvakantie van 2025 gaat 'A Christmas Carol' voor een beperkt aantal voorstellingen op tour door Vlaanderen.

'Doornroosje'
Upgrade - Golden seats voor de prijs van Categorie 1

Vanaf 12 april 2025 presenteert Deep Bridge de sprookjesmusical 'Doornroosje' met Lotte De Clerck in de titelrol. Een trip down memory lane, want in 2018 was 'Doornroosje' het eerste sprookje dat Deep Bridge op de planken bracht.

Deze voorstelling wordt een volledig nieuwe versie, waarvoor het creatieve team opnieuw aan de slag gaat met de ondertussen bekende ingrediënten. Gelaagde humor, leuke liedjes, prachtige kostuums en kleurrijke decors zorgen steeds voor een totaalbeleving voor jong en oud. De sprookjes van Deep Bridge zijn de perfecte instapmusicals voor de jongste theaterbezoekers, maar ook voor volwassenen zijn de shows keer op keer een feest.

PATRICK YANDALL FT. RACHEL DICKENSON – ‘YOU WILL BE ALLRIGHT’

BPM – ‘SERIOUSLY’

HERB ALPERT – ‘JEANNINE’

SALVATORE ADAMO VERLENGT DUBBEL JUBILEUMFEEST MET EXTRA CONCERTEN IN ANTWERPEN EN GENT

31 mei 2025 - Koningin Elisabethzaal Antwerpen
15 juni 2025 - Capitole Gent

In 2023 vierde Salvatore Adamo, nog steeds de bestverkopende Belgische artiest aller tijden, niet alleen zijn 80ste verjaardag, maar ook zijn indrukwekkende 60-jarige carrière. Naar aanleiding van dit bijzondere dubbele jubileum, trakteerde deze levende legende zijn trouwe fans op 27 mei 2023 in de Antwerpse Koningin Elisabethzaal en op 30 juni 2024 in Capitole Gent, op twee memorabele concertavonden.

Niet alleen zijn publiek hunkert sindsdien naar meer, ook de minzame wereldster ziet een extra rondje met zijn fenomenale jubileumconcert duidelijk zitten. Op 31 mei 2025 keert Salvatore Adamo terug naar de Koningin Elisabethzaal in Antwerpen en op 15 juni 2025 mag ook Capitole Gent zich weer opmaken voor een prachtige concertavond.

Op het podium laat de Belgisch-Italiaanse wereldster zich opnieuw omringen door zijn eigen geweldige liveband. Naast recenter werk, mogen Adamo-klassiekers als 'Tombe la neige', 'Sans toi ma mie' (waar het in 1963 allemaal mee begon), 'Vous permettez, monsieur', 'Les Filles du Bord de Mer', 'Insch'Allah' en 'Dolce Paola' natuurlijk niet ontbreken.

Mis deze fantastische, extra jubileumconcerten van Salvatore Adamo op 31 mei 2025 in de Koningin Elisabethzaal en op 15 juni 2025 in Capitole Gent niet, en bestel nu je tickets via ticketkopen.eu

R&B/JAZZ SAXOPHONIST JASON JACKSON IS ‘LOOKING UP’, HIS THIRD COLLECTION PRODUCED BY BILLBOARD HITMAKER ADAM HAWLEY

Optimistic Soul: R&B/Jazz saxophonist Jason Jackson is “Looking Up,” his third collection produced by Billboard hitmaker Adam Hawley, which drops October 25.

The new single, “Upside Down” featuring trumpeter Rick Braun, goes for playlist adds on September 23.

CHESAPEAKE, VA (5 SEPTEMBER 2024): The seeds of success in music were planted before Jason Jackson concluded his ten-year military career three years ago. Now set to release his third recording project on October 25 and his first for the MBF Entertainment label, the R&B/jazz saxophonist is fervently energized by his upward trajectory, a feeling that permeates the nine new songs that he wrote with his producer, 16-time Billboard chart-topper Adam Hawley. The ten-track “Looking Up” arrives on October 25.

Jackson hit the Billboard top 20 in 2021, two months after he completed his Navy service. Each project he released has taken him another step up in the soul-jazz marketplace. As Jackson steadily raises his profile, one constant force has been Hawley. “Looking Up” continues their fruitful creative partnership. In addition to producing and playing multiple instruments (guitar, keyboards, and programming) on the album and cowriting the material, Hawley signed Jackson to his MBF Entertainment imprint.    

Jackson’s recordings are personal and thematic, reflecting not just where he is in his music career, but emblematic of where he is at in his life.

“My first record, the ‘Movin’ On’ EP, was written as I was transitioning out of the US Navy. My first full-length album, ‘All In,’ was conceived after I saw the success of the first record and decided that I wanted to pursue being a solo artist for real. This new record, ‘Looking Up,’ comes at a time when all of the pieces are finally starting to fall into place. I’ve signed with an amazing label (MBF) and I’m getting lots of opportunities to play with well established artists like Adam (Hawley), Rick Braun, Chieli Minucci, and Julian Vaughn. I’ve also had the wonderful opportunity to play shows and festivals as a solo artist such as Marcus Anderson’s MAJACE and Berks Jazz Fest. To me, this record represents that all of the hard work, pushing through slim odds, self-doubt, and setbacks were all worth it and that things are, well, looking up,” said Jackson who lives in Virginia just outside of Washington, DC. 

Jackson’s debut single, “All The Way,” featured Vaughn’s rubbery basslines and the two reconnect to open “Looking Up” with the uber funky and fun “Bump,” which was cowritten by keyboardist Judah Sealy. Keyboardist Caleb Middleton cowrote four songs with Jackson and Hawley for the album, the first of which is “Intentional,” a deliberate midtempo groove. Braun, a seminal figure in the genre who has notched 30 Billboard No. 1 singles, features on “Upside Down,” the next single that will be going for playlist adds on September 23.  

“‘Upside Down’ was the first track that Adam and I wrote for this album. We both knew it was special from the incredibly early demo. It’s got such great swag and a hook you could listen to on repeat all day. We knew we wanted a special featured artist on this track, and I thought ‘Why not shoot for the stars?’ literally. Rick Braun has been one of my favorite artists for as long as I can remember. I remember buying the ‘Shake It Up’ album from a music store at the mall and absolutely wore it out. I recently played a show with him in Norfolk, VA and found out that he is not just an amazing player, but a wonderful person as well. We had to get him on this track! Only in an ‘upside down’ world would I ever think that Rick and I would be playing a song together, much less on my record,” gushed Jackson. 

Two-time Grammy-winning bassist Mel Brown and drummer Eric Valentine dispense the beats and rhythms on “With The Get Down” on which Jackson’s sweaty sax gets way down. “Stay Awhile” pleads its case via an inviting soul-pop melody simmering atop a cozy R&B groove. 

Earlier this year while still in the studio, Jackson previewed the album with the single “Daybreak,” which features a collaboration with another genre stalwart, Special EFX guitarist Minucci, who illumines the vibrant track with gorgeous nylon guitar light, forming a striking combo with the saxophonist’s emotional soprano horn.

“This track is a throwback that conjures up images of when I was a kid in the middle and high school bands and listened to every contemporary jazz CD that I could get my hands on, all while wishing that I could play like that someday. You could say that those years were the very start of my passion for this genre and the early dawn or ‘Daybreak’ of my long musical journey to come,” Jackson shared.

The album title track brims with confidence, promise and optimism. “I like for all of my records - and record titles - to present a snapshot of where I am to the listener, not just musically but in my life. I think ‘Looking Up’ is a statement song for my today and outlook for what lies ahead,” said Jackson.

Keyboardist Carnell Harrell cowrote the next two tunes for the album, including the robust R&B “Rewind,” on which Jackson lets loose some fierce alto saxophone play. “Silver” is a bouncy, head-bobbing  flashback with its old-school go-go beat breakdown etched by bassist Dwayne "Smitty" Smith and Valentine’s drums.  

“Looking Up” concludes with a look back. Jackson spotlights R&B vocalist L Young to pay homage to the legendary Luther Vandross by putting their own spin on “Take You Out Tonight.” They break down the track to an intimate acoustic groove augmented by expressive soprano sax, Hawley’s guitar, Ian Martin’s bass and Ramon Yslas’s percussion.

“Luther has always been a special artist to me ever since his greatest hits CD was dropped into my candy bag one Halloween night. To this day, I don’t know why that person decided that I needed some Luther in my life more than a Snickers bar, but I’m glad he did! That CD ignited my love for R&B. I’ve always wanted to cover a Luther song, and I think this unplugged vibe is the perfect way to end the record,” said Jackson.   

Over the Labor Day Weekend, Jackson joined Hawley for a Saturday night (August 31) performance at the LOVAM Jazz Festival in Omaha, NE. Later this month, Jackson will be performing aboard fellow saxman Dave Koz’s Somma Italia Cruise. Other concert dates prior to the album release include October 11 at the Church Street Jazz Series in Norfolk, VA and October 20 at the Myrtle Beach Jazz Festival. After the album releases, Jackson will hit the stage on November 6 with guitarist JJ Sansaverino at Jazz Legacy in Hampton, VA.

Jackson was a teenager studying under the tutelage of James Brown’s longtime saxophonist Leroy Harper Jr. when he opened for Brian McKnight, Morris Day and the Time, KC and the Sunshine Band, and Michael McDonald. He went on to perform all over the world as a member of the Navy’s band, taking the stage in international locales such as China, Indonesia, Malaysia, Cambodia, Vietnam, Australia, and Japan. Three years ago, shortly before exiting the Navy, Jackson sent a demo recording to Hawley. The two have been linked ever since.

Jackson’s “Looking Up” album contains the following songs:

“Bump” featuring Julian Vaughn

“Intentional”

“Upside Down” featuring Rick Braun

“With The Get Down”

“Stay Awhile”

“Daybreak” featuring Chieli Minucci

“Looking Up”

“Rewind”

“Silver”

“Take You Out Tonight” featuring L Young

For more information, visit https://jasonjacksonsax.com.

'THE ELTON SHOW' VIERT DE GROOTSTE HITS VAN DE ROCKET MAN IN ANTWERPEN EN OOSTENDE

"Elton John zei me: Jij bent de beste ik die ik ooit heb gehoord!"​​​ 
- leadzanger C.J. Marvin -

25 april 2025 – Stadsschouwburg Antwerpen
26 april 2025 – Kursaal Oostende

In mei 2023 nam Elton John in het Antwerpse Sportpaleis afscheid van zijn Belgische fans met twee fantastische shows van zijn 'Farewell Yellow Brick Road'-tour. Niet getreurd echter voor de vele fans die zich nog eens live willen onderdompelen in het magische Elton John-universum, want in april 2025 strijkt de ultieme tribute 'The Elton Show' voor het eerst neer in ons land. 'The Elton Show' is een viering van de grootste hits van de 'Rocket Man', uitgevoerd door de internationale singer-songwriter C.J. Marvin, ondersteund door zijn fantastische liveband en ijzersterke backing vocals. Kom op 25 april in Stadsschouwburg Antwerpen en 26 april 2025  in Kursaal Oostende genieten van tijdloze pareltjes als 'Your Song', 'Candle In The Wind' en 'Can You Feel The Love Tonight'. Rock mee met 'Saturday Night's All Right for Fighting' en 'I'm Still Standing', en zing uit volle borst mee met 'Nikita' en 'Rocket Man'. Tickets voor 'The Elton Show - The Greatest Celebration of the Rocket Man' zijn nu te koop via ticketkopen.eu 

'The Elton Show' is uniek en zo veel meer dan alleen maar een 'look-a-like' act. Het is een vreugdevolle recreatie van het magische 'zijn' van Elton John en zijn tijdloze muziek.

Voor miljoenen mensen hebben Eltons Grammy-winnende songs door de decennia heen deel uitgemaakt van de soundtrack van hun leven. Zijn onverwoestbare songs, flamboyante stijl en dynamische optredens, hebben van hem een legende gemaakt in de wereld van de popmuziek.

C.J. Marvin treedt op even briljante als respectvolle wijze op als Elton John, inclusief zijn soms buitensporige, kleurrijke kostuums en fenomenaal live pianospel. 'The Elton Show' omvat vijf decennia aan fantastische muziek, van de jaren 70 tot de nummers van het hitalbum 'Wonderful Crazy Night'. Zijn grootste hits mogen natuurlijk niet ontbreken; van tijdloze classics als 'Your Song', 'Candle In The Wind' en 'Can You Feel The Love Tonight?', over rockers als 'Saturday Night's All Right for Fighting' en 'I'm Still Standing', tot 'Nikita', 'Goodbye Yellow Brick Road' en het onverwoestbare 'Rocket Man'.

The Elton Show vat de pure essentie van Elton John. Wanneer C.J. zingt, ondersteund door zijn liveband en achtergrondzangers, zou je denken dat het Elton zelf is. Maar geloof ons niet op ons woord, geloof dat van de Rocket Man zelf.

Mooi(ste) compliment van Sir Elton John himself

In 1984 werd C.J. Marvin persoonlijk uitgenodigd voor de optredens van Elton john in het Teatro-Tenda Palatrussardi in Milaan. Terwijl hij samen met Elton & the Band in de lobby van het hotel op de limousines wachtte, ging C.J. aan de vleugel zitten en begon stukjes en beetjes te spelen van een aantal nummers van Elton John. Na het horen van het geïmproviseerde optreden van de jonge C.J. Marvin, zei Sir Elton aan C.J.: “Jij bent de beste ik die ik ooit heb gehoord!”

'The Elton Show' is een spectaculaire, onvergetelijke concertavond en een liefdevol eerbetoon aan de muziek en energie van de Rocket Man. Vier op 25 en 26 april 2025 één van de meest iconische en geliefde artiesten ter wereld in Stadsschouwburg Antwerpen en Kursaal Oostende.

Tickets en info: ticketkopen.eu

LOTTE DE CLERCK WORDT DOORNROOSJE

Vanaf 12 april 2025 in Gent en Hasselt

Vanaf 12 april 2025 laat Deep Bridge een volledig nieuwe versie - met nieuw script en nieuwe muziek - van de geliefde sprookjesmusical 'Doornroosje' ontwaken in opeenvolgend Capitole Gent en Trixxo Theater Hasselt. Wie de letterlijk prikkelende hoofdrol zal spelen, was nog niet bekend, maar nu komt er witte rook uit de toren...het gedroomde Doornroosje werd gevonden!

Lotte De Clerck wordt Doornroosje

Nadat ze afgelopen seizoen op sublieme wijze een even nerdy als hilarische Penny Pingleton neerzette in 'Hairspray' en vanaf 7 december 2024 ongetwijfeld zal schitteren als Wendy in de familiemusical 'Peter Pan', mag Lotte De Clerck zich ook opmaken voor haar eerste titelrol en dat in de sprookjesmusical 'Doornroosje'. De zeer getalenteerde zangeres en actrice, bij het brede publiek bekend geworden door haar rol als Emma Wolfs in de populaire Ketnet-serie #LikeMe, maar momenteel ook scorend met haar nieuwe single 'Zorgen Voor Mij' , kan alvast niet wachten om aan haar nieuwe musicalavonturen te beginnen. 

“Wie droomt er niet eens van om prinses te zijn? De kans krijgen om Doornroosje te mogen spelen, in een musical, is dan ook als een droom die uitkomt voor mij” 

Generatie na generatie blijft 'Doornroosje' één van de meest tot de verbeelding sprekende sprookjes. Gelaagde humor, leuke liedjes, prachtige kostuums en kleurrijke decors, het creatieve team van Deep Bridge zorgt steeds voor een totaalbeleving voor jong en oud, en dat zal in deze 'Doornroosje' niet anders zijn.

Vanaf 12 april 2025 kan je gaan genieten van deze gloednieuwe sprookjesmusical in Gent en Hasselt. 

Wie straks Doornroosje wakker mag kussen, blijft nog even geheim.

Het verhaal

Op haar vijftiende verjaardag prikt Doornroosje zich aan een spinnewiel in een vergeten toren van het kasteel. Een vloek, uitgesproken door een boze fee op haar geboortefeest, maakt dat ze onmiddellijk in een diepe slaap valt. Het hele kasteel valt mee in een slaap die wel honderd jaar zal duren.

Rond het kasteel groeit een doornenhaag die maakt dat de vele prinsen die Doornroosje proberen te redden, vast komen te zitten en sterven. Pas na exact honderd jaar opent de haag zich en raakt een prins tot bij Doornroosje op de vergeten zolder...

'Doornroosje' speelt op zaterdag 12 en zondag 13 april 2025 in Capitole Gent en op zaterdag 19 april in Trixxo Theater Hasselt. De Antwerpse data en locatie worden binnenkort bekendgemaakt. In het najaar van 2025 gaat de voorstelling op tournee.

Tickets & info: deepbridge.be

!! RANG-UPGRADE !!
Boek tot 6 september 2024 je tickets en krijg een gratis rang-upgrade cadeau.
Voor Golden Seat betaal je de prijs van Categorie 1, voor Categorie 1 betaal je de prijs van Categorie 2, enzovoort.

EXTRA VOORSTELLING BEJUBELD MUSICALSPEKTAKEL ‘JEANNE D’ARC’ OP 14 SEPTEMBER IN WESTERLO

Op 14 augustus 2024 ging op het prachtige domein van kasteel de Merode in Westerlo het grootse musicalspektakel 'Jeanne d'Arc' in première. Onder aanvoering van een onwaarschijnlijk straffe Lotte Stevens als de iconische Jeanne d'Arc, veroverde de ijzersterke cast in een werkelijk waanzinnig mooi decor, de harten van het aanwezige publiek.

'Een historische voorstelling die de lat voor de Vlaamse musical naar een nieuwe hoogte tilt', ''Jeanne d'Arc' geeft een nieuwe dimensie aan het woord musicalspektakel', 'Je weet in dit spektakel écht niet waar eerst te kijken',..., ook in de media werd de loftrompet gulzig geschald.

Sindsdien lieten nog eens vele duizenden mensen zich helemaal overdonderen door het vurige spektakel en meeslepen in dit epische verhaal van een eenvoudig boerenmeisje dat door strijd, moed en opoffering uitgroeide tot een legendarische Franse oorlogsheldin, maar desondanks al op 19-jarige leeftijd stierf op de brandstapel. 

Wegens succes: extra voorstelling op 14 september

De unaniem lovende reacties van pers en publiek zorgen voor een aanhoudende vraag naar tickets. In die mate dat Historalia, naast de eerder aangekondigde extra voorstellingen op 4, 5, 6 en 7 september, nog een extra rondje met 'Jeanne d'Arc' zal rijden op zaterdag 14 september 2024. Opgelet: in tegenstelling tot op andere speeldata wanneer de voorstelling start om 20u45, wordt op 14 september al om 20u15 het vuur aan de lont gestoken op het domein van kasteel de Merode in Westerlo.

Met o.a. Lotte Stevens als Jeanne d’Arc, Pieter Jan De Paepe (Jean de Metz), Erik Goris (Bisschop Pierre Cauchon), David Cantens (Robert de Beaudricourt), Floris Devooght (Dauphin Karel VII) en Helle Vanderheyden (heilige Catharina). Script en liedteksten van de hand van Jef Hoogmartens en Jelle Cleymans, muziek gecomponeerd door Sam Gevers en regie door Luc Stevens.

Tickets & info: historalia.be

scènefotos: Photography Seppe

LASHAWN D. GARY – ‘EVOLUTION’

LaShawn D. Gary is an Emmy-Award winning producer, composer, Smooth Jazz artist and pianist. He is a native of Detroit, Michigan. He received his Bachelor of Science in Instrumental Music Education from Southern University A&M College and earned a Master of Music Education Degree from the University of Louisville. 

LaShawn has released eight Smooth Jazz singles: “Now is the Time" (2019) , “Love, Peace& Praise" (2020) , “Inception ft. Mark Whitfield" (2021), “Line Brothers" (2021), “On the Yard” (2022), “Transitions” (2022) and "For Your Love” ft. Willie Bradley (2023).

His latest single ”Everything You're Looking For” ft.Penny Wells hit the #1 spot on the Black Planet Radio R&B chart, and was #1 on The Official Indie R&B Chart.

On April 17th LaShawn released his 2nd album titled Evolution which is steadily climbing the charts.

“Evolution captures the growth imbued through life experiences and a host of musical influences.” – LaShawn D. Gary

AXON RADIO – ‘ALL-IN’

Axon Radio is an American Jazz duo founded by Cory Carleton (bass) and Travis Brant (drums). AXR is known for blending Contemporary Jazz, funk, and fusion, with modern studio production and industry leading musicians. Notable collaborations include Gerald Albright, Michael Lington, Paul Brown, Darren Rahn, and fusion guitarist Oz Noy.

""All In" is their hooky new single, going for adds September 2.

"All In"

Produced & mixed by Darren Rahn

Written by Travis Brant, Cory Carleton, & Darren Rahn

Darren Rahn - Piano & Programming

Allen Hinds - Guitar

Cory Carleton - Bass

Travis Brant - Drums

ILYA SEROV – ‘SEA BREEZE’

Award-winning trumpeter/vocalist/song writer and producer Ilya Serov has a musical vision and passion for jazz that far transcends its traditional origins. His professional journey has led him from performing popular standards of the Great American Songbook to creating and producing a collection of his own original songs. Possessing both chops and charisma, Ilya’s live performances and studio recordings are infused with imagination and energy, attracting a solid, worldwide fan following. 

​

Serov’s recently-released fourth album, Colors, has been received with much critical acclaim. A fusion of various genres, cultures and backgrounds, this vibrant palette of soul-jazz, R&B grooves, and Brazilian jazz instrumentals is an expansion of his already broad range. His own composition and production skills were paired with the collaborative talents of some industry heavy-hitters in creating the album: GRAMMY® winner Paul Brown, multiple GRAMMY®

nominee Darren Rahn, and 16-time Billboard chart-topper Adam Hawley. Illustrious saxophonist Jeff Ryan and keyboardist Oli Silk are featured players.

NEW SINGLE ‘SMILE’ FROM JOHN CAREY & DAVID MARGAM

John Carey and David Margam: Two International Smooth Jazz Virtuosos Unveil Their New Single "Smile" 

Two International Smooth Jazz Masters Shine with Their New Single 'Smile' Get ready to be carried away by the magic of «Smile», the new single that unites two smooth jazz titans in a unique fusion of guitars that speak to the soul. This piece is more than just music; it is a celebration of the joy of living, a reminder that life is full of precious moments that deserve to be enjoyed. Allow yourself to smile, relax and connect with the best the world has to offer as you immerse yourself in the soft melodies of "Smile".

"The Cultural Fusion of John Carey and David Margam: 'Smile', a Hymn to Smooth Jazz that Unites Chicago (USA) and Granada (ESP)" «Smile» is the new single that marks a milestone in the world of smooth jazz, bringing together two international figures of great renown: John Carey, the virtuoso guitarist from Chicago, and David Margam, the Spanish guitar master. Both artists, with an impressive career and global recognition, have combined their talent and experience to create a musical piece that radiates freshness, elegance and joy.

Accompanied by the mastery of Jorge Pinelo on the saxophone and Nathaniel Scott on the drums, «Smile» becomes a jewel of smooth jazz, a perfect fusion of cultures and styles that invites us to enjoy life and its most pleasant moments. This single is not only a sample of the talent of these titans, but also a celebration of music as a universal language that unites hearts and cultures.

Title: Smile

ISRC:USHM92498908

Composed by John Carey 
Co-produced by John Carey & David Margam
Bass, Piano & Guitar John Carey
Guitar and Arrangements David Margam
Drums Nathaniel Scott
Sax Jorge Pinelo
Mixing and Mastering David Margam
Available on all digital platforms on September 6th

MANNIX FT. EVA MORENO -  ‘LA VIDA BUENA’ (INCL. MIJANGOS MIX)

Dafia Records boss Mannix joins forces with Austrian / Venezuelan Jazz songbird Eva Moreno on his new release, ‘La Vida Buena’. Abound with summery Latin House vibes, ‘La Vida Buena’ (meaning ‘the good life’) comes with all the essential elements to light up the dance floor with fiery percussion, Latin keys, funky guitars, as Eva delivers her uplifting, catchy love song, switching Spanish and English languages. Also on the package Mexico’s No.1 Afro / Latin House producer Mijangos brings the fuego, injecting his irresistible percussive beats coupled with classy piano and Latin brass melodies to raise the temperature.

Mannix has been one of Vienna’s most prominent house music pioneers since the early 90’s. His big remixes include Mousse T.'s 'Maybe In May', Arnold Jarvis' 'Rising Into Joy', and Luis Radio's ‘Get Me There’. Mannix’s 'NO NO NO' single scored the overall Traxsource and Beatport #1. Mannix has released on Midnight Riot, Peppermint Jam, Tropical Disco, Re-Loved, See-Saw, Duffnote, Only Good Vibes and others. In 2021 he launched Dafia Records, featuring collaborations with artists Lee Wilson, Dina Vass, Fiona Barbier, Andre Espeut, Lisa Shaw and Venessa Jackson, among others. Dafia’s strong catalogue includes music from names such as DJ Meme, Terrence Parker, Birdee, Opolopo, K-Klass, John Morales, Walter G, Rony Breaker, Drop Out Orchestra, Ashley Beedle, Phonk D, Musta, S.U.M.O., Sister Pearl, and Jay Caruso, to name a few.

Eva Moreno is an Austrian musician and vocalist with Venezuelan roots, highly lauded in Jazz, Latin and Soul circles. Having two degrees in jazz vocal performance and singing and instrumental music pedagogy, she has worked with Ewald Pfleger (Opus), Robby Musenbichler (The Rainhard Fendrich Band) and producers like Gerd Schuller, Hannes Oberwalder, Erik Asatrian and pianist Martin Reiter, among others. She is also is a member of the Austro-Cenezuelan Salsa band Ismael Barrios‘ Salsa Explosion. Eva’s main artistic project, Eva Moreno Group, together with Gunther Schuller has released two albums: ‘Running Through Life’ and ‘Stories of a Mind’, and her latest Salsa project, KERNÖLSALSAKLUB, mixes Austropop classics with Salsa Arrangements.

Track Listing
1 La Vida Buena (Extended Vocal Mix)
2 La Vida Buena (Mijangos Latin House Remix)
3 La Vida Buena (Mijangos Latin House Dubstrumental)
4 La Vida Buena (Radio Edit)
5 La Vida Buena (Mijangos Radio Edit)
6 La Vida Buena (Mijangos Latin Drums)

Mannix feat. Eva Moreno ‘La Vida Buena’ (Incl. Mijangos Mix) will be release on Traxsource promo August 30th / Full release September 6th 2024 on Dafia Records.

Mannix feat. Eva Moreno
‘La Vida Buena’ (Incl. Mijangos Mix)
Dafia Records / DAF046
https://soundcloud.com/mannixmuzik
https://www.facebook.com/MannixVienna
https://evamorenogroup.com
https://www.instagram.com/andresmijangosofficial

DAVID MORALES FT. ANTOINETTE DUNLEAVY - ‘NEEDIN’ U 2024’

Hot off the heels of his Traxsource No.1 with ‘Ain’t Nobody’ ft Romina Johnson, US DJ and producer legend David Morales revisits one of his biggest and best loved clubland anthems, ‘Needin’ U’. David Morales Pres. The Face ‘Needin’ U’ was originally released in the summer of 1998 and reached the No.1 Club and Billboard Chart spots in the UK and US and still sends the dance floor into a frenzy today.

Fresh for 2024, David has joined forces once again with Irish song bird Antoinette Dunleavy, who collaborated on his singles ‘Alive’, 'You & Me’ (Bandcamp Special) and ‘Love Takes 2’ with DJ Meme, to deliver a show-stopping new version of ‘Needin U’. Giving this classic a vibrant twist, Antoinette delivers a dazzling new soulful song, as her divine tones flow over David’s re-vibe, perfectly tailored for 2024’s dance floors.

David Morales is a globally revered American DJ, Grammy award-winning record producer, songwriter, and is a true House Music legend. He has produced and remixed over 1000+ records for an all-star roster of multi-platinum artists, including Mariah Carey, U2, Michael Jackson, Aretha Franklin, Madonna, and Whitney Houston. Launched in 2018, David Morales’ DIRIDIM label beams quality house music. Aside of David’s own productions and collaborations, DIRIDIM also features releases from artists including Róisín Murphy, DJ Meme, Danism & Train, Buranello, O. De Lanzac, Timmy Regisford, Michel Cleis, Janice Robinson, Frankie Ferrara, James Deron and many more.

Described as ‘the real deal’ by David Morales, Irish singer, songwriter, soul and House Music vocalist, Antoinette Dunleavy, has been on the Irish and International music scene for 15 years as a topliner, session vocalist and songwriter. Having released music with Irish producers The Control Freakz, Corrugated Tunnel, Grooveboy, and US legend, David Morales, her inspirational lyrics and huge live vocal range have made her one of Ireland's most in demand live and studio vocalists and songwriters.

Track Listing
1 Needin’ U 2024 (Original Mix)
2 Needin’ U 2024 (Extended Mix)
3 Needin’ U 2024 (Instrumental Mix)

‘Needin’ U 2024’ will be released on August 30th 2024 on DIRIDIM

David Morales ft Antoinette Dunleavy
‘Needin’ U 2024’
DIRIDIM / DRD0152
https://www.instagram.com/djdavidmorales/
https://www.instagram.com/antoinettedunleavysinger/
https://www.facebook.com/diridimmusic

GOSPEL/CHRISTIAN GROUP THE CROCKETT PROJECT’S TRANSFORMATIVE ‘BRAND NEW’ SINGLE

The rousing and reaffirming vocal tune dropped on Friday.

FRANKLINTON, NC (26 AUGUST 2024): Entering a transitional time in his life, guitarist Kevin Crockett was apprehensive about what loomed ahead. But as a devout man of faith, he leapt into the unknown anyway. That move from big city Boston after graduating Berklee College of Music to smalltown Franklinton, North Carolina led to meeting his future wife, becoming a member of a new church and ministering with the praise and worship team; and taking on a new focus: launching The Crockett Project, his gospel/Christian group. Crockett journaled the transformative experience and set it to music as “Brand New,” the single that he wrote and produced dropping last Friday (August 23).

The prospect of relocation stirred uncertainty in Crockett as he contemplated all the unknowns the move would bring. But then he shifted his mindset to listening to the still small voice inside that was calling him to take the leap and trust in God’s will. Crockett surrendered and changed his life in unimagined ways.

“‘Brand New’ is intended to be a celebration of being new on the inside through Christ. It was written in a time of personal transition as far as direction in my life. God was telling me to make a move. I also knew that once I made that move everything would be new: new focus, new surroundings, new church, and new people. The single was written about being new on the inside, which can and did affect every part of my life,” said Crockett, who plays electric and acoustic guitar on the track.

Mixing gospel, jazz fusion and soulful R&B, “Brand New” is a vocal song featuring two powerfully illuminating lead voices, Jalisa Faye and Quayshaunna Massey. Massey and Kimberly Chante’ add celestial background vocals. Mid-tune Dave Percell issues a stirring acoustic guitar sermon, slashing and burning through the wall of keyboards constructed by Crockett, Nile Hargrove, Jairus McNeil, and David McNeil. Jimmy Brown (bass synth) and Damir Watson (drums) anchor the rhythmic groove.

“Brand New” will appear on The Crockett Project’s debut album, “Faith is the Key,” which is tentatively slated for release next summer. Crockett has released singles as The Crockett Project in the gospel and Christian genre. Their debut gospel single “Your Word” (2017) was followed by the instrumental “Glory” last year. In the jazz realm, Crocket releases music under his own name. 2022’s "Cruizin' in the Wind" and 2023’s “Be Light There” hit Billboard’s most added list in their debut week of release.  

Crockett grew up in Washington, DC where he played in local bands and gospel groups. After he finished his schooling, his professional career touring and performing with dozens of smooth/contemporary jazz artists took off. His resume includes gigs with Kim Scott, Marcus Anderson, Willie Bradley, Lin Rountree, Ragan Whiteside, Gino Rosaria, Althea Rene, Art Sherrod Jr., Eric Darius, Jazmin Ghent, Jeanette Harris, Marqueal Jordan, Reggie Codrington, George Freeman, Patrick Lamb, and Brooke Alford. Crockett is a member of World Overcomers Christian Church and ministers on his instrument as a part of the praise and worship team.

For more information, visit https://www.thecrockettproject.com.

BRIAN LENAIR – ‘SMOOTH SAILIN’’

National recording artist Brian Lenair is a Washington D.C. based contemporary Jazz saxophonist that can blow with the best of them. Lenair truly believes that hidden in the notes, harmonies, and compositions, are the answers and the bridges between what we see and what we seek for our lives. He has been taught that music gives us meaning and purpose. It is one of mankind’s sources of love, truth, imagination, reflection and discovery. It articulates hope and freedom.

His new single titled "Smooth Sailin'" goes for radio adds August 26.

CASTELLA FT. RAGAN WHITESIDE – ‘NIGHTS OVER EGYPT’

Castella, an emerging force in the smooth jazz and R&B/Soul scene, announces her latest single, “Nights Over Egypt” featuring chart-topping flautist Ragan Whiteside, set for worldwide release on August 23, 2024. This outstanding rendition of the 1981 classic by the Jones Girls adds a new dimension to Castella's discography, blending nostalgia with contemporary flair.

We think you and your listeners will dig "Nights Over Egypt"!

Castella- Lead & Background Vocals (Long Beach, CA)

Ragan Whiteside- Featured Artist-Flute(Atlanta, GA)

Jeff Canady- Music Producer, Drums (Detroit, MI)

Darryl Swann- Vocal Producer, Mixing & Mastering Engineer, String/Harp Arrangements (North Hollywood, CA)

Steve Capp- Studio Engineer (Detroit, MI)

Dennis Johnson- Engineer/ Producer for Ragan Whiteside (Atlanta, GA)

Robert Skinner– Bass (Detroit, MI)

Demetrius Nabors– Keys (Detroit, MI)

Kenny “Rocket” Morris- Guitar (Detroit, MI)

Dexter Wensel and Cynthia Biggs- Songwriters (1981)

MICHAEL LINGTON IS ‘ON THE SCENE’

Over 25 years into his extraordinarily impactful, hit-studded career, Michael Lington made Billboard chart history, building on his legacy of smash singles with “South Bay,” from his 2023 EP Looking Ahead. It is the longest running #1 on the Billboard Smooth Jazz Airplay chart and it took only four weeks to reach the pole position, where it stayed for a record setting seven weeks!

Fully embodying the hip, spontaneous action and energy promised in it’s title, Lington’s latest track “On the Scene,” the first lead single from his upcoming album, keeps the party going with a fresh, fiery, funked out, and horn drenched jam that perfectly captures the spirit of the early days of Contemporary Jazz, but with a modern sound. Co-produced and composed by Lington and veteran saxman, arranger and producer David Mann, the song features the same powerhouse crew that brought the magic to his recent Billboard Top 5 hit, “Moon Goddess": guitarist Paul Jackson, Jr., bassist Alex Al and drummer Michael White.

DALLAS KENT - 'GHOST HIGHWAY' – DEBUT SINGLE BY NEW TRANSATLANTIC COLLABORATION MELDS MASSIVE ATTACK AND ENNIO MORRICONE

DALLAS KENT | Crystal Brown (photo by Ian Williams) & Ian Williams (photo by Damien de Blinkk)

DALLAS KENT
GHOST HIGHWAY 

debut single
out 22.08.24
(Slaughterback)

Bandcamp

Dallas Kent is a collaboration between London-based composer/producer Ian Williams (originally from Canterbury, Kent) and singer Crystal Brown (from Dallas, Texas). It started in the late 2010s when Williams was looking for a singer to work with on some of his dark electronic pop songs, with Brown happening to live one street away from his studio in Hackney, East London.

They swiftly recorded a considerable amount of material, but had to shelve the project when Brown relocated to the USA. The duo continued to discuss their options until finally, with Crystal settled in San Francisco and the pandemic giving everyone time to pause their normal lives, they decided to complete what they had begun so many years before.

The first fruit of their endeavours is a single entitled ‘Ghost Highway’, which is redolent of Massive Attack and Ennio Morricone. A suitably David Lynch-ian video to promote the song was filmed by Brown on her phone before being edited as psychedelically as possible by Williams. Watch it HERE.

Meanwhile, they continue to work on a full album that promises to be a mash-up of cinematic downtempo sounds, Americana, French disco and anything else they can throw into the mix. Watch this space...

Williams' recent solo releases include THE DREAM EXTORTIONISTS (2019), a debut album of dark piano and electronics; ALL BECOMES DESERT (2021), which consists of minimalist ambiences and warm analogue soundscapes, plus current studio album SLOW-MOTION APOCALYPSE (2023). He has also issued eclectic electronic soundtracks for LES BLESSURES INVISIBLES (2019) and LE MYSTÈRE LUCIE [DES ESPIONS CONTRE LE NAZISME] (2024), two documentary films by the French director Eric Michel, as well as a companion volume to the latter entitled LE MYSTÈRE LUCIE [DOSSIER SECRET] (2024). Examples of this work can be found HERE.

FESTIVARIA BRENGT ‘DE KLOKKENLUIDER VAN DE NOTRE DAME’ IN PRIMEUR NAAR VLAANDEREN

Op woensdag 6 maart is aan het Donkmeer van Overmere de castvoorstelling van de musical ‘De Klokkenluider van de Notre Dame’ doorgegaan. Dit aangrijpende muzikale drama, gebaseerd op de roman van Victor Hugo en met de liedjes van Disney, zal deze zomer voor het eerst te zien zijn in Vlaanderen en de productie wordt  voor het eerst ook elke avond live op scène gebracht door Festivaria.

Regisseur Bruno Van Heystraeten stelde zijn creatief team voor met Ingrid Coppieters voor choreografie, Geert Baetens voor muzikale leiding, Marnik Baert voor decorontwerp en Elvira Van Bavinckhove voor kostuumontwerp. Daarna werden de namen van de hoofdcast onthuld.  Regisseur Bruno Van Heystraten verwoordde het als volgt: "Ook deze zomer halen we Vlaams toptalent naar Overmere  met niemand minder dan Nordin De Moor, Ruben Van Keer, Idalie Samad (onder meer gekend door de VRT-reeks ‘Dertigers’), Leendert De Vis, Hilde Van Wesepoel en Pieter Casteleyn."

Met de keuze voor Idalie Samad als Esmeralda, Nordin De Moor in de huis van aartsdiaken Frollo en Ruben Van Keer als Quasimodo, kan deze productie alvast rekenen op een ijzersterk trio. Bovendien worden deze nog aangevuld met drie bijzondere talentvolle musical-raspaarden: Hilde Van Wesepoel, Pieter Casteleyn en Leendert De Vis.

Festivaria is niet aan zijn proefstuk toe. Het brengt om de twee jaar een groots musicalspektakel tot leven op het Donkmeer. De laatste editie in 2022 was dat het spetterende ‘Singin’ in the Rain’. Festivaria pakt steeds uit met een schitterend decor, de mooiste kostuums, een spetterende hoofdcast en meer dan 100 personen op de scène. Achter de scène mag men ook nog eens rekenen op dubbel zoveel vrijwillige handen. Na ‘My Fair Lady’, ‘Titanic’ en ‘Singin’ in the Rain’ gaat het productieteam van Festivaria opnieuw voor een filmische kaskraker. De succesformule is je ondertussen wel bekend: grote musicalsterren, het vuur van de liefhebber én een van de mooiste openluchttheaters van Europa.

Wil je graag de Notre-Dame bewonderen? Dan hoef je deze zomer niet naar Parijs. Want terwijl in de lichtstad de kathedraal herrijst, krijgen ook de bouwplannen van de Notre-Dame aan het Donkmeer stilaan vorm. Het ponton zal omgetoverd worden tot de kathedraal van ‘De klokkenluider van de Notre Dame’.

Hoor jij de klokken al luiden?

Parijs, 1482.

Na 20 jaar in totale afzondering verlaat Quasimodo stiekem de klokkentoren van de kathedraal voor het Dwazenfestival. Wat een feest zou moeten worden, ontaardt in een dramatisch muzikaal verhaal over uitsluiting, ware liefde en dodelijke jaloezie. Vindt Quasimodo eindelijk het geluk bij zigeunerin Esmeralda? Of verovert aartsdiaken Frollo op sluwe wijze haar hart en is de klokkenluider gedoemd tot een kluizenaarsbestaan?

Dit jaar zal het ponton omgetoverd worden tot de kathedraal van ‘De klokkenluider van de Notre Dame’. Festivaria brengt het meesterwerk van Victor Hugo voor het eerst in Vlaanderen live op scène. Verwacht je aan een groots openlucht-spektakel met de meeslepende musicalsongs uit de Disney-klassieker.

CREATIEF TEAM:

Regisseur: Bruno Van Heystraeten

Muzikale leiding: Geert Baetens

Decorontwerp: Marnik Baert

Choreografie en regie-assistentie: Ingrid Coppieters

Kostuumontwerp: Elvira Van Bavinckhove

Met een Vlaamse topcast:

Nordin De Moor (Frollo)

Idalie Samad (Esmeralda)

Ruben Van Keer (Quasimodo)

Hilde Van Wesepoel (waterspuwer)

Leendert De Vis (Phoebus de Martin)

Pieter Casteleyn (Clopin Trouillefou)

Zomer 2024. Het Donkmeer in Berlare is voor twee weken de Seine in Parijs!

‘De Klokkenluider va de Notre Dame’ gaat in première op 23 augustus en is te zien tot en met 7 september 2024

Tickets: www.festivaria.eu

Tekst en foto’s: Katrien  Adriaens (Festivaria) & Diane Geerts (Cultuursmakers).

R&B-JAZZ KEYBOARDIST CHARLES A. KELLY CELEBRATES PHILLY NIGHTS

The new single, “City Night,” recalls waterside concerts in his hometown while previewing his “Phase II” album.

LOS ANGELES, CALIF. (19 AUGUST 2024): The Sound of Philadelphia wasn’t just the title of the No. 1 song that served as the theme of the iconic television series “Soul Train.” The sounds that originated from the City of Brotherly Love came with an energy, a community, and a feel unique and distinct to Philly. R&B-Jazz keyboardist Charles A. Kelly came of age as a young musician playing in nightclubs at Philadelphia’s Penn’s Landing. Memories of that formative, halcyon era inspire Kelly’s newly released Innervision Records single, “City Night,” which he wrote and produced.

Ignited by Kelly’s jubilant piano and resonant keyboard melodies, “City Night” is a festive, energizing excursion back in time. Punchy horn section work from Michael Stever (trumpet and horn arrangement), Jason Kelly (soprano sax), Andrew Neu (saxophone) and Nick Lane (trombone) add power and sheen to the slick production. Guitarist James Greene shreds a scintillating solo mid-tune and distributes tasty licks throughout the cut. Anchoring the proceedings with precision and pace are drummer Tony Moore, bassist Jerome Randall and percussionist Munyungo Jackson. 

“‘City Night’ captures the spirit of the Philadelphia nightlife from that period in my life, the time I spent playing in the nightclubs by Penn’s Landing on the Delaware River in Philadelphia. Those nights are where I had a chance to feel the excitement of playing in front of crowds of people every night. That’s when I got a chance to feel that energy for the first time, the thrill of being on stage and performing. It was then that I knew I wanted to make music my career,” recalled Kelly.

While writing “City Night,” Kelly questioned if the song had true single potential. So, he turned to other Philadelphia music legends for inspiration.

“I started looking at old videos of The Spinners, Blue Magic, Delfonics, and other legendary Philly International Records groups. Since I used to play with Blue Magic, it was fun and exciting to think about that time in my life. I also had great conversations with my wife about Philly vs. New York nightlife. It was then I began to feel inspired to seriously develop the song,” said Kelly about the single that provides a glimpse into his second album, “Phase II,” which is slated to drop early next year.

Occasionally, Kelly encountered major music figures during those Philly club gigs. One of his fondest memories was opening for jazz trumpet great Freddie Hubbard. Grammy-winning pianist Billy Childs was in Hubbard’s band at the time. Seeing Childs play up close and personal was a seminal moment as was the first time Kelly met Stevie Wonder at one of the Penn’s Landing gigs. Kelly would go on to collaborate with Wonder, eventually signing to Wondirection Records after relocating to Los Angeles in 1983.

Kelly is a versatile musician, songwriter and band leader who has collaborated with a stellar spectrum of artists spanning Neil Diamond, Elton John, Nile Rodgers, Sister Sledge, The Pointer Sisters, and Nathan East as well as contemporary Christian artists CeCe Winans, Mary Mary, Jeremy Camp, and Israel Houghton. He also was cast to act on the television series “Fame.”

Kelly finally released his solo debut album, “You’re Not Alone,” in 2022. The collection spawned four charting singles, including the title track, "Endangered Species,” “I Know You,” and “I’m Good.” Last year, Kelly shone brightly on the charts with the top five single “SunSeeker.” For more information, visit https://www.charlesakelly.com.

SOUL-JAZZ SINGER-SONGWRITER GENEVA RENÉE SEDUCES WITH A “KISS”

Her sizzling summer single features saxophonist Marqueal Jordan on the tune she wrote with producer David P. Stevens.

SILVER SPRING, MD (16 AUGUST 2024): Summer love never sounded more sensual than Geneva Renée’s new single heating up playlists nationwide. The soul-jazz singer-songwriter wrote the Red Mile Music single with David P. Stevens who produced the song featuring saxophonist Marqueal Jordan.

“Your Tender Kiss” was conceived after a sit down in Stevens’ Los Angeles studio. The organic connection between Renée and her producer inspired Stevens to compose the initial track.

“When Geneva came to the studio that day, her conversation and total vibe gave me an indescribable feeling. The song came to me after that conversation. As she and I began to collaborate, this sensual but tender masterpiece was born. I believe the song resonates with people because of the passionate place it was born from,” said Stevens, who has architected multiple Billboard top ten singles as a writer, producer and artist.

The next day, Renée returned to the studio, excited to enter the vocal booth to croon the sultry tune set to an R&B groove with a sophisticated adult contemporary meets cool jazz nuance.

"I was instantly captivated by the intoxicating melody and ambience, reminiscent of the Sade era that I missed so much. While we were in the studio, David encouraged me to channel my emotions by thinking of that one special guy—the one who never said, 'I love you,' but his kiss spoke volumes. When I was alone, I’d always wonder how this man felt about me; but every moment we spent together, my body would instantly respond to his touch, and I knew that our chemistry ran deeper than three words could ever express. In those moments, I was convinced our love was real,” said the Washington, DC-based Renée, a mezzo-soprano blessed with a three-octave voice.

Instead of writing a vocal bridge to the song, Stevens suggested bringing in Jordan for a saxophone solo.

“Once I heard ‘Your Tender Kiss,’ I was immediately taken to that place of high desire and tension when you are feeling someone, the chemistry and attraction is mutual, and you cannot wait to kiss them. Geneva's performance takes you there. She has a phenomenal tone that emotes sensuality and she gives everything to a song. I wanted to bring my emotional intensity to the song in a supportive way,” said Jordan, who launched his solo recording career after a lengthy tenure flanking superstar R&B/jazz instrumentalist Brian Culbertson.

Renée, Stevens and Jordan teamed up to lens a romantic video for “Your Tender Kiss,” which can be viewed at https://www.youtube.com/watch?v=anCib1Cc94g. 

“For the video, I envisioned a relatable scene for most busy women. You arrive home after work to relax with soothing music creating the atmosphere. The romantic twist was adding a handsome love interest to surprise me with a bubble bath and sparkling wine. As I dip into the steamy water, take a sip of the rosé, and close my eyes, I’m transported by the sexy saxophone solo as the perfect finishing touch to a tender night of passion,” Renée describes.

A native of Oxnard, California, Renée attended Howard University where she earned a master’s degree and a doctorate. Elements of classical, jazz, soul, gospel, and pop inform her recordings. Noted R&B producer Dinky Bingham (Patti Labelle, Lionel Richie, New Edition) produced her 2012 debut album, “Beautiful Wonder,” which was led by the empowering single “She Presses On.” Bingham also produced her sophomore release, “Brand New Day,” a 2021 EP. She has shared the stage with Beyonce, Mariah Carey, Shakira, Diana Ross, Maysa Leak and Vanessa Williams, and has performed at internationally televised events honoring Presidents Barack Obama and Bill Clinton. Renée has graced such prestigious and diverse venues as the Kennedy Center, Rehoboth Beach Jazz Festival, Blues Alley, The Birchmere, and UniverSoul Circus.     

For more information, visit https://www.genevarenee.com.

DARNELL “SHOWCASE” TAYLOR FT. PATCHES STEWART – ‘NIGHTS IN NAPA’

Darnell "Showcase" Taylor is an American guitarist, songwriter, producer and engineer. Beginning at the age of twelve, Taylor's pursuit of guitar started in the church and he has now been playing for over 20 years. In 2009 he executively produced his first gospel project for Marshetta Parker which led him to launch his own record company, Turning Point Music Group.

Darnell "Showcase" Taylor sets the stage for a career as an innovative creative artist. His new single is "Nights In Napa", featuring Patches Stewart.

MARCUS ANDERSON – ‘ANY WAY YOU WANT IT’

The 2 X’m Grammy and Stellar Award nominated artist is an incredible act and one worth watching, saxophonist Marcus Anderson is the golden child shining among stars. With 15 studio albums on his list of accomplishments and 5 Billboard number 1s. , the fusion jazz artist brings R&B, Pop, Rock and Funk to make music that puts listeners in another atmosphere.

Charting number one in both categories of Billboard’s Smooth Jazz and Sirius XM’s Watercolors with numerous hits the Spartanburg, SC native is delivering major music in a humble way. His work with the late Prince and the New Power Generation led him to join stages with the likes of Ceelo Green, Bobby Caldwell, Eric Benet, Stevie Wonder, and Brian Culbertson just to name a few, where he had become a key contributor in these touring band.

His new single is "Any Way You Want It" off his new album The Vibe.

RICHARD ELLIOT – ‘VERY DELICIOUS’

Smooth Jazz icon Richard Elliot has performed and recorded with Jazz and R&B superstars Smokey Robinson, The Yellow Jackets, Tower Of Power, and Bonnie Raitt, just to name a few. With more than 20 Top Ten Smooth Jazz singles and number 1 contemporary jazz albums, he has delighted his dedicated fan base worldwide.

Straight Up Down overflows with Richard’s ebullient spirit. Highlights include his upcoming single, the joyous “Very Delicious”, produced by Euge Groove!

NEW SINGLE ‘BOUND TO BREAK’ BY STEVE LEON & THE ACCUSATIONS

Antwerp based Alt-Country and Indie folk band STEVE LEON & THE ACCUSATIONS present "BOUND TO BREAK", the first single off their upcoming album "Borrowed time bonanza".

This track is a perfect example of the bands' indie songwriting wrapped up in country and folk arrangements: steady acoustic guitars, a lilting violin and moody dobro, topped off with two-part vocal harmonies and interjected by stabs of punchy electric guitar. The resulting sound has a good chance of appealing to fans of Wilco, Bright Eyes, Green On Red, Chuck Prophet or The Mountain Goats.

In "Bound To Break", Steve Leon writes about leaving youth behind with his passion for playing music fully intact. The song deals with the realization that his main motivation is a profound love of music, creation and the unique experience of playing music together with a group of friends. Writing songs is not a choice for Leon, it's something he has to do.

The new album "Borrowed Time Bonanza" was recorded straight to 16 track analogue tape, capturing the band while playing together live. This results in a truly honest sounding record, capturing those little magic moments that can only happen in such a setting and presenting with a warm and detailed sound. In this way, the band makes conscious decision to preserve human emotion an imperfection in a time of glossed over productions and AI generated music. Mastering was handled by Bob Macc at Subvertcentral.

The Band

Steve Leon – zang, gitaar, Mila Francis – zang, mandoline, viool, gitaar, Yannick Hermans – gitaar, Bouke Cools – pedal steel, dobro, Kristof Van de Vliet – bas, Tim Martens – drums

Tour dates

Booking in association with RootsTown Bookings (EU)

Tourdates 2024
30/08/2024 - Friday - Melbourne Coffee - The Netherlands - Tilburg
08/09/2024 - Sunday - Tram4 - Belgium - Dranouter/Heuvelland (duo show)
11/10/2024 - Friday - Het Groot Ongelijk - Belgium - Leuven
14/12/2024 - Saturday - Corso (CC Berchem) - Belgum - Berchem
07/11/2024 - Thursday - Djingel Djangel - Belgium - Antwerp
30/11/2024 - Saturday - Plan B - Belgium - Tienen

Tourdates 2025
08/02/2025 - Saturday - Barzoen - Belgium - Turnhout
13/02/2025 - Thursday - Cabron - Belgium - Antwerp
30/03/2025 - Sunday - Lokaal 42 - The Netherlands - Helmond
18/04/2025 - Friday - Muziekcentrum Dranouter - Belgium - Heuvelland
17/05/2025 - Saturday - CC Muze - Belgium - Heusden-Zolder

EXTRA SHOWS 'FACE THE FUTURE' VAN HANS KLOK IN GENT EN ANTWERPEN

Na zinderend premièreweekend in Carré Amsterdam:

Extra shows voor nieuw illusiespektakel 'Face the Future' van legendarische Hans Klok in Antwerpen en Gent 

16 + 17 november 2024 – Capitole Gent 
23 + 24 november 2024 – Stadsschouwburg Antwerpen

"Hans Klok verplettert Carré", "Een avond vol écht entertainment", "Illusies en showmanship zwepen publiek op tot ware ovaties", "Kan het nog beter?",...het is maar een greep uit de reacties in de Nederlandse media na de première van wereldvermaard illusionist Hans Klok zijn nieuwe show 'Face the Future' op vrijdag 9 augustus 2024 in het Koninklijk Theater Carré in Amsterdam.

De positieve echo's uit Nederland galmen na het zinderende premièreweekend duidelijk ook door tot in België, want naast de eerder aangekondigde shows van 'Face the Future' op 16 november in Capitole Gent en 23 november 2024 in Stadsschouwburg Antwerpen, mag Hans Klok het publiek ook tijdens de extra shows op 17 november (Gent) en 24 november (Antwerpen) meenemen op deze onwaarschijnlijke reis door de tijd.

Foto: Roy Beusker

Face the Future

Geïnspireerd door de razendsnelle technologische ontwikkelingen in AI en Virtual Reality, toont Hans Klok in dit ongekende spektakel hoe illusionisme er in de toekomst zal uitzien.

Hans creëert een avatar als oplossing voor de uitdagingen waar een illusionist in 2024 mee te maken heeft. Deze dubbelganger ontwikkelt al snel een eigen wil en is niet langer van plan dienstbaar aan hem te zijn. Als dit zelfstandig denkende wezen steeds meer macht vergaart, neemt het de wereld van Hans Klok stukje bij beetje over. 

De enige manier waarop Hans dit proces kan stoppen, is zijn digitale alter ego door de tijd te achtervolgen, totdat het een fysieke vorm aanneemt en eindelijk verslagen kan worden.

’Face the Future’ is een verhaal over het onder ogen zien van jezelf, wat er gebeurt wanneer mens in conflict komt met technologie en een blik op de menselijke kant van ’s werelds snelste illusionist. 

****  “Zoals Klok is er maar één” – De Telegraaf
**** ”Meesterlijke illusies” – De Telegraaf
“De illusies en trucs van Klok zijn altijd van hoog niveau”- de Volkskrant
“Hans Kloks meest adembenemende show tot nu” – Parool 
“Las Vegas optima forma” – Parool 

***** “Face The Future is absoluut de beste show die Hans Klok ooit gecreëerd heeft” –  Theaterparadijs

Foto: Roy Beusker

Bovenal is ‘Face the Future’ een spectaculaire familieshow zoals de wereld nog nooit gezien heeft. Bijzonder aan deze voorstelling zijn ook de Magic Seats. Wie kaarten voor deze speciale stoelen koopt, ziet de magie van héél dichtbij en heeft na afloop ook een meet & greet met Hans Klok.

Tickets voor ‘Face the Future’ van Hans Klok op zaterdag 16 en zondag 17 november 2024 in Capitole Gent en op zaterdag 23 en zondag 24 november 2024 in Stadsschouwburg Antwerpen, zijn nu verkrijgbaar via ticketkopen.eu .

'JEANNE D’ARC' IN GESTREKTE DRAF RICHTING PREMIÈRE

Musicalspektakel 'Jeanne d'Arc' in gestrekte draf richting première

Nu al 22.500 tickets verkocht!

Niet alleen de temperatuur in en rond Westerlo, ook de spanning bij de cast en crew van 'Jeanne d'Arc' stijgt de komende dagen nog enkele graden. Op het prachtige domein van kasteel de Merode wordt momenteel dan ook naarstig gerepeteerd en alles in gereedheid gebracht voor de première van het groots opgezette musicalspektakel op woensdag 14 augustus.

Tot 7 september 2024 kan het publiek daar de epische reis van Jeanne d’Arc beleven en zich laten meeslepen door het verhaal van een eenvoudig boerenmeisje dat door strijd, moed en opoffering uitgroeide tot een absoluut icoon.

Het jonge, maar gedreven schrijversduo Jelle Cleymans en Jef Hoogmartens tekende voor het script en de liedteksten van dit bijzondere openluchtspektakel rond deze legendarische Franse oorlogsheldin, die op 19-jarige leeftijd stierf op de brandstapel. 

Met o.a. Lotte Stevens als Jeanne d’Arc, Pieter Jan De Paepe (Jean de Metz), Erik Goris (Bisschop Pierre Cauchon), David Cantens (Robert de Beaudricourt) en Helle Vanderheyden (heilige Catharina). 

Tickets & info: historalia.be

WILLIE WALKER – ‘DAYS AND NIGHTS’

Willie Walker is a renowned jazz bassist from Charlotte, NC, known for his exceptional talent and unique style in the world of music. With years of experience and a passion for creating soulful melodies, Walker has captivated audiences worldwide with his performances. Willie Walker’s music transcends boundaries and resonates with listeners of all backgrounds.

Whether performing on stage or in the studio, Willie continues to push the boundaries of jazz music and inspire fellow musicians and music lovers alike.

NICK STONE IS ‘STANDING STRONG’

Saxophonist Nick Stone is thrilled to share his first single, written, produced, and recorded with Grammy-nominated, #1 Billboard hit producer Nate Harasim. Nick Stone, with his impressive background touring internationally with industry giants Neyo and Charlie Wilson, is poised to make a significant impact with his debut album.

Stone's debut single, “Standing Strong” will surely grab the listener with its catchy hook and solid groove.

RYAN MONTANO IS A ‘DREAMER’

Ryan Montano is a musician, trumpet player, piano player, and songwriter, which is currently his biggest musical passion. He's always striving to write songs that are honest, well-written and well-produced. His biggest musical influences come from the genres of soul and singer-songwriter. June Marieezy, John Mayer, Allen Stone, Jim Croce, Norah Jones, Tingsek, Justin Timberlake, Citizen Cope, Lukas Graham, Jamie Cullum, Nicholas Payton and The Association.

We think you and your listeners will dig Ryan's new radio single, "Dreamer".

GREG MANNING AKS YOU TO ‘COME ON OVER’

Greg Manning celebrates the end of summer with an up-tempo party song, "Come On Over". This feel-good track invites you to come on over to the house and let your hair down. The funky tune has Carlyle Barriteau (formerly of Bobby Caldwell's band) on guitar, weaving an enticing groove over Greg's distinctive piano styling and sophisticated jazz chords.

We hope that you'll be singing the catchy hook of "Come On Over" through the end of summer and beyond!

DEEP BRIDGE LAAT ‘DOORNROOSJE’ ONTWAKEN IN GENT EN HASSELT

Vanaf 12 april 2025

Vanaf 12 april 2025 presenteert Deep Bridge de sprookjesmusical 'Doornroosje' in opeenvolgend Capitole Gent en Trixxo Theater Hasselt. Een trip down memory lane voor de producent, want in 2018 was 'Doornroosje' het eerste sprookje dat Deep Bridge op de planken bracht.

Sindsdien maakte Deep Bridge zich de sprookjes volledig eigen. Geliefde, herkenbare sprookjes krijgen daarbij een  hedendaagse twist.  Deze ‘Doornroosje’ wordt een volledig nieuwe versie, waarvoor het creatieve team van Deep Bridge opnieuw aan de slag gaat met de ondertussen bekende ingrediënten.  Gelaagde humor, leuke liedjes, prachtige kostuums en kleurrijke decors zorgen steeds voor een totaalbeleving voor jong en oud. De sprookjesmusicals van Deep Bridge zijn de perfecte instapmusicals voor de jongste theaterbezoekers, maar ook voor volwassenen zijn de voorstellingen keer op keer een feest.

Generatie na generatie blijft 'Doornroosje' één van de meest tot de verbeelding sprekende sprookjes. Gelukkig wacht Deep Bridge geen honderd jaar om haar opnieuw te laten ontwaken en kan je vanaf 12 april 2025 gaan genieten van deze gloednieuwe sprookjesmusical, met nieuw script en nieuwe muziek, in Gent en Hasselt. 

Wie straks Doornroosje zal spelen, én wie Doornroosje wakker mag kussen, is nog een groot geheim.

Het verhaal

Op haar vijftiende verjaardag prikt Doornroosje zich aan een spinnewiel in een vergeten toren van het kasteel. Een vloek, uitgesproken door een boze fee op haar geboortefeest, maakt dat ze onmiddellijk in een diepe slaap valt. Het hele kasteel valt mee in een slaap die wel honderd jaar zal duren.

Rond het kasteel groeit een doornenhaag die maakt dat de vele prinsen die Doornroosje proberen te redden, vast komen te zitten en sterven. Pas na exact honderd jaar opent de haag zich en raakt een prins tot bij Doornroosje op de vergeten zolder...

'Doornroosje' speelt op zaterdag 12 en zondag 13 april 2025 in Capitole Gent en op zaterdag 19 april in Trixxo Theater Hasselt. De Antwerpse data en locatie worden binnenkort bekendgemaakt. In het najaar van 2025 gaat de voorstelling op tournee.

Tickets & info: deepbridge.be

!! RANG-UPGRADE !!
Boek tot 18 augustus 2024 je tickets en krijg een gratis rang-upgrade cadeau.
Voor Golden Seat betaal je de prijs van Categorie 1, voor Categorie 1 betaal je de prijs van Categorie 2, enzovoort.

NEW SINGLE ‘LET ME IN’ FROM FINNISH SOUL SINGER EMILIA SISCO

One of the prominent growing voices in Timmion Records’ roster, singer Emilia Sisco blesses your turntable with another deep soul ballad.

Joining hands with Cold Diamond & Mink, Emilia pours a generous helping of deep soul magic into ‘Let Me In’, gliding over the southern-tinged beat with melodic grace.

It’s almost impossible to remain ambivalent to Emilia’s talent when the spine-tingling chorus with its clever twists rolls in. The bittersweet love song’s timeless feel pours over the listener like the flooding Mississippi, anthemic but understated.

Flipping the single, we get to revisit Emilia’s previous single ‘Love Can Carry Me’ but this time in instrumental mode, titled as ‘Way Past Midnight’. It’s not just a vocal strip down, but this time Cold Diamond & Mink has equipped the track with a jazzy Grant Green styled lead guitar. Tasty.

Both tracks written by: Emilia Sisco, Tuomo Prättälä, Nicole Willis, Jukka Sarapää, Sami Kantelinen, Seppo Salmi, Jukka Eskola. Publishing: Timmion Records Ltd.

About Emilia Sisco

With her powerhouse vocals and a remarkable ability to weave narratives in her songs, Emilia Sisco effortlessly fuses soul, jazz and blues into a mesmerizing tapestry of sound. Her voice carries the weight of raw emotion, echoing the depths of the human experience.

Released on Timmion Records, Emilia Sisco made waves with her previous single, "Don't Believe You Like That," which quickly gained her plenty of worldwide admirers. In 2023, she unveiled the next offering in collaboration with the acclaimed production house Cold Diamond & Mink – a grooving little vinyl double-sider entitled "Trouble" b/w "It'll get better." These deep tracks transport listeners to an intimate space where time stands still and you can hear your heart beat.

Drawing inspiration from legendary icons like Aretha Franklin, Etta James, and Billie Holiday, Emilia infuses her music with a rich blend of influences. She takes the timeless traditions of soul and R&B, infusing them with her own unique style and modern sensibilities, creating a sonic journey that resonates deeply with people everywhere.

Hailing from Helsinki, Finland, Emilia has embarked on a journey that's firmly establishing her as one of the most promising voices in the contemporary soul scene. As Emilia Sisco continues to evolve and carve her path in music, her powerful voice, talent, and passion set her apart from cheap novelties. With each new release, she pushes the boundaries of her expression further, fearlessly exploring new emotional terrain, and etching her name in the hearts and ears of those who can catch the message.

RICHARD EARNSHAW - 'TOUCH ME'

As Mark Knight’s Fool’s Paradise label celebrates its first anniversary, they welcome back legendary UK DJ and producer, Richard Earnshaw, to the label with an essential new rework of Fonda Rae and Wish’s 1984 classic, ‘Touch Me’. Revisiting one of the greatest dance floor favourites of its time, Richard tastefully reimagines the song, delivering a chic Disco infused House workout, powered by a sensual funky groove wrapped in his signature classy keys, primed to shimmer under the glitterball!

A classically trained jazz musician, producer, DJ, remixer, songwriter, co-founder of the iCulture brand and Duffnote, One51, Guess Record labels, Richard Earnshaw has been nothing short of prolific when it comes to his musical output. Under his various collaborations and pseudonyms, notably Spiritchaser, One51 and Inner Spirit, Richard has co-written, produced and remixed some of the industry’s great icons including Roy Ayers, Jocelyn Brown, Ursula Rucker, Natasha Watts and Kenny Thomas, to name a few. Aside of his productions for his own labels, Richard’s music has also graced prominent labels such as Soulfuric, Defected, Large, Reel People Music, Groove Culture, Salted Music, Purple Music, Morehouse, Swing City, Peppermint Jam, Hed Kandi, Ministry of Sound, Sony Music and many more.

Track Listing
1 Touch Me
2 Touch Me (Extended)

‘Touch Me’ will be released on August 9th 2024 on Fool’s Paradise.

Richard Earnshaw
‘Touch Me’
Fool’s Paradise / FP017
https://www.instagram.com/richardearnshaw
www.facebook.com/foolsparadiserecs
www.instagram.com/foolsparadiserecs

NEW SINGLE ‘CATCH THIS GROOVE’FROM ALEX FANJUL & CHAVONNA ADAMS

Alex Fanjul and "The Queen of Southern Soul" Chavonna Adams Join Forces for a New Musical Hit.

Gijon, (Spain) - August 1, 2024 – The music scene is set to be electrified with one of the most anticipated collaborations of the year. Alex Fanjul, the talented and acclaimed musician, composer and producer known for his innovative sounds and emotive lyrics, has teamed up with the incomparable Queen of Southern Soul, Chavonna Adams, to release their new single, titled "Catch This Groove."

"Catch This Groove" promises to be a unique musical experience that blends Fanjul's distinctive and passionate style with Adams' powerful voice and emotional depth, and her talent for writing all the lyrics, choruses, verses, in this track. This single is a celebration of musical versatility, combining elements of soul, R&B, and pop with lyrics that explore universal themes of love, loss, and redemption.

"Working with Chavonna has been a dream come true. Her voice and soul transform every note into an unforgettable experience. I'm excited to share this song with our fans and see how it resonates in their hearts." – Alex Fanjul

"Alex has a unique way of connecting with people through his music. 'Catch This Groove' is a perfect blend of our styles, and I'm confident it will touch the deepest parts of everyone who listens." – Chavonna Adams

About Alex Fanjul: Alex Fanjul has been an innovative force in contemporary music, known for his captivating melodies and introspective sounds. His ability to blend genres and create fresh sounds has earned him a loyal fan base and multiple industry accolades.

About Chavonna Adams: Chavonna Adams, dubbed the Queen of Southern Soul, is renowned for her powerful voice and her ability to convey deep emotions through her music. With several successful albums and a career full of awards, Adams continues to be an influential figure in the world of soul and R&B.

www.alexfanjul.com

https://www.facebook.com/chavonna.adams

CRITICALLY ACCLAIMED HBO DOCUSERIES ‘STAX: SOULSVILLE, U.S.A.’ NOMINATED FOR TWO EMMY® AWARDS

Los Angeles, CA (July 22, 2024) – Stax Records is thrilled to share that the critically acclaimed HBO docuseries STAX: Soulsville, U.S.A. has been honored with two Emmy® nominations including Outstanding Documentary or Nonfiction Series. This prestigious recognition highlights the series’ exceptional storytelling and its profound exploration of the cultural and musical impact of Stax Records.

Stax Records is critical to American music history as one of the most popular soul music record labels of all time. In 15 years, Stax placed more than 167 hit songs in the Top 100 on the pop charts and a staggering 243 hits in the Top 100 R&B charts. It launched the careers of legendary artists such as Otis Redding, Sam & Dave, Rufus & Carla Thomas and Booker T. & the M.G.’s, among numerous others.

The HBO Original four-part documentary series STAX: Soulsville, U.S.A., an official selection of the 2024 SXSW Film & TV Festival and winner of the TV Premiere Audience Award, is directed by filmmaker Jamila Wignot. The series, a production of Laylow Pictures and White Horse Pictures in association with Concord Originals, Polygram Entertainment, and Warner Music Entertainment, debuted on May 20 on HBO and is available to stream on Max. The docuseries is produced by Jamila Wignot and Kara Elverson; executive produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman. For HBO: executive producers, Nancy Abraham, Lisa Heller, and Tina Nguyen.

“We are proud that the docuseries has received critical acclaim and, most importantly, that the Stax artists and legacy are being recognized and respected as a cornerstone of American history,” shares Executive Producer Michele Smith, VP, Estate & Legacy Brand Management at Craft Recordings.

Synopsis:

By 1973, Stax Records was one of the recording industry’s most influential producers of soul music, breaking acts such as Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, Sam & Dave and many more. In just under two decades, the scrappy outsider had grown from a modest family-owned record store and studio in Memphis, TN, to a trailblazing global music label. STAX: Soulsville, U.S.A.chronicles the audacious group of individuals who dared to make music on their own terms, smashing racial barriers, defining an era and leaving an enduring musical legacy in their wake. Driven by a striking collection of restored and remastered archival performance footage and intimate interviews with key players in the label’s remarkable history, STAX: Soulsville, U.S.A. details the unlikely origin story of Stax Records and pays tribute to its complex music library and the legendary artists that emerged from the iconic studio.

Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent—musicians, songwriters and producers—who would create the unforgettable Stax sound. Against the backdrop of the American South of the ’50s, ’60s and ’70s, white and Black artists worked together, defying segregation and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after 15 pioneering years.

Featured Participants: 

A wealth of music and archival footage is complemented by insight from: Stax founder Jim Stewart and co-owner Estelle Axton; the legendary Otis Redding and Isaac Hayes, Stax producer and artist; Al Bell, Stax’s former president, owner and director of promotions; Deanie Parker, Stax’s director of publicity; David Porter, musician and Stax songwriter; Booker T. Jones, Booker T. & the M.G.’s musician and band leader; Steve Cropper, Booker T. & the M.G.’s guitarist; Rufus Thomas, artist and Memphis DJ; Carla Thomas, Stax singer and songwriter; Sam Moore, singer; James Alexander, Bar-Kays bassist; Willie Hall, musician and Bar-Kays drummer; Howard Robertson, Stax publicist; Terry Manning, Stax engineer; Bettye Crutcher, Stax songwriter; Bobby Manuel, Stax guitarist; Wattstax cinematographers Larry Clark and Roderick Young; Bruce Talamon, photographer; James Douglas, marketing and promotions for Stax; and Rob Bowman, historian and author of Soulsville, U.S.A.

HELLE VANDERHEYDEN STRAALT ALS ‘PRETTY WOMAN’ IN NICKY VANKETS-VERSIE ICONISCHE, RODE JURK

"Een iconische look heruitvinden is altijd een risico"
- Nicky Vankets -

Vanaf 23 maart 2025 - Antwerpen, Gent, Hasselt

Vanaf 23 maart 2025 brengt producent Deep Bridge voor het eerst 'Pretty Woman - De Musical' op de planken in Vlaanderen. Vlaamse schone Helle Vanderheyden mag in deze romantische musicalcomedy, gebaseerd op de iconische film, in de voetsporen treden van Hollywood-legende Julia Roberts als de flamboyante escorte Vivian Ward.

Onlangs mocht Helle al een eerste keer de metamorfose naar de 'opgekuiste' versie van Vivian ondergaan. Daarvoor werd ze gehuld in de iconische, rode jurk waarmee de vrijmoedige gezelschapsdame het hoofd van rijke zakenman Edward Lewis helemaal op hol brengt. Belgisch modeontwerper Nicky Vankets tekende voor het eigentijdse ontwerp en het moet gezegd, Helle straalt als 'Pretty Woman'!

"Een iconische look heruitvinden is altijd een risico, maar ik ben er wel van overtuigd dat deze versie even memorabel zal zijn na elke voorstelling, als de verschijning van Julia Roberts was toen Richard Gere haar voor het eerst in deze jurk zag in de film."
- Nicky Vankets -

'Pretty Woman - De Musical', met een gloednieuwe score van de Canadese superster Bryan Adams, geschreven in samenwerking met Jim Vallance, en naar het script van Garry Marshall en J.F. Lawton, speelde reeds met groot succes op Broadway en de West End. De musicalproductie, waarin ook het klassieke Roy Orbison-nummer 'Oh, Pretty Woman' voorkomt, zal bij ons opeenvolgend te zien zijn in Stadsschouwburg Antwerpen, Capitole Gent en Trixxo Theater Hasselt.

Tickets & info 'Pretty Woman - De Musical' via deepbridge.be.

NEW SINGLE FROM ROBERTO TOLA – ‘THE JOURNEY AHEAD’

THE JOURNEY AHEAD feat. Giovanni Amato

Composition and arrangements: Roberto Tola

Release date: August 5, 2024 Format: Digital

DESCRIPTION

Guitarist and composer Roberto Tola returns with a new exciting song entitled The Journey Ahead, through jazz harmonies with Latin flavors and an engaging melodic interweaving.

Through this new musical project, which will be included in the new album JAZZ JUNCTION (expected to be released in 2024), the author wants to convey a message of freedom, positivity and self-awareness. An opportune moment to step out of one's comfort zone. An invitation therefore to focus on the possibilities that tomorrow holds for us, rather than looking at the past with regret. Choosing your own path in life and making the choices that we feel are right for us, without caring too much about the judgment of others. Every decision involves a risk, but it is better to face it than to regret roads not taken. Every choice involves a risk, yes, but it is better to risk and not have regrets, and to face with confidence the future that awaits us, whatever form our "journey" takes.

In The Journey Ahead, Roberto Tola highlights all his long instrumental experience, intertwining refined chords and solos full of feeling.

The refined and engaging sound of The Journey Ahead perfectly accompanies this significant invitation to lightness and optimism.

The guitarist and composer Roberto Tola returns with this exciting new song, which sees him supported by a team of extraordinary musicians who show off an executive talent, technique and improvisational taste of great depth.

Alongside Roberto Tola on guitar, we find the already well-known and exceptional trumpeter and flugelhorn player Giovanni Amato (Dee Dee Bridgewater, Tom Harrell, Peter Eskine, Diane Schuur, Randy Brecker, Laura Pausini, Gino Paoli, Gianni Morandi, among many others, a special guest, who enriches the song with his instrumental skills. The band of very young musicians is completed by the pianist Luciano De La Rosa (José Luis Aguirre, Molle trío, Arrope), the brilliant bassist Maciek Szczyciński (John Scofield, Michał Urbaniak, Dominik Bukowski), and the versatile drummer Esteban Rotunno (Toquinho, Luis Salinas..), omnipresent in Roberto Tola's musical productions.

CREDITS

Roberto Tola: Guitar, Percussion, Composition and Arrangement;

Giovanni Amato: Flugelhorn;

Luciano De La Rosa: Piano;

Esteban Rotunno: Drums;

Maciek Szczyciński: Electric Bass;

Mixing and Mastering: Roberto Tola; created at the Eden Beach Studio - Sardinia, Sassari (Italy)

STREAMING E DOWNLOAD

THE JOURNEY AHEAD is available in digital version from August 5, 2024, on all major music platforms, including: Spotify, Apple Music, iTunes, Amazon Music, Tidal, Deezer etc.. or by connecting to the artist's official website.

www.robertotola.com

JESSY – ‘LOVE IS LOVE’

Jessy (De Smet), bekend van de 90’s hitformatie ‘The Mackenzie featuring Jessy’ en de klassiekers ‘Innocence’, ‘Alive’ e.v.a. knalt nu met de gloednieuwe single ‘Love is Love’. Deze krachtige song is meteen ook het anthem voor de Antwerp Pride die van 7 tot 11 augustus 2024 plaatsvindt in het centrum van Antwerpen. De krachtige song draait om inclusiviteit, liefde en het accepteren van eenieder ongeacht je afkomst, geslacht of seksuele oriëntatie. Al die waarden vind je ook terug in het kleurrijke festival. Jessy bracht het nummer al live in primeur tijdens de Vlaanderen Muziekland (Pickx+)-opnames op 11 juli 2024 op een bomvolle Aalsterse Grote Markt. In ‘Love is Love’ brengt Jessy een boodschap van eenheid en respect, waarbij ze benadrukt dat liefde geen grenzen kent. Het nummer nodigt iedereen uit om diversiteit te omarmen, en is een ware viering van de menselijke verbinding in al zijn vormen. “Met dit nummer wil ik de wereld laten zien dat liefde universeel is en dat iedereen het verdient om geliefd en geaccepteerd te worden voor wie zij zijn”, zegt Jessy.“Antwerp Pride is het perfecte moment om deze boodschap te delen en ik hoop dat ‘Love is Love’ mensen inspireert om trots te zijn op zichzelf en op elkaar. De song is ook een oproep om minder snel te oordelen en veroordelen. We zijn allemaal uniek én verbonden.”

Na het succes van Jessy haar ‘Heartbeat’-single legt de ravissante zangeres nu de focus op ‘Love is Love’, een universele, krachtige song met een heldere boodschap. Jessy brengt haar nieuwe, spraakmakende singletijdens de openings- en slotceremonie. De zomer van 2024 is voor Jessy alvast geslaagd met doortochten op het ‘Tien om te Zien’-podium én enkele geslaagde Parkies-concerten. Met ‘Love is Love’ rolt Jessy haar succesvolle solocarrière verder uit, want deze track is opnieuw een voltreffer. 

Love is Love, de nieuwe single van JESSY, kan u HIER beluisteren op alle grote streamingplatformen.

IAN WILLIAMS - 'LE MYSTÈRE LUCIE (DOSSIER SECRET)' | COMPANION PIECE SOUNDTRACK ALBUM BY LONDON-BASED MUSICIAN-COMPOSER OUT

IAN WILLIAMS
LE MYSTÈRE LUCIE
(DOSSIER SECRET)

soundtrack album
out 25.07.24
(Slaughterback)

Bandcamp

includes
L’OPÉRATION SUISSE
audio

As previously revealed via classified intel from our man in the know, London-based musician/composer Ian Williams has today issued a companion piece to his recent soundtrack album of music for the fascinating 2023 French documentary ‘Le Mystère Lucie (Des Espions Contre Le Nazisme)’ / Codename Lucy (Spies Against Nazism).

Entitled ‘Le Mystère Lucie (Dossier Secret)’, it features music composed for but ultimately not used in the documentary, which was originally conceived as a 75 minute film but eventually released as a 52 minute TV broadcast. It seemed a pity not to make these additional themes and sketches available, so here they are, another collection of World War II spy music - melodic, electronic, orchestral, tuneful, abrasive, with both releases showcasing Williams’ knack of fusing big tunes with occasional blasts of industrial noise.

Also available:
IAN WILLIAMS
LE MYSTÈRE LUCIE (DES ESPIONS CONTRE LE NAZISME)
Available via Bandcamp

LE MYSTÈRE LUCIE (DES ESPIONS CONTRE LE NAZISME)
Documentary by Éric Michel and Jacques Matthey
A spy network led by the Swiss-based Jewish communist Sándor Radó was instrumental in precipitating the victory of the Allies during the Second World War.
Radó received confidential strategic information from the highest levels of the Nazi state and in particular from the HQ of the German army via Rudolf Roessler, a deeply anti-Nazi Christian who he never actually met. Roessler, codenamed Lucie because he was based in Lucerne, received his information from German supporters of the resistance, aided by notable members of certain industrial circles.
The exceptional work of these spies contributed to a victory on the Eastern Front but for eighty years remained the greatest secret of the Second World War. The eventual declassification of the archives allowed us to discover this incredible story.

Trailer:

https://www.frenchcx.com/fr/portfolio/le-mystere-lucie-des-espions-contre-le-nazisme/

MORE ABOUT IAN WILLIAMS
Ian Williams began his music career in Edinburgh in the mid 1980s as a founder of Beautiful Pea Green Boat, whose ethereal, atmospheric sound pre-dated the vogue for dream pop by at least twenty years. Several collaborations with Lebanese choreographer Joumana Mourad and her contemporary dance company Ijad saw him fuse Arabic/classical/techno/ambient styles, following which he changed tack to work with singer Claudia Barton as Gamine, releasing two albums of dark, piano-led torch songs and lullabies.

Williams' own releases include THE DREAM EXTORTIONISTS (2019), a debut solo album of dark piano and electronics; LES BLESSURES INVISIBLES (2019), an eclectic electronic soundtrack to a previous documentary film by Eric Michel; ALL BECOMES DESERT (2021), an album of minimalist ambiences and warm analogue soundscapes, plus his current studio album SLOW-MOTION APOCALYPSE (2023), which was described by Electronic Sound magazine as “designed to sound as if it’s on the edge of orgasm or violence. An unapologetic muscle car of an album” and has been compared to Tangerine Dream, Vangelis and Jean-Michel Jarre.

ANDREA LISA – ‘TRIBE’

Andréa Lisa, a talented vocalist/guitarist, songwriter and producer, has called Los Angeles home for six years now. Born in South Africa and raised in New Zealand, her global upbringing and extensive traveling has infused her music with a unique flavor.

While performing on a cruise ship, she caught the attention of Grammy-winning artist Kirk Whalum, with whom she's toured with for over five years now. Andréa's songwriting prowess is showcased on Kirk's albums “Humanité”, and most recently ‘Epic Cool’, with her composition ‘Love & Healing’.

Following the success of her song "Vortex", which topped Watercolors Sirius XM's most played charts in September 2023. Andréa Lisa returns with her debut album, "Silver Lining.” This album features a vibrant instrumental track called "TRIBE," written and produced by Andréa. Featuring bassist Melvin Lee Davis, and multi-instrumentalist Hamilton Hardin, "TRIBE" bursts with infectious rhythms and melodies that celebrate Andréa’s roots, and will surely make you groove!

DAN SIEGEL PUTS HIS ‘BEST FOOT FORWARD’

Pianist/keyboardist Dan Siegel has covered a broad swath of the Jazz spectrum over the course of his four-and-a-half decade career, from straight ahead swing to sleek contemporary sounds. While that’s a testament to Siegel’s multifaceted talents and restless curiosity, it’s also the result of the diverse array of collaborators that have joined him along the journey–a staggering roster that includes Bela Fleck, Steve Gadd, Larry Carlton, Ernie Watts, Ottmar Liebert, Lee Ritenour, Brian Bromberg, Eric Marienthal, Bob Sheppard, Boney James, Alex Acuña and others.

Dan's new single "Best Foot Forward" is from his upcoming album release, Unity.

BIG MIKE HART – ‘PENTHOUSE SUITE’

Michael “BIG MIKE” Hart Jr. is a talented musician, producer. and songwriter, with a modern sound and classic feel. The California native developed his love for music at a young age, gravitating to the guitar identifying it as the ‘holy ghost’. Mike has taken a piece from all of his influences and fused them together, creating his own individual style. He has been afforded the opportunity to tour, produce and write for some of the world's favorite artists, including being a regular in Boney James band, and tv shows as well. Big Mike is the owner of Rhythm Section Entertainment in Los Angeles, CA. 

Mike’s new single “Penthouse Suite” is the follow up to Mike’s #1 Billboard hit, “Cigar Lounge” ft. Boney James, which spent 4 weeks atop the Billboard Smooth Jazz airplay chart in Spring 2024.

We think “Penthouse Suite” is HOTT!

NIEUW DUET GEORGE MCCRAE & LYNDA LAW

Na het immense succes van ‘Step Into My Heart’ in 2023, de eerste keer dat George McCrae en Lynda Law na vele jaren opnieuw samenwerkten, zijn ze deze zomer terug met een gloednieuw duet.

‘Gotta Have It’ is wederom ​​een energieke Discoplaat die zeker in menig playlist zal opgenomen worden omdat het vrolijk, speels en meeslepend is.

De perfecte mix van de stemmen van George als Lynda geven het nummer een sterke vibe en zorgen voor een vrolijke sfeer.

Ze hopen dat veel radiostations en DJ’s het nummer weer zullen omarmen zoals ze dat deden met “Step Into My Heart”.

Dit duet werd op elk continent gedraaid en tot op heden hebben veel radiostations het nog steeds in hun dagelijkse rotatie zitten.

Na het schrijven van “Step Into My Heart” vorig jaar wilde Lynda Law een waardige opvolger van het Disco-dansnummer maken, ook om George McCrae’s 50e verjaardag van “Rock Your Baby” nog specialer te maken.

“Rock Your Baby” wordt zelfs vernoemd in "Gotta Have It".

“Gotta Have It” gaat helemaal over liefde en hoe mensen bereid zijn een stap verder te gaan om die liefde te bereiken.

Wakker worden op een maandagochtend en hopen dat het snel weer vrijdagavond is, zodat je weer samen kunt zijn met degene van wie je houdt, kan het nog romantischer?

De videoclip komt binnenkort ook uit en George en Lynda beloven dat het VIRTUEEL heel verrassend zal zijn.

AMERIKAANSE ZANGER ABDUL KAREEM “DUKE” FAKIR (THE FOUR TOPS) OVERLEDEN

De Amerikaanse zanger Abdul Kareem “Duke” Fakir is gisteren op 88-jarige leeftijd in zijn woning in Detroit overleden. Fakir was een van de oprichters van de legendarische Motown-act The Four Tops en maakte van 1953 tot kort voor zijn overlijden deel uit van het vocale kwartet. Hij was het nog enige levende lid van de fameuze line-up van The Four Tops, die in de jaren zestig en zeventig tientallen wereldhits scoorde. Fakir werd in 1935 in Detroit geboren. Zijn vader was een fabrieksarbeider. Op Detroit's Pershing High School blonk hij uit in basketbal, voetbal en hardlopen. Hij ontmoette mede-groepslid Levi Stubbs voor het eerst tijdens voetbalwedstrijden in de buurt. Enige tijd later werden Stubbs en Fakir vrienden en reisden ze samen naar sportwedstrijden, waar ze spontaan liedjes zongen. Hun voorliefde voor zingen leidde ertoe dat Fakir en Stubbs probeerden om nog twee andere zangers te interesseren voor een groep. Lawrence Payton en Renaldo ‘Obie’ Benson werden uitgenodigd om met Fakir en Stubbs te zingen op een feestje in een plaatselijke club. Stubbs kreeg de rol van leadzanger toebedeeld en de drie anderen verzorgden de achtergrondzang. De feestgangers waren zeer te spreken over de vier zangers en de vier besloten samen te gaan repeteren. De groepsnaam The Four Aims werd verzonnen. Tijdens hun eerste opnamesessies bij Chess Records in Chicago werden de vier eraan herinnerd dat The Ames Brothers in die tijd een zeer populaire zanggroep was. Om verwarring te voorkomen werd de groepsnaam gewijzigd in The Four Tops. De populariteit van The Four Tops nam snel toe en leidde in 1963 tot een platencontract bij het onlangs opgerichte Motown Records. The Four Tops werd in de jaren zestig een van de populairste zanggroepen ter wereld en scoorde hit naar hit. Singles als ‘Baby I Need Your Loving’, ‘I Can’t Help Myself (Sugar Pie Honey Bunch)’, ‘It’s The Same Old Song’, ‘Reach Out I’ll Be There’, ‘Standing In The Shadows Of Love’, ‘Bernadette’, ‘7 Rooms Of Gloom’, ‘Walk Away Renee’, ‘What Is A Man’ en ‘Simple Game’ werden grote internationale hits. In de jaren zeventig en tachtig ging dat succes gewoon door met hits voor andere platenlabels: ‘Keeper Of The Castle’, ‘Ain’t No Woman (Like The One I’ve Got)’, ‘Are You Man Enough’, ‘When She Was My Girl’, ‘Don’t Walk Away’, ‘Indestructable’ en ‘Loco In Acapulco’. Na de dood van de andere drie leden van The Four Tops was Fakir vanaf 2008 degene die het intellectueel eigendom van The Four Tops beheerde en bewaakte. Hij ging niet met pensioen en bleef optreden tot mei 2024. Kort voor zijn overlijden benoemde hij Michael Brock tot zijn opvolger. Abdul Kareem ‘Duke’ Fakir ruste in vrede!

Met dank aan Leo Weijers.

JAZZ HORN PLAYER GABRIEL MARK HASSELBACH IS FEELING ‘LUCKY’ AMIDST A PROLIFIC SUMMER

“Count Your Lucky Stars,” his second album to drop this summer, will be released on August 2. The first single, “SunSeeker” featuring Marion Meadows, is now collecting playlist adds.

VANCOUVER, BC (23 JULY 2024): Juno Award-winning and multiple horn player Gabriel Mark Hasselbach has a long-established gratitude practice. As he prepares to release his second album since June, he’s feeling grateful about this prolific summer that will see the release of his fifteenth album, “Count Your Lucky Stars,” which he wrote and produced with Lew Laing Jr. (Paul Brown, Richard Elliot, Norman Brown). The Windtunnel Records release arrives on August 2.

“Count Your Lucky Stars” is a 13-song aural exploration through contemporary jazz rhythms, grooves and melodies. Showcasing his lyrically expressive horn play, Hasselbach wields multiple horns on every track throughout the project, finding the variety empowers him to uniquely color, shade and texturize each song.   

“I mix my flute and my muted trumpet and my flugelhorn in a lot of different combinations. And I really like the balance of those textures. It provides different sonic colors to me, so it’s something that I’ve gravitated to and just by nature have developed,” Hasselbach recently told the Jazziz podcast.     

The album opener, “SunSeeker,” is the first single from the new album and the cut spotlighting saxophonist Marion Meadows began collecting radio and Spotify playlist adds last week, including SiriusXM’s Watercolors. Both artists lived in Hawaii for many years. Hasselbach paints the picture of the song’s inspiration.

“The song title explains our journey to the islands, a magical place full of hope and love. Tradewinds create breezes that keep you cool, allowing the sun to gently burnish you,” said Hasselbach who will make his Catalina JazzTrax Festival debut on October 17.    

The uplifting title track is next and sprang from a daily affirmation that Hasselbach repeated.

“I spent the last twenty years or so doing the personal development work to reach my potential and higher self, and part of that exercise was a daily affirmation that started out as wishful thinking and became my reality along the way. A 'thank you' goes a long way in daily interactions, but even more so when you thank the Universe or Higher Power for the good things you have - mentally, emotionally, physically and spiritually - rather than the things you don't have.”

Hasselbach’s positive mindset permeates “Positive Space,” a chill tune about the need for quiet, safe spaces free from toxic people.

“We all need places that nourish us, happy places free from toxic relationships. That is the key to a balanced and happy life, so I thought a musical expression of that reality was worth exploring,” said Hasselbach.

Juno and American Music Award-winning singer-guitarist Alfie Zappacosta plies his distinctive voice to “We Are,” continuing Hasselbach’s careerlong tradition of including at least one vocal track on every album. Pianist Miles Black is featured on “Force of Habit,” a slick percussive groove constructed by Laing Jr. and bassist Glenn Riley. Laing Jr.’s deft beats anchor “Funky Lew,” one of two duo tracks on the album performed by Hasselbach and Laing Jr. Eddie Bullen guests on “Written in the Stars,” issuing a poetic piano solo.

The tempo rachets up to dance floor on “Show of Hands,” which Hasselbach said was written to pay homage to those who step up to serve society. 

“This is an inspirational and aspirational track that is meant to promote community spirit and giving. The world needs more uplifting and civic minded people who don't always put themselves first. In a way, this song is an anthem for the good guys!” enthused Hasselbach.

From club vibe to romance, Hasselbach serenades on “Paris Solstice,” recreating the ambiance from when he proposed to his wife atop the Eiffel Tower.

“After a couple of French 75s and some cheese nibbles, the fading light of the summer's eve bathed us in a golden glow as we were basking in the joy following the ‘Yes!’” recalled Hasselbach.

“Just A Little Fling” is the only song on the set that is flute driven. Andrew Jacob Scott’s articulate electric jazz guitar features on “State of Play.” The atmospheric “That Being Said” ventures into exotic romance created by Andre Frappier’s rhythmic Latin guitar and Steve Alaniz’s sensual sax.

“Work the Magic” celebrates the magic of momentum, which began for Hasselbach last month when he released a retrospective collection of 18 vocal tracks taken from his 14 albums. “The Vocalists” features Michael Bublé, Dee Daniels and an accomplished assortment of popular Canadian vocalists as well as Hasselbach crooning himself. The vocal album is made up of straight-ahead jazz, R&B, blues and adult contemporary pop selections. 

This summer isn’t the first time that the fruitful Hasselbach has dropped two albums around the same time. His previous two projects, the contemporary jazz “Tongue & Groove” and straight-ahead “MidCentury Modern Vol.3,” both streeted in 2022. “Tongue & Groove” scored a Contemporary Album of the Year nomination at the inaugural Jazz Music Awards while “MidCentury Modern Vol.3” enjoyed a 17-week run on the JazzWeek chart.

A Denver native who has made Vancouver his home, Hasselbach is the rare jazz musician who is equally at home in contemporary, straight-ahead and traditional New Orleans jazz settings. He’s amassed eleven Billboard top 30 singles, and his extensive collection of honors and awards includes several Junos (Canada’s Grammy equivalent). Reflecting his resume  of projects in all hues of jazz, Hasselbach has recorded with a diverse array of Grammy winners and Billboard chart-toppers including Jeff Lorber, Paul Brown, Paul Hardcastle, Bob Baldwin, Marc Antoine, Greg Manning, Darren Rahn, Warren Hill, Rob Tardik, Bob James, Chuck Loeb, Larry Coryell, Ernie Watts and Bob Mintzer. He’s performed around the world at some of the most prestigious jazz festivals including Montreux, North Sea and JVC.

The “Count Your Lucky Stars” album contains the following songs:

“SunSeeker” featuring Marion Meadows

“Count Your Lucky Stars”

“Positive Space”

“We Are” featuring Alfie Zappacosta

“Force of Habit” featuring Miles Black and Andrew Freeman

“Funky Lew” featuring Lew Laing Jr.

“Written in the Stars” featuring Eddie Bullen

“Show of Hands” featuring Glenn Riley

“Paris Solstice” featuring Miles Black

“Just A Little Fling”

“State of Play” featuring Andrew Jacob Scott

“That Being Said” featuring Steve Alaniz and Andre Frappier

“Work the Magic”

“We Are” featuring Alfie Zappacosta (radio edit)

Listen to “SunSeeker” at https://lnk.to/yZjNCh6w.

For more information, visit https://gabrieljazz.com.

CONTEMPORARY JAZZ KEYBOARDIST PATRICK BRADLEY IS SPIRITUALLY ROOTED IN ‘GRATITUDE’

His sixth album arrives September 20; the title track of the set produced by Grammy nominated hitmaker Darren Rahn will be released as a single.

VISTA, CA (22 JULY 2024): Although already a deeply devout man, a life-threatening illness became a literal “come to Jesus” moment for Billboard chart-topping contemporary jazz keyboardist Patrick Bradley. The immense sense of gratitude and awe that he feels since overcoming the gravely ill month that saw him hospitalized twice informs the ten songs that he wrote for his sixth album, “Gratitude,” which drops September 20 on the Patrick’s Song Factory label. Multi-time Grammy nominated producer Darren Rahn produced the collection and co-wrote seven songs with Bradley.   

Before stricken by the undiagnosed illness, Bradley had been on a high since his last album, “Exhale,” was released in 2021. The title track shot to No. 1 on the Billboard chart. A second single, “Completely Yours,” went top 10 and two other singles (“Song of May” and “Reinvention”) reached the top 20. That same year, the sickness that the doctors deemed Bradley at “substantial risk for morbidity” sparked a crisis of faith. His liver, pancreas and kidneys were under attack, causing intense and debilitating headaches. Bradley did some soul searching at the height of his illness.

“At that time, I had been a Christian for some 38 years, and yet there was that pinging concern if my heart was fully with the Lord. Was I just living for myself or really living for the Lord? Was I taking the Lord seriously enough or was I just living an easy cheap grace sort of life? Easy believe-ism if you will,” shared Bradley.

Feelings of repentance filled Bradley, lighting his path to healing.

“I began to weep uncontrollably. An intense sense of repentance and humbling came over me. At that moment, my headaches stopped, and I began to recover. That moment changed me forever, and I continue to be blown away by my loving, gracious and Holy God. My hope through this music I wrote and recorded for ‘Gratitude’ is to glorify the Lord and lift up and bless those who hear it,” said Bradley who will preview the album with a performance at Spaghettini south of Los Angeles on Sunday (July 28).

Not just transformed spiritually, Bradley exhibits some stylistic changes on “Gratitude.” His previous sets were more fusion focused and displayed him primarily playing synth and organ along with some piano. The new project is distinctly more contemporary jazz-based and spotlights Bradley’s piano play, a switch underscored by the album’s cover art showing Bradley standing next to a piano. Instead of spacy and explorative jazz fusion forays, the ten songs on “Gratitude” feel more present, focused and are brimful of joyous energy.

The album opens with the graceful and poetic “Narrow Path,” on which Bradley and Rahn (synths, tenor sax, synth bass and drum programming) are joined by guitarist Allen Hinds. The rhythm section swells to include two-time Grammy-winning bassist Mel Brown, drummer Tarell Martin and percussionist Christian Teele on the groovy, retro “Nothin’ Ain’t,” which features Rahn, a 29-time Billboard No. 1 hitmaker, ripping a fat sax solo mid-tune embellished by Bradley’s roof raising organ blasts.

Earlier this year, Bradley offered a glimpse of “Gratitude” when he released “Road Trippin’” as a single.

“The inspiration of the song is really celebrating the freedom and the joys of a road trip. Ever since my wife, Lisa, and I purchased a fifth wheel a couple of years ago, we’ve been enjoying the outdoors. We’re grateful to have the opportunity at this time in our lives when we have both the freedom and the means available to get out there. For us, it’s about exploring new destinations and visiting cherished places while enjoying the beauty of God’s creation,” said Bradley who lives in San Diego County.

The tone and tempo become more reflective on the album’s title track and forthcoming second single. Rahn, who like Bradley is a man of faith, delivers an impassioned and compassionate sax sermon on “Gratitude,” which will begin collecting playlist adds on September 30.

Bradley revisits his fusion muse on “Transformation,” on which he plays his trademark piano, synth and organ combo. Guitarist Randy Jacobs adds slick funk riffs to the reassuring affirmation that is “Abide In Me.” “The Calling” has cosmic elements created by Bradley’s four-prong keyboard palette (piano, Rhodes, synth and organ) and Dave Beegle’s acoustic and electric guitars. Bradley pays homage on the empowering rock fusion anthem “Luminaries.”

“As the world grows darker and colder, the need for salt, light and truth grows exponentially. Jesus said His disciples are the salt and light of the world,” said Bradley who freely quotes scripture in conversation, especially when citing his creative inspiration.

Beegle features on “There Is No Other,” which Bradley recalls was seeded forty years ago when reading the book of Isaiah 43:10.

“From that point on, my life was changed, and I began to follow Christ. I understand now that was a sovereign act of God’s grace in my life. I am continually humbled and am still completely blown away by Him,” Bradley admitted.

The album closes with “Celebration,” a festive contemporary jazz romp spiced with saucy Latin jazz nuances.

Bradley debuted in 2007 with the “Come Rain or Shine” album, which featured six-time Grammy nominated saxophonist Eric Marienthal. The title track became the keyboardist’s first Billboard top 30 single. Four years later, Bradley returned with “Under The Sun,” which was produced by Grammy-winning fusion pioneer Jeff Lorber and included Marienthal’s shining sax and a highlight performance from trumpet and flugelhorn star Rick Braun. Lorber returned to helm “Can You Hear Me” in 2014, an outing that saw Bradley’s impressive list of collaborators add Jimmy Haslip (Yellowjackets, Steely Dan), Gary Novak (Chick Corea, Lee Ritenour), David Mann (Sting, James Taylor, Billy Joel) and Michael Thompson (Bob James, Michael Jackson, Celine Dion). Multiple Grammy nominated headliner Dave Koz played an emotional soprano sax solo on the title cut, which is nearing in on ten million streams. Haslip, Novak, Mann and Thompson linked up with Bradley and Lorber again on 2017’s “Intangible.” The album notched two Billboard top 10 singles: “Dear Friend” and “Tailwind” featuring guitar ace Paul Jackson Jr. (Michael Jackson, Daft Punk). 

The “Gratitude” album contains the following songs:

“Narrow Path”

“Nothin’ Ain’t” featuring Darren Rahn

“Road Trippin’”

“Gratitude” featuring Darren Rahn

“Transformation”

“Abide In Me”

“The Calling”

“Luminaries”

“There Is No Other” featuring Dave Beegle

“Celebration”

For more information, visit https://patrickbradley.com.

AMERIKAANSE ZANGERES EVELYN THOMAS OVERLEDEN

De Amerikaanse zangeres Evelyn Thomas is gisteren op 70-jarige leeftijd overleden. In Nederland (en België) kennen we Thomas vooral van haar hitsingle ‘High Energy’, die in 1984 de derde plaats van de Top 40 bereikte. In het Verenigd Koninkrijk werden ook singles als ‘Weak Spot’, ‘Doomsday’, ‘Masquerade’ en ‘Refelections’ hits. Ellen Lucille Thomas groeide op aan de zuidkant van Chicago, waar ze begon te zingen in een kerk. Ze vond inspiratie in de Motown-sterren, vooral in de diva's en meidengroepen. Nadat ze haar school had afgerond, had ze aanvankelijk een kantoorbaan en volgde ze acteerlessen. In 1974 ging Thomas naar New York om zich aan te melden als zangeres bij een nieuwe Broadway-show. Als lid van het koor trad ze tot 1975 verschillende keren op en was ze te horen in ‘The Wiz’, de soundtrack van de originele line-up voor de gelijknamige show. Terug in Chicago werd ze ontdekt door de Britse diskjockey en muziekproducent Ian Levine, die naar de Verenigde Staten was gekomen om talent te zoeken voor zijn nieuw opgerichte productiebedrijf Voltafine. Levin produceerde Thomas eerste single, ‘Weak Spot’, met Danny Leake en arrangeur Paul Wilson. In de Britse hitlijst kwam deze single tot de 26ste plaats in januari 1976. De single ‘Doomsday’ bereikte drie maanden later de 41ste plaats van de Britse hitlijst. De opvolgers ‘Love’s Not Just An Illusion’ en ‘My Head’s In The Stars’ schopten het niet tot de hitlijsten. Toen Thomas in 1977 nog steeds geen hit had gescoord in de Verenigde Staten bracht Levin haar naar het Verenigd Koninkrijk, waar hij samen met zijn nieuwe partner Fiachra Trench aan nieuwe titels voor Thomas werkte. Het album ‘I Wanna Make It On My Own’ werd uitgebracht in 1978. De volgende producties met Thomas werden pas vijf jaar later gemaakt. Begin 1984 kwam de hit ‘High Energy’ uit, in de muziekstijl die Hi-NRG heette. De single werd een wereldwijd succes. Alleen in de Verenigde Staten bleef het commerciële succes beperkt met de 85ste plaats als hoogste notering in de Billboard Hot 100. Enkele weken later bereikte de single ‘Masquerade’ alleen de hitlijsten in Duitsland en het Verenigd Koninkrijk. Ondanks verschillende publicaties keerde Thomas niet terug naar de hitlijsten. In 1985 had ze nog een klein succes in de Billboard dance charts met haar coverversie van The Supremes-klassieker ‘Reflections’. Evelyn Thomas ruste in vrede!

Met dank aan Leo Weijers.

AMERIKAANSE SONGWRITER & PRODUCER JERRY FULLER OVERLEDEN

De Amerikaanse songwriter en platenproducent Jerry Fuller is afgelopen donderdag op 85-jarige leeftijd in zijn woning in Sherman Oaks, Los Angeles, overleden. Fuller schreef en/of produceerde wereldhits als ‘Young Girl’ en ‘Lady Willpower’ (Gary Puckett & The Union Gap), ‘Travelin’ Man’ (Ricky Nelson), ‘Show And Tell’ (Al Wilson) en ‘The Son Of Hickory Holler’s Tramp’ (O.C. Smith). Jerry Fuller werd geboren in Fort Worth in de Amerikaanse staat Texas. Hij maakte deel uit van een muzikaal gezin. Jerry en zijn broer Bill traden op als een duo en maakten enkele opnamen voor het plaatselijke label Lin, voordat Jerry zijn eigen liedjes ging schrijven. In 1959 verhuisde hij naar Los Angeles, waar hij een platencontract kreeg bij Challenge Records. Zijn rockabilly uitvoering van ‘Tennessee Waltz’ bereikte de 63ste plaats van de Billboard Hot 100 en leverde hem een optreden op in het programma ‘American Bandstand’. In 1961 schreef Jerry het nummer ‘Travelin' Man’ dat bedoeld was voor Sam Cooke, maar een wereldhit werd voor Ricky Nelson. Fuller schreef 23 liedjes voor Nelson, waaronder zijn Amerikaanse Top 10 hits ‘A Wonder Like You’, ‘Young World’ en ‘It's Up To You’. Fuller toerde met The Champs (‘Tequila’), maar moest daarna zijn militaire dienstplicht vervullen. Na zijn ontslag uit militaire dienst, kwam Fuller voor Challenge / Four Star in New York City terecht. Daar ontdekte hij de garageband The Knickerbockers en produceerde hij hun hit ‘Lies’ (1965). In 1967 kreeg hij een contract als producer bij Columbia Records. Zijn eerste ontdekking was Gary Puckett & The Union Gap, een groep die hij toevallig tegenkwam op een bowlingbaan in San Diego. Fuller schreef en produceerde de hits ‘Young Girl’, ‘Lady Willpower’ en ‘Over You’ voor Gary Puckett & The Union Gap. Hij produceerde ook platen voor Mark Lindsay, The Peanut Butter Conspiracy en O.C. Smith (‘The Son Of Hickory Holler’s Tramp’ en ‘Little Green Apples’). In 1970 richtte Fuller zijn eigen Moonchild productiemaatschappij op en schreef en produceerde hij vervolgens ‘Show And Tell’ voor Al Wilson. Jerry Fuller ruste in vrede!

Met dank aan Leo Weijers.

STEVE HART & CLIO ‘WHATEVA U WANT’ (INCL. RANDOM SOUL REMIX)

United through their mutual love of Disco and House music, Australian producer Steve Hart and Sydney-based songbird Clio (aka Danielle Bellas) reveal their first collaborative release, ‘Whateva U Want’ on Shoosh Records. Loaded with all the essential shimmer and sparkle credentials of a Disco House floor-filler, ‘Whateva U Want’ is a declaration of love with Clio’s heartfelt vocals drizzled over a groovy soundtrack filled with classic pianos and decadent disco strings all underpinned by a funky bassline. Also on the package, popular Australian house duo Random Soul (aka Yogi & Husky), ramp up the energy, delivering an irresistible feel-good piano house vibe teased with bubbling synth hooks and bouncing beats to ignite the dance floor.

South Australia got it right when they kindled the talent by the name of Steve Hart. Known for producing all shades of house music over his rich musical career spanning a couple of decades, Steve’s productions and remixes have landed on labels such as Vicious, LW Recordings, Central Station, Poolside, and 405 Recordings, among others. In recent years, he’s had several successful releases on Shoosh Records, including ‘That Funky Jazz’, ‘Arms Of Mine’, ‘You Take Me’ and ‘Do It Again’.

London born, Sydney resident singer / songwriter Clio is the Disco diva alter ego of recording artist Danielle Bellas. Danielle has collaborated with names such as Mahoney, Rishi Rich, and Jon Reichardt. As she embarked on her new Clio project, Paul Brandoli, platinum-accredited songwriter and producer came on board, helping to cultivate and shape a sound for Clio. Clio has since been making waves on the Disco House scene with recent single releases include ‘Deeper In My Love’ (ft Dr Packer Remix) on Funk Shake and We Got Music (ft Magnolia Remix) on Clio Music.

Track Listing
1 Whateva U Want
2 Whateva U Want (Random Soul Remix)
3 Whateva U Want (Random Soul Extended Remix)
4 Whateva U Want (Radio Edit)

‘Whateva U Want’ (Incl. Random Soul Remix) will be released on Traxsource promo & streaming on July 19th / Worldwide August 2nd 2024 on Shoosh Records.

Steve Hart & Clio
‘Whateva U Want’ (Incl. Random Soul Remix)
Shoosh Records / SSHHH009
https://www.facebook.com/HartMusic8
https://www.instagram.com/danielle_bellas/?hl=en
https://www.instagram.com/randomsoul.music/?hl=en
https://www.instagram.com/stevehartmusic/?hl=en

ANTOINE GIBSON – ‘I-20 EAST’

Saxophonist/Arranger Antoine Gibson began his musical journey in 2004. Antoine graduated from FAMU in May of 2015. He currently lives in Atlanta working as a professional musician, arranger, and educator. His debut studio album titled Tales From The Eastside released in 2022.

His latest release is "I-20 East", available now.

REBECCA JADE – ‘INSANE’

Rebecca Jade is an accomplished singer/songwriter and has been able to turn her love for music into a career for close to two decades. Growing up in a musical home, she had been exposed at to a broad range of artists, genres and styles from her mother, who is also a vocalist. With such influences, it seems a natural progression that Rebecca has followed in her footsteps.

Rebecca's new single off her album A Shade of Jade is "Insane", going for adds July 22.

JAREZ FT. JULIAN VAUGHN – ‘COMING BACK AROUND’

Get ready to turn up the heat with the blazing new single from Jarez, "Coming Back Around", featuring the incredible Julian Vaughn! This hot new track is their second collaboration and it's guaranteed to be a hit.

Don't miss out – download "Coming Back Around" now on all major outlets and let the groove take you higher!

NIEUWE SINGLE ‘BONANOVA’ DOOR SAXOFONIST NANDO PICÓ

‘Bonanova’ is de derde single uit het volgende werk van saxofonist Nando Picó.

Dit nummer sluit een trilogie af die gaat van de geluiden die het dichtst bij souljazz liggen met ‘White Soul’, naar het discofunkgeluid van ‘Aire’, en nu met ‘Bonanova’ duikt Nando in meer "Afro" ritmes, zoals altijd omringd door harmonieën en geluid uit de late jaren '70 en begin jaren ‘80, in de puurste stijl van smooth jazz van die tijd.

Zonder twijfel een zeer geslaagde afsluiter van deze trilogie.

Bij deze gelegenheid wordt samengewerkt met Fer Tejero op piano en Rhodes, J.A Guerra op bas, J.C Olmo op drums en percussie en Toni López op gitaar. Iván Hannon zorgde voor productie en mixen en Josep Roig voor mastering.

U kan de single beluisteren op:

https://orcd.co/j3wenkr

LEE JONES & DAVID MARGAM – ‘CITY BEAT’

Cultural influences from Granada and Miami.

Renowned international artists David Margam and Lee Jones are pleased to announce the release of their new single, “City Beat.” This exciting track will be available on all digital platforms starting July 12, 2024.

“We want every note to inspire you to follow your dreams, to never give up, and to find beauty in every corner of your everyday life. “City Beat” is more than a song; it’s a reminder that no matter the challenges, there is always a rhythm in which we can find our way and grow.”

Lee Jones Her album, Watercolors, has remained on the list of best-selling CD releases. Her most popular song, "Once in a Lifetime," has received international jazz radio airplay and online streaming.

www.leejonesmusic.com

David Margam is a Spanish guitarist renowned for his mastery in blending musical styles. Hailing from Granada, Margam has developed an international career distinguished by his ability to merge Mediterranean rhythms with contemporary jazz and smooth grooves. His unique style and virtuosity on the guitar have enabled him to collaborate with various renowned artists and captivate audiences worldwide. With a career marked by successes and constant musical innovations, David Margam continues to be an influential figure in the current music scene.

«City Beat» is a vibrant fusion of urban sounds. "City Beat" is a vibrant fusion of urban sounds, combining the rich cultural influences of Granada and Miami. This collaboration has resulted in a unique blend of contemporary jazz, smooth & grooves and Mediterranean rhythms, creating an energetic and captivating musical experience.

www.drfunkproducciones.com

HANK BILAL FT. MICHAEL LINGTON – ‘GROOVE ME’

GRAMMY Nominated trombonist Hank Bilal was born in Winnsboro, South Carolina into a musical family where his uncles on his mother’s side all played instruments and his father played drums professionally. As with many of our southern based musicians Hank Bilal started in church, in the youth choir. Hank Bilal has shared a performance platform with many great artists, from performing on the GRAMMY awards with Aretha Franklin to Gerald Albright, Chaka Khan, Christopher William and The Clark Sisters!

Beyond being a veteran trombonist, the GRAMMY Nominated artist is also fluent in other performing areas as a pianists, singer and other brass instruments. Hank's latest release is "Groove Me" featuring Michael Lington, going for radio adds July 15.

GINO ROSARIA – ‘BRING IT ON’

Gino Rosaria, born and raised in Curaçao and now residing in Florida, has made his debut into the Contemporary Jazz scene with a Billboard charting album Still Waters Run Deep. His CD release was a sold out show which left the crowd asking for more! Gino has won several competitions and awards such as the Akademia Music Award for best Funk/Fusion with his Groove Symphony project. Gino has also performed numerous times on national television and on major jazz festivals. In 2023, Gino was inducted into the Akademia Hall of Fame in Los Angeles.

Gino's music is charting on many airplay charts, such the Billboard Smooth Jazz airplay chart and the Smooth Jazz Network charts, and can be heard on Jazz stations across the globe, including Sirius XM Radio and iHeart Radio.

FABIAN CHAVEZ IS ‘FLYING’

L.A. native, saxophonist Fabian Chavez grew up with music being the center of his life at home. His early exposure to music led him to his fascination with the drums at age 2, later adding Latin percussion and saxophone as his main instruments. Playing professionally at age 14 with different bands around LA, he knew playing music was what he wanted to do for the rest of his life. He attended California State University, Northridge where he obtained a Bachelors of Music Degree in saxophone performance with an emphasis in Jazz. 

Fabian's new single is titled “Flying,” his first for Adam Hawley’s MBF label. 

LORETTA PERRY PRESENTS HER NEW SINGLE ‘BLUE OCEAN DEEP’ FEATURING PETER PEARSON AND ROCCO VENTRELLA

Demopolis, Alabama, July 9, 2024 – The powerhouse vocalist Loretta Perry proudly unveils her latest single "Blue Ocean Deep," created in collaboration with producer Peter Pearson and saxophonist Rocco Ventrella. The song will be released on July 14, 2024, and is an impressive performance inspired by Perry's stunning voice and Ventrella's soulful saxophone solo.

Peter Pearson, renowned for his compositions of chill-out and piano instrumental music with 39 albums released, added a unique atmosphere to the song with his keyboard arrangements.

The release date of July 14 was consciously chosen to raise awareness on "Shark Awareness Day," an issue supported by Ralf Schulz, also known as JAZZCRUSADER, as a DJ and radio operator. Sharks play a pivotal role in the ecological balance of the oceans and are often misunderstood.

"Blue Ocean Deep" will be distributed via DistroKid and will be available on all major music platforms such as Spotify, Apple Music, Pandora, Amazon Music, and YouTube starting July 14.

The production of "Blue Ocean Deep" became a truly international collaboration, featuring Loretta Perry from the United States, Peter Pearson from France, Rocco Ventrella from Italy, and Ralf Schulz from Germany.

Ralf Schulz, celebrating his debut as a songwriter with "Blue Ocean Deep," looks forward to this song carrying its message to a global audience.

Credits:

Vocals: Loretta Perry Keyboards: Peter Pearson Saxophone: Rocco Ventrella Lyrics: Ralf Schulz Distribution: DistroKid Release: July 14, 2024 Recording and mastering by Peter Pearson

www.lorettaperry.com

DEEP BRIDGE BRENGT 'PRETTY WOMAN - DE MUSICAL’ VOOR HET EERST NAAR VLAANDEREN

Helle Vanderheyden in de voetsporen van Julia Roberts in musicalcomedy 

Vanaf 23 maart 2025 - Antwerpen, Gent, Hasselt

Producent Deep Bridge pakt uit met een absolute primeur en kondigt met trots 'Pretty Woman - De Musical' aan. Deze romantische musicalcomedy, gebaseerd op de iconische film, is vanaf 23 maart 2025 voor het eerst te zien in Vlaanderen. 'Pretty Woman - De Musical', met een gloednieuwe score van de Canadese superster Bryan Adams, geschreven in samenwerking met Jim Vallance, en naar het script van Garry Marshall en J.F. Lawton, speelde reeds met groot succes op Broadway en de West End. De musicalproductie, waarin ook het klassieke Roy Orbison-nummer 'Oh, Pretty Woman' voorkomt, zal bij ons opeenvolgend te zien zijn in Stadsschouwburg Antwerpen, Capitole Gent en Trixxo Theater Hasselt.

Helle Vanderheyden in de voetsporen van Julia Roberts

Vlaamse schone Helle Vanderheyden mag, exact 35 jaar na de première van de film, als 'Pretty Woman' Vivian Ward in de voetsporen treden van Hollywood-legende Julia Roberts. Mighty big shoes - of zeg maar hoge hakken - to fill, maar Helle kijkt er alvast enorm naar uit.

"Wie wil er nu niet, al is het maar voor even, in de mooie schoenen van Julia Roberts staan? Ze is een steengoede actrice en heeft van Vivian Ward echt een iconisch personage gemaakt. From zero to hero, ondanks alle tegenkanting en dat altijd ook op haar eigen, heerlijk complexloze manier. 'Pretty Woman' heeft alleszins geen geheimen voor mij, ik heb de film letterlijk al honderd keer gezien!"
 - Helle Vanderheyden -

Wie de Vlaamse Richard Gere wordt, dat is - net als de rest van de cast -  voorlopig nog een vraagteken.

'MAMMA MIA!' uitgesteld

De echte musicalfan zal vast opgemerkt hebben dat de speelperiode en locaties voor 'Pretty Woman' in Vlaanderen gelijk lopen met die van de eerder aangekondigde musical 'MAMMA MIA!'.

Door omstandigheden geheel buiten de wil van  Deep Bridge om, is de producent genoodzaakt om 'MAMMA MIA!' tijdelijk uit te stellen. Deep Bridge hoopt in de nabije toekomst nieuwe data te kunnen bevestigen en kijkt ernaar uit deze te kunnen delen met tickethouders en publiek.

Er werd dus wel meteen creatief geschakeld om de musicalfans een andere lekkernij, zijnde 'Pretty Woman - De Musical', in primeur te kunnen voorschotelen.

Ticketkopers van 'MAMMA MIA!' werden hiervan reeds op de hoogte gebracht.

Tickets & info 'Pretty Woman - De Musical' via deepbridge.be.

EERSTE SYMPTOMEN GREASEVIRUS IN VLAANDEREN – EXTRA SHOWS NIEUWE, VLAAMSE VERSIE HITMUSICAL IN GENT EN HASSELT

Vanaf 12 september 2024 in Antwerpen, Hasselt en Gent.

Hoewel de piek pas na de zomer voorspeld wordt, sluipt het Greasevirus nu al Vlaanderen binnen. Paniek hoeft er zeker niet te zijn, want na de eerste meldingen van jeukende dansbenen, een zonnig humeur, dromen over zwoele zomernachten en een onstuitbare drang naar strakke jeans, leren jekkers, brylcream en popcorn, werden de nodige maatregelen getroffen om iedereen van z'n broodnodige injectie Grease te kunnen voorzien.

Naast de eerder aangekondigde voorstellingen van de nieuwe, Vlaamse versie van de hitmusical Grease in Antwerpen, Gent en Hasselt, staan er nu al extra shows van deze onverwoestbare feelgood klassieker gepland in Capitole Gent (za 5 oktober - 15u) en Trixxo Theater Hasselt (za 12 oktober - 15u).

Met o.a. Tinne Oltmans en Danny Dorland als droomkoppel Sandy & Danny, Ruth Beeckmans als Miss Lynch, Lauren De Ruyck als de ruige Rizzo, Pieter Casteleyn als Kenickie en Thomas Van Goethem als Vince Fontaine, ben je alvast verzekerd van een fantastische en doeltreffende Greasekuur tegen deze hardnekkige, maar goedaardige microbe. 

v.l.n.r.voor: Danny Dorland, Tinne Oltmans
achter: Megane Moerenhout, Pieter Casteleyn, Ruth Beeckmans, Nina Rey, Thomas Van Goethem, Dorian Liveyns, Lauren De Ruyck

Grease staat garant voor een avond topamusement vol humor, sprankelende dans en heerlijke muziek. Het romantische verhaal van Sandy en Danny, en natuurlijk onsterfelijke hitsingles als You’re The One That I Want, Hopelessly Devoted To You, Summer Nights en Sandy, in deze swingende productie gebracht in heerlijke Nederlandstalige versies, doen het publiek nog steeds dromen.

Deze meeslepende feelgood klassieker wil je dan ook niet missen, dus let’s go together en bestel nu je tickets via greasemusical.be

Creatives
Producent: Albert Verlinde ism Senf Theaterpartners, JK Theater en House of Entertainment
Regisseur: Servé Hermans
Choreografie: Daan Wijnands
Decor & kostuumontwerp: Joris Van Veldhoven
Ontwerp haar & make-up: Sébastiaan Van Der Ham
Musical supervisor/arrangeur: Ad Van Dijk
Lichtontwerp: Marc Heinz
Geluidsontwerp: Maarten Houdijk
Associate choreografie: Lysanne Van der Sijs
Associate lichtontwerp: Jordy Veenstra
Arrangementen: Marco Braam
Casting Director: Bram Verhaak

ITALIAANSE ZANGER PINO D’ANGIO OVERLEDEN